Visitors Vanishings And Va Va Va Voom

Ally and her mates are most chuffed when a bunch of French boys turn up at Palace Gates school because of a French exchange. Only Jen seems a bit distracted, but Ally doesn't have time to get to the bottom of it before it's too late - Jen's pulled a vanishing act

Ally's feeling inadequate. Her only romantic experience amounts to a burping-in-mouth scenario with Keith Brownlow, but Kyra's only been in Crouch End two seconds and she's got herself a boyfriend! Even Ally's dad seems to be 'dating' - has he forgotten all about her mum? Still, Ally's not sure what's more worrying: not having a boyfriend, or being invited on a double date with Kyra, Ricardo and Ricardo's mystery mate...

Meet the Love children: oh-so-perfect Linn, airy-fairy Rowan, animal-obsessed Tor - and Ally, trying to have a normal life somewhere in the middle of it all. Which isn't easy when you live in a house that's a cross between an animal hospital and something out of 'Changing Rooms'. And then there's school and the small matter of the forgotten history project and the obnoxious new girl that - oh joy! - Ally's been nominated to look after. It's going to be a fun couple of weeks... The first in the wildly successful, utterly loveable ALLY'S WORLD series.

The second volume of writings by Los Angeles artist Mike Kelley, focusing on his own work. What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.

Nominated for the 2020 CILIP Carnegie Medal Bridie lives on the remote Scottish island of Tornish, the youngest of three sisters. Although she loves her island, with its wild seas and big skies, she guiltily nurses a secret dream of flight - to America and the freedom of the New World. But her family are struggling under the spiteful oppression of the new Laird, and it seems that even some of the Laird's own household are desperate to leave. When the Laird's full cruelty becomes apparent, there's no more time for daydreams as Bridie needs to help the people she loves escape to safety. Cover and chapter head illustrations by Jasu Hu. Map illustration by Hannah Horn. The first in a gripping, dramatic new series from much-loved author, Karen McCombie. "This involving, evocative tale, narrated by Bridie with a hint of period language, is a study of rich and poor, offering clearly-drawn characters."- Nicolette Jones, Sunday Times, Children's Book of the Week "There's heart in this Scottish adventure. . . This is (Karen's) best. It has a vivid setting, emotional punch and characters to really care about." - Alex O'Connell, The Times, Children's Book of the Week "It may all seem a far cry from the "slushy, gushy love songs" of Ally's World. And yet here, as there, McCombie displays her gift, which is to create a narrator who sounds thoroughly convincing, and to inhabit the consciousness of a child." Emily Bearn, The Telegraph "Little Bird Flies by Karen McCombie is the evocative and beautifully written tale of Bridie (Little Bird) who dreams of a bigger life than the one she's destined for on her tiny Scottish isle of Tornish. With themes of immigration and prejudice and characters you'll root for, this will appeal to fans of Emma Carroll and Marie-Louise Jensen." - Michelle Harrison, author of A Pinch of Magic

The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.

Critical Communities and Aesthetic Practices brings together eminent international philosophers to discuss the inter-dependence of critical communities and aesthetic practices. Their contributions share a hermeneutical commitment to dialogue, both as a model for critique and as a generator of community. Two conclusions emerge: The first is that one’s relationships with others will always be central in determining the social, political, and artistic forms that philosophical self-reflection will take. The second is that our practices of aesthetic judgment are bound up with our efforts as philosophers to adapt ourselves and our objects of interest to the inescapably historical and indeterminate conditions of experience. The papers collected here address the issue that critical communities and aesthetic practices are never politically neutral and can never be abstracted from their particular contexts. It is for this reason that the contributors investigate the politics, not of laws, parties or state constitutions, but of open, indefinably critical communities such as audiences, peers and friends. Critical Communities and Aesthetic Practices is distinctive in providing a current selection of prominent positions, written for this volume. Together, these comprise a pluralist, un-homogenized collection that brings into focus contemporary debates on critical and aesthetic practices.

Includes jargon, sports slang, and ethnic and regional expressions