Virgil Finlays Far Beyond

Virgil Finlay left behind thirty-five years of fantasy and science-fiction art-work - and a reputation as the most meticulous pulp magazine illustrator of his generation. Finlay sold his first professional drawings to Weird Tales magazine in 1935 and within a year he had established himself as the finest artist in his field. Throughout the 1930's, 40s and 50s, Finlay reigned supreme as the acknowledged master of black-and-white fantasy, science fiction and horror illustration. Women of the Ages offers the best of Finlay's artwork - exquisite line drawings, which display the jewel-like rendering of Finlay's painstaking technique. Women of the Ages features ravishing illustrations from the pages of Weird Tales, Famous Fantastic Mysteries, Startling Stories, American Weekly and many others. This lavish cornerstone collection showcases the work of a unique 20th century artist.

DigiCat Publishing presents to you this special edition of "The Well of the Worlds" by Henry Kuttner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The houses if Iszm. The people of Iszm live in houses created from living tree-like plants and they alone know the secret of cultivating these plants. Aliens from other worlds have been trying for decades to break the monopoly by stealing a female house-seed.

PULP FICTION LIBRARY: MYSTERY IN SPACE collects 33 of the greatest sciencefiction comic book stories ever told. Reprinting classic and nostalgic talesfrom 1946 through 1981, these short stories feature unforgettable adventurersfrom yesteryear such as Tommy Tomorrow, Space Cabby, Captain Comet, SpaceRanger, Star Hawkins, Adam Strange, Ultra the Multi-Alien, and the AtomicKnights. These sci-fi thrillers are enjoyable for both their retro campy natureas well as their historical value.

Virgil Finlay had a life-long interest in -- ghoulies and ghosties and long leggety beasties. This great artist had a preoccupation with the fantastic and weird, and the myths and legends of antiquity fascinated him and were to become his models. When changing trends brought a decline in fantasy magazine art during the 1930s and 1940s, Finlay turned to the astrology magazines which gave him an opportunity to continue with his first love, fantasy art. Almost one hundred illustrations have been assembled for this book, including three color pieces. It was Finlay's belief that they were among his finest work, and it was a dream of his to see them collected in book form. With an introduction revealing much of his approach to the subject.

Worlds Beyond Time is the definitive visual history of the spaceships, alien landscapes, cryptozoology, and imagined industrial machinery of 1970s paperback sci-fi art and the artists who created these extraordinary images. In the 1970s, mass-produced, cheaply printed science-fiction novels were thriving. The paper was rough, the titles outrageous, and the cover art astounding. Over the course of the decade, a stable of talented painters, comic-book artists, and designers produced thousands of the most eye-catching book covers to ever grace bookstore shelves (or spinner racks). Curiously, the pieces commissioned for these covers often had very little to do with the contents of the books they were selling, but by leaning heavily on psychedelic imagery, far-out landscapes, and trippy surrealism, the art was able to satisfy the same space race–fueled appetite for the big ideas and brave new worlds that sci-fi writers were boldly pushing forward. In Worlds Beyond Time: Sci-Fi Art of the 1970s, Adam Rowe—who has been curating, championing, and resurrecting the best and most obscure art that 1970s sci-fi has to offer on his blog 70s Sci-Fi Art—introduces readers to the biggest names in the genre, including Chris Foss, Peter Elson, Tim White, Jack Gaughan, and Virgil Finlay, as well as their influences. With deep dives into the subject matter that commonly appeared on these covers—spaceships, alien landscapes, fantasy realms, cryptozoology, and heavy machinery—this book is a loving tribute to a unique and robust art form whose legacy lives on both in nostalgic appreciation as well as the retro-chic design of mainstream sci-fi films such as Guardians of the Galaxy, Alien: Covenant, and Thor: Ragnarok. Includes Color Illustrations