Villa Of Delirium

"Terrific."—Edmund de Waal, author of The Hare with Amber Eyes and Letters to Camondo "Makes you want to travel, do somersaults and stretches, drink champagne in evening dress, read, think ... Intoxicating."—Publishers Weekly Along the French Riviera in the early 1900s, an illustrious family in thrall to classical antiquity builds a fabulous villa—a replica of a Greek palace, complete with marble columns and frescoes depicting mythological gods. The Reinachs--related to other wealthy Jews like the Rothschilds and the Ephrussis—attempt to recreate a "pure beauty" lost in the 20th century. The narrator of this brilliant novel calls the imposing house an act of delirium, "proof that one could travel back in time, just like resetting a clock, and resist the outside world." The story of the villa and its glamorous inhabitants is recounted by the son of a servant from the nearby estate of Gustave Eiffel, designer of the Paris tower, and the two contrasting structures present opposite responses to modernity. The son is adopted by the Reinachs, initiated into the era of Socrates and instructed in classical Greek. He joins a family pilgrimage to Athens, falls in love with a married woman, and survives the Nazi confiscation of the house and deportation to death camps of Reinach grandchildren. This is a Greek epic for the modern era.

Charles Krafft's one-of-a-kind artwork moves in provocative directions, combining the highbrow with the gruesome in such works as his Disasterware (Delft-style painted plates featuring catastrophes) and Sponeware ("the human bone china"). Krafft's work has appeared in The New Yorker, Harper's Magazine, Artforum, and Juxtapoz. With 60 color photographs, the full range of his plates, paintings, and other creations is sampled in this book, which also includes biographical information on this remarkable self-taught painter. The Art of Charles Krafft documents Krafft's major shows and productions.

Set in a near-future Bolivia, this “hybrid of cyberpunk and political thrillers [is] sleek, brisk, and clever” (Entertainment Weekly). Set against a backdrop of advancing globalization, this award-winning, “fast-paced” literary thriller puts a cutting-edge digital spin on the age-old fight between the oppressed and the oppressor (The Miami Herald). The South American town of Río Fugitivo is on the verge of a social revolution—not a revolution of strikes and street riots, but a war waged electronically, in which computer viruses are the weapons and hackers the revolutionaries. In this war of information, the lives of a variety of characters become entangled: Kandinsky, the mythic leader of a group of hackers fighting the government and transnational companies; Albert, the founder of the Black Chamber, a state security firm charged with deciphering the secret codes used in the information war; and Miguel “Turing” Sáenz, the Black Chamber’s most famous codebreaker, who begins to suspect his work is not as innocent as he once supposed. All converge to create a “propulsive” novel about personal responsibility and complicity in a world defined by the ever-increasing gulfs between the global and the local, government and society, the virtual and the real (Publishers Weekly, starred review). Turing’s Delirium “combines the excitement of a political thriller with the intellectual ambition of a literary novel” (San Francisco Chronicle). “If William Gibson were a Bolivian, this might be the kind of novel he’d be writing.” —Chicago Tribune

"Engrossing ... The book reads like a detective story."―The Washington Post It all started with a list of paintings. There, scribbled by a cousin she hadn't seen for years, were the names of the masters whose works once belonged to her great-grandfather, Jules Strauss: Renoir, Monet, Degas, Tiepolo, and more. Pauline Baer de Perignon knew little to nothing about Strauss, or about his vanished, precious art collection. But the list drove her on a frenzied trail of research in the archives of the Louvre and the Dresden museums, through Gestapo records, and to consult with Nobel laureate Patrick Modiano. What happened in 1942? And what became of the collection after Nazis seized her great-grandparents’ elegant Parisian apartment? The quest takes Pauline Baer de Perignon from the Occupation of France to the present day as she breaks the silence around the wrenching experiences her family never fully transmitted, and asks what art itself is capable of conveying over time.

This book focuses on evidence-based occupational therapy in the care of older adults in different clinical settings, from home to acute hospital, from intensive care unit to rehabilitation centers and nursing homes. Occupational therapy has progressively developed as a new discipline aiming to improve the daily life of individuals of different ages, from children to older adults. The book first reviews the interaction between occupational therapy and geriatrics and then discusses in depth how occupational therapy interventions are applied in the community, in the acute hospital and in the nursing home. It highlights the key role of occupational therapy in the management of frail patients, including critically ill older patients and persons with dementia, and describes in detail how to maintain occupational therapy interventions across different settings to avoid the fragmentation of care. The ageing population requires new innovative approaches to improve the quality of life, and as such this book provides clinicians with handy, key information on how to implement occupational therapy in the daily clinical care of older adults based on the current scientific evidence.

»The Man and the Snake« is a short story by Ambrose Bierce, originally published in 1893. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«

Miller’s groundbreaking first novel, banned in Britain for almost thirty years.

"Enthralling ... A great read."—Philippe de Montebello, former director of the Metropolitan Museum of Art October 16, 1943, inside the Vatican as darkness descends upon Rome. Having been alerted to the Nazi plan to round up the city’s Jewish population the next day, Monsignor F. dispatches an envoy to a nearby palazzo to bring Ludwig Pollak and his family to safety within the papal premises. But Pollak shows himself in no hurry to leave his home and accept the eleventh-hour offer of refuge. Pollak’s visitor is obliged to take a seat and listen as he recounts his life story: how he studied archaeology in Prague, his passion for Italy and Goethe, how he became a renowned antiquities dealer and advisor to great collectors like J. P. Morgan and the Austro-Hungarian emperor after his own Jewishness barred him from an academic career, and finally his spectacular discovery of the missing arm from the majestic ancient sculpture of Laocoön and his sons. Torn between hearing Pollak’s spellbinding tale and the urgent mission to save the archaeologist from certain annihilation, the Vatican’s anxious messenger presses him to make haste and depart. This stunning novel illuminates the chasm between civilization and barbarism by spotlighting a now little-known figure devoted to knowledge and the power of artistic creation.

The second in Nathalie Léger’s acclaimed genre-defying triptych of books about the struggles and obsessions of women artists. “I believe there is a miracle in Wanda,” wrote Marguerite Duras of the only film American actress Barbara Loden ever wrote and directed. “Usually, there is a distance between representation and text, subject and action. Here that distance is completely eradicated.” It is perhaps this “miracle”—the seeming collapse of fiction and fact—that has made Wanda (1970) a cult classic, and a fascination of artists from Isabelle Huppert to Rachel Kushner to Kate Zambreno. For acclaimed French writer Nathalie Léger, the mysteries of Wanda launched an obsessive quest across continents, into archives, and through mining towns of Pennsylvania, all to get closer to the film and its maker. Suite for Barbara Loden is the magnificent result.

This book provides a comprehensive guide to delivering analgesia and sedation to critically ill patients for professionals and caregivers being involved in the management of these patients. It discusses and explains in detail the advantages and limitations of each drug and device using clear flowcharts, diagrams and tables. Furthermore, it explores the new drugs and – above all – new sedation delivery systems, particularly those for administering volatile anesthetics on ICUs. This book is a valuable and practical resource for anesthesists, intensivists and emergency physicians interested in sedation.