Vietnam Inc

Rare and highly sought-after photobook documenting the Vietnam War

Relates the Vietnam War, its aftermath and effect on their lives as seen by 65 veterans of Charlie Company, an infantry unit.

Photographs and explanatory notes document America's intervention in Vietnam, examining the destruction of the Vietnamese people and their environment.

The American experience in Vietnam divided us as a nation and eroded our confidence in both the morality and the effectiveness of our foreign policy. Yet our understanding of this tragic episode remains superficial because, then and now, we have never grasped the passionate commitment with which the Vietnamese clung to and fought over their own competing visions of what Vietnam was and what it might become. To understand the war, we must understand the Vietnamese, their culture, and their ways of looking at the world. Neil L. Jamieson, after many years of living and working in Vietnam, has written the book that provides this understanding. Jamieson paints a portrait of twentieth-century Vietnam. Against the background of traditional Vietnamese culture, he takes us through the saga of modern Vietnamese history and Western involvement in the country, from the coming of the French in 1858 through the Vietnam War and its aftermath. Throughout his analysis, he allows the Vietnamese—both our friends and foes, and those who wished to be neither—to speak for themselves through poetry, fiction, essays, newspaper editorials and reports of interviews and personal experiences. By putting our old and partial perceptions into this new and broader context, Jamieson provides positive insights that may perhaps ease the lingering pain and doubt resulting from our involvement in Vietnam. As the United States and Vietnam appear poised to embark on a new phase in their relationship, Jamieson's book is particularly timely.

The landmark, Pulitzer Prize–nominated, bestselling illustrated history, updated for the fiftieth anniversary of the Vietnam War. When it was originally published, the twenty-five-volume Vietnam Experience offered the definitive historical perspectives of the Vietnam War from some of the best rising authors on the conflict. This new and reimagined edition updates the war on the fifty years that have passed since the war’s initiation. The official successor to the Pulitzer Prize–nominated set, The American Experience in Vietnam combines the best serious historical writing about the Vietnam War with new, never-before-published photos and perspectives. New content includes social, cultural, and military analysis; a view of post-1980s Vietnam; and contextualizing discussion of US involvement in the Persian Gulf, Iraq, and Afghanistan. Even if you own the original, The American Experience in Vietnam is a necessary addition for any modern Vietnam War enthusiast. Praise for The American Experience in Vietnam “The heart of the book is a well-written, objectively presented history of the war that includes a lot of military history.” —Vietnam Veterans of America

There are many broad studies of the Vietnam War, but this work offers an insight into the harrowing experiences of just a small number of men from a single unit, deep in the jungles of Vietnam and Cambodia. Its focus is the remarkable account of a Medal of Honor recipient Leslie Sabo Jr., whose brave actions were forgotten for over three decades. Sabo and other replacement soldiers in Bravo Company, 3rd Battalion, 506th Infantry (Currahees), 101st Airborne Division, were involved in intense, bloody engagements such as the battle for Hill 474 and the Mother's Day Ambush. Beginning with their deployment at the height of the blistering Tet Offensive, and using military records and interviews with surviving soldiers, Eric Poole recreates the terror of combat amidst the jungles and rice paddies of Vietnam. Company of Heroes, now published in paperback tells the remarkable story of how Sabo earned his medal, as Bravo Company forged bonds of brotherhood in their daily battle for survival.

Gathers photographs of battle-scarred towns, soldiers, casualties, prisoners of war, and civilians suffering the effects of wars around the world.

Text by John Pilger and Philip Jones Griffiths.

Philip Jones Griffiths, for a record five years the President of Magnum Photos, created in Vietnam, Inc. a record of the war there of almost Biblical proportions. No one who has seen it will forget its haunting images. In Agent Orange he has added a postscript that is equally memorable. In 1960 the United States war machine concluded that an efficient deterrent to the enemy troops and civilians would be the devastation of the crops and forestry that afforded them both succour and cover for their operations. Initial descriptions of the scheme included "Food Denial Program", later adapted to "depriving cover for enemy troops". They gave the idea the name "Operation Hades", but were advised that "Operation Ranch Hand" was a more suitable cognomen for PR purposes. The US had developed herbicides for the task. The most infamous became known as Agent Orange after the coloured stripe on the canisters used to distribute it. The planes that carried the canisters had 'only we can prevent forests!' as a logo on their fuselages. They were right. It was very effective. Unfortunately the herbicide also contained Dioxin, probably the world's deadliest poison. In Agent Orange Philip Jones Griffiths has photographed the children and grandchildren of the farmers whose faces were lifted to the gentle rain of the poison cloud. Some maintain that the connection between the maimed subjects of Griffiths' photographs and the exposure to Agent Orange is not scientifically established. However, the compensation payments made by the herbicide manufactures to those Americans sprayed in Viet Nam refute this assertion. Historians will find it sufficient to say that there will always be collateral damage, that useful PR phrase, in war and that Philip Jones Griffiths should understand the consequences of martial endeavours. He most certainly does. He has catalogued here a pitiless series of photographs, and there can be no doubt that they should and will be recognized.