Voices From The Street

Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life; a nice house, a pretty wife, a decent job with prospects for advancement, but he still feels unfulfilled; something is missing from his life. Hadley is an angry young man—an artist, a dreamer, a screw-up. He tries to fill his void first with drinking, and sex, and then with religious fanaticism, but nothing seems to be working, and it is driving him crazy. He reacts to the love of his wife and the kindness of his employer with anxiety and fear. One of the earliest books that Dick ever wrote, and the only novel that has never been published, Voices from the Street is the story of Hadley's descent into depression and madness, and out the other side. Most known in his lifetime as a science fiction writer, Philip K. Dick is growing in reputation as an American writer whose powerful vision is an ironic reflection of the present. This novel completes the publication of his canon. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

One of Dick's earliest books but his last to be published, this is the story of one man's descent into depression and madness - and his escape to the other side Stuart Hadley is a young radio electronics salesman in early 1950s Oakland, California. He has what many would consider the ideal life. He has a nice house, a pretty wife, a decent job with prospects for advancement - but he still feels unfulfilled. Something is missing from his life. Hadley is also an angry young man - an artist, a dreamer, a screw-up. He tries to fill his void first with drinking, then sex, and then with religious fanaticism, but nothing seems to be working and it is driving him crazy. He reacts to the love of his wife and the kindness of his employer with anxiety and fear. Is there anything that can bring him back to the world? Winner of both the HUGO and JOHN W. CAMPBELL AWARDs for BEST NOVEL, Philip K. Dick is widely regarded as the premiere science fiction writer of his day. The object of cult-like adoration from his legions of fans, he has come to be seen in a literary light that defies classification in much the same way as Borges and Calvino. With breathtaking insight, he utilizes vividly unfamiliar worlds to evoke the hauntingly and hilariously familiar in our society and ourselves.

One of the earliest books that Dick ever wrote, and the only novel that has not previously been published, "Voices from the Street" is the story of Stuart Hadley's descent into depression and madness, and out the other side.

Haight Words presents an anthology of thoughtful poetry from people sharing their experiences of being homeless on one of the most famous streets in one of the most prosperous cities in the world: San Francisco, the heart of America's tech revolution. Colorful illustrations accompanying the writings serve as a visual commentary to the growing plight in so many of our communities. Haight Words' provocative approach aims to awaken the senses through illumination of silenced voices. It sends an invitation to challenge social constructs by taking the smallest of actions toward a collective shift that can prove profoundly beneficial to all concerned.

Born in Dundee in 1938, Maureen Reynolds grew up in wartime Scotland, a young girl surrounded by adult concerns. There was the endless queuing for rations that never seemed to stretch quite far enough, the blackouts and the air raids. But, if times were hard, they were also simpler, and in Voices in the StreetMaureen remembers with great fondness her early years with her wise old grandad, the enjoyment of riding on tram cars, the weekly wash house gossip and the people and places of her childhood. When she left school at fifteen, Maureen immediately started her working life with a job at the local sweetie factory, coming of age in the era of Teddy Boys and rock 'n' roll and enjoying the dancing with her best friend Betty. Then, as Maureen grew up, she found her love, only to see him borrowed in the name of National Service. But, through good times and bad, she would never forget growing up in Dundee.

Voices from Marshall Street is the oral history of the people who lived amid the cultural richness of their neighborhood. Those who read their stories will be enriched by the spirit of the residents of Marshall Street.

“Timely . . . [the collection] paints intimate portraits of neglected places that are often used as political talking points. A good companion piece to J. D. Vance’s Hillbilly Elegy.”—Booklist The essays in Voices from the Rust Belt "address segregated schools, rural childhoods, suburban ennui, lead poisoning, opiate addiction, and job loss. They reflect upon happy childhoods, successful community ventures, warm refuges for outsiders, and hidden oases of natural beauty. But mainly they are stories drawn from uniquely personal experiences: A girl has her bike stolen. A social worker in Pittsburgh makes calls on clients. A journalist from Buffalo moves away, and misses home.... A father gives his daughter a bath in the lead-contaminated water of Flint, Michigan" (from the introduction). Where is America's Rust Belt? It's not quite a geographic region but a linguistic one, first introduced as a concept in 1984 by Walter Mondale. In the modern vernacular, it's closely associated with the "Post-Industrial Midwest," and includes Michigan, Ohio, and Pennsylvania, as well as parts of Illinois, Wisconsin, and New York. The region reflects the country's manufacturing center, which, over the past forty years, has been in decline. In the 2016 election, the Rust Belt's economic woes became a political talking point, and helped pave the way for a Donald Trump victory. But the region is neither monolithic nor easily understood. The truth is much more nuanced. Voices from the Rust Belt pulls together a distinct variety of voices from people who call the region home. Voices that emerge from familiar Rust Belt cities—Detroit, Cleveland, Flint, and Buffalo, among other places—and observe, with grace and sensitivity, the changing economic and cultural realities for generations of Americans.