Violent Modernities

It is believed that law and violence generally share an antithetical relationship in liberal democracies. Lawlessness is understood to produce violence, and law is invoked and deployed as a means to resist and undo that. Violent Modernities attempts to establish that this relationship is not one of animosity, but of a deep, counterintuitive intimacy and is at the base of what makes India a modern nation-state. Delving into the patterns of law and violence through the cultural imaginaries of justice, marked by the combined rise of neoliberalism and Hindutva—the book argues that legal imagination in India does not only emanate from courtrooms, legislations and judgments, but is also lived in the practices of ordinary disobediences and everyday failures. The author suggests that it is only when law can be re-imagined as such, that the violence at the foundations of state law can be unsettled.

Anything and everything may come under the rubric of violence in a society that is by and large addicted to the images of violence that are an inescapable part of contemporary reality. In the wake of recent international events, many have come to accept the perpetration of violence as morally acceptable and a just enterprise towards peace. But what is violence? How do we identify something or somebody as violent? Is violence justifiable? If so, under what circumstances? Violent Depictions addresses these and other questions on the role and nature of violence in a range of different national and historical contexts. Violent Depictions is a reflection on the relationship between violence and representation and includes a number of thematic categories such as youth violence in films, violence against women in literary and cinematic texts, gendered representations of terrorism, the violence of colonial encounters and of the remembering of institutionalised violence.

Humans of the advanced world are the most violent beings of all times. This violence is evident in the conditions of perpetual warfare and the accumulation of the most powerful and destructive arsenal ever known to humankind. It is also evident in the devastating impact of advanced world economy and cultural practices which have led to ecological devastation and the current era of mass species extinction. —one of only six mass extinction events in planetary history and the only one caused by the actions of a single species, humans. This violence is manifest in our interpersonal relationships, and the ways in which we organize ourselves through hierarchical systems that ensure the wealth and privilege of some, against the penury and misery of others. In this new and highly original book, Jeff Lewisargues that violence is deeply inscribed in human culture, thinking and expressive systems (media). Lewis contends that violence is not an inescapable feature of an aggressive human nature. Rather, violence is laced through our desires and dispositions to communalism and expressive interaction. From the near extinction of all Homo sapiens, around 74,000 years ago, the invention of culture and media enabled humans to imagine and articulate particular choices and pleasures. Organized intergroup violence or warfare emerged through the exercise of these choices and their expression through larger and increasingly complex human societies. This agitation of amplified desire, hierarchical social organization and mediated knowledge systems has created a cultural volition of violent complexity which continues into the present. Media, Culture and Human Violence examines the current conditions of conflict and harm as an expression of our violent complexity.

A harrowing look at violence among Argentina's urban poor Arquitecto Tucci, a neighborhood in Buenos Aires, is a place where crushing poverty and violent crime are everyday realities. Homicides—often involving young people—continue to skyrocket, and in the emergency room there, victims of shootings or knifings are an all-too-common sight. In Harm's Way takes a harrowing look at daily life in Arquitecto Tucci, examining the sources, uses, and forms of interpersonal violence among the urban poor at the very margins of Argentine society. Drawing on more than two years of immersive fieldwork, sociologist Javier Auyero and María Berti, an elementary school teacher in the neighborhood, provide a powerful and disarmingly intimate account of what it is like to live under the constant threat of violence. They argue that being physically aggressive becomes a habitual way of acting in poor and marginalized communities, and that violence is routine and carries across various domains of public and private life. Auyero and Berti trace how different types of violence—be it criminal, drug related, sexual, or domestic—overlap, intersect, and blur together. They show how the state is complicit in the production of harm, and describe the routines and relationships that residents, particularly children, establish to cope with and respond to the constant risk that besieges them and their loved ones. Provocative, eye-opening, and extraordinarily moving, In Harm's Way is destined to become a classic work on violence at the urban margins.

Just as cultural attitudes toward criminality were undergoing profound shifts in the late nineteenth and early twentieth centuries, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a diverse range of British and American novelists took the criminal as a case study for experimenting with forms of psychological representation while also drawing on the conventions of crime fiction in order to imagine new ways of conceptualizing the criminal mind. Matthew Levay traces the history of that attention to criminal psychology in modernist fiction, placing understudied authors like Wyndham Lewis, Dorothy Sayers, Graham Greene, and Patricia Highsmith in dialogue with more canonical contemporaries like Joseph Conrad, Henry James, Dashiell Hammett, and Gertrude Stein. Levay demonstrates criminality's pivotal role in establishing quintessentially modernist forms of psychological representation and brings to light modernism's deep but understudied connections to popular literature, especially crime fiction.

This collection of essays addresses two major issues of contemporary culture: the problem of violence in relation to notions of "difference" and power; and the role of mediation in making possible non-conflictive play of cultural differences.

Shedding light on the relationship between violence and contemporary society, this volume explores the distinctive but little-known theories of violence in the work of Georges Bataille and Jean Baudrillard, applying these to a range of violent events - events often labelled ‘inexplicable’ - in order to show how even the most extreme of acts can be seen as socially meaningful. The book offers an understanding of violence as fundamental to social relations and social organisation, departing from studies that focus on individual offenders and their psychological states to concentrate instead on the symbolic relations or exchanges between agents and between agents and the structures they find themselves inhabiting. Developing the notion of symbolic economies of violence to emphasise the volatility and ambivalence of social exchanges, Violence, Society and Radical Theory reveals the importance to our understanding of violence, of the relationship between the structural or systemic violence of consumer capitalist society and forms of ‘counter-violence’ which attack this system. A theoretically rich yet grounded expansion of that which can be considered meaningful or thinkable within sociological theory, this ground-breaking book will appeal to scholars and students of social and political theory and contemporary philosophy.