Victorian Dress In Contemporary Historical Fiction

Victorian Dress in Contemporary Historical Fiction is the first full-length study to investigate and attend to the deeply suggestive and highly symbolic iterations of Victorian women's dress in the contemporary cultural imagination. Drawing upon a range of popular and less well-studied neo-Victorian novels published between 1990 and 2014, as well as their Victorian counterparts, 19th-century illustrative material, and extant Victorian garments, Danielle Dove explores the creative possibilities afforded by dress and fashion as gendered sites of agency and affect. Focusing on the relationship between texts and textiles, she demonstrates how dress is central to the narrativization, re-formulation, and re-fashioning of the material past in the present. In its examination of the narrative trajectories, lively vitalities, and material entanglements that accrue to, and originate from, dress in the neo-Victorian novel, this study brings a fresh approach to reading Victorian sartorial culture. For researchers and students of Victorian and neo-Victorian studies, dress history, material culture, and gender studies, this volume offers a rich resource with which to illuminate the power of fashion in fiction.

In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.

How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

Set in 1850s London, at the height of Victoria's reign, Posie Graeme-Evans' glorious fourth historical novel tells of a woman ahead of her time. Ellen Gowan is a famous dress designer for ladies of high society and one of the very few women in England who owns her own business. But her life wasn't always one of such privilege. The only surviving daughter of a Cambridge scholar-turned village minister and a beautiful woman who was disowned by her family for marrying for love, Ellen had a childhood plentiful in affection, if not in currency and dresses made of fine silks. Tragedy strikes on her thirteenth birthday, when her father dies suddenly, leaving Ellen and her mother penniless and dependent upon the kindness of her mother's estranged family. Life takes Ellen down various roads of opulence and depravity until she lands in the arms of the devilishly handsome Raoul de Valentin, whom she marries. Just when Ellen realizes that she is with child, Raoul abandons her. Determined to survive, she begins her long climb to success, first by toiling at a dress factory, then opening up her own salon in the fashionable Battle Square. The Dressmaker is a romantic odyssey that takes readers into the most luxurious of ballrooms and the most squalid of brothels. It is the sweeping story of a true heroine and her quest to live life fully-to find success, to find love, in an era when such ideas were unheard of for a woman. Brimming with romance, social intrigue and rich, detailed illustrations of Victorian London and its varied inhabitants

Love, courage and humour in Victorian London Can a girl find true love ... dressed up as a man? London, in the year 1872. In Victorian England, opportunities are scarce for Joanna and her sisters. Their only hope is to marry well, but who would take one of the penniless sisters as a wife? Joanna doesn’t believe in fairy tales or princes, but she fiercely believes in herself. She decides to pursue a career of her own – by attending the prestigious Oliver Kenwood Boarding School, disguised as a boy. There is only one issue: her cunning yet fascinating teacher Charles Hanson seems to dislike her with a passion – and she finds it increasingly difficult to hold up her disguise, especially when rich and confident Abigail sets eyes on Hanson, driving Joanna inexplicably furious. To make matters worse, Joanna begins to wonder whether her secret is really safe ... Readers’ impressions „The novel takes you right into Victorian times and the witty, lighthearted story will make you smile“ „A truly entertaining mixture of romance and comedy“ „Everyone who loves London will love the novel’s historical flair“ „I really enjoyed how Joanna challenges the conventions of her time“ „A charming, funny and heartwarming read for cold winter days“ About the author Anna Jane Greenville has written and illustrated her own tales from a young age. She is absolutely fascinated with storytelling and adores romantic, adventure, contemporary, and classic novels. She can spend a whole day at the bookstore browsing the shelves. Should she have a coffee to go in hand it is destined to turn cold once she sets eyes on the new arrivals section. Travelling the UK as far south as Saint Michael's Mount or all the way north to the breath-taking Isle Of Skye is how she finds her inspiration. But it isthe author’s time in London that has contributed most to the story of her first novel "The Girl Who Was A Gentleman". You can feel London’s rich history and culture pour into the pages. Literary influences on Anna Jane Greenville’s work include her favorite authors Charles Dickens, Jane Austen, Johnston McCulley, Rainbow Rowell, and Nick Hornby.

A reluctant lady sleuth finds she's investigating her own family. 1881, Sussex. With a drowned husband—the second love lost—an overbearing family, no longed-for child, and the responsibility of a huge baroque mansion, it's not surprising Lady Helena Whitcombe is overwhelmed. When attractive, mysterious, French physician Armand Fortier disturbs her first weeks of mourning with his theory of murder, Helena's reluctant and ineffective attempts at investigation are hardly life-changing—until the resulting revival in her long-abandoned herbalist studies bring her into confrontation with her past and her family's. Can Lady Helena survive bereavement the second time around? Can she stand up to her six siblings' assumption of the right to control her new life as a widow? And what role will Fortier—who, as a physician, is a most unsuitable companion for an earl's daughter—play in her investigations? Every family has its secrets. The Scott-De Quincy family has more than most.

From the New York Times bestselling and critically acclaimed author of The Invention of Murder, an extraordinary, revelatory portrait of everyday life on the streets of Dickens' London. The nineteenth century was a time of unprecedented change, and nowhere was this more apparent than London. In only a few decades, the capital grew from a compact Regency town into a sprawling metropolis of 6.5 million inhabitants, the largest city the world had ever seen. Technology—railways, street-lighting, and sewers—transformed both the city and the experience of city-living, as London expanded in every direction. Now Judith Flanders, one of Britain's foremost social historians, explores the world portrayed so vividly in Dickens' novels, showing life on the streets of London in colorful, fascinating detail.From the moment Charles Dickens, the century's best-loved English novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities and cruelties. Now, with him, Judith Flanders leads us through the markets, transport systems, sewers, rivers, slums, alleys, cemeteries, gin palaces, chop-houses and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor. From the colorful cries of street-sellers to the uncomfortable reality of travel by omnibus, to the many uses for the body parts of dead horses and the unimaginably grueling working days of hawker children, no detail is too small, or too strange. No one who reads Judith Flanders's meticulously researched, captivatingly written The Victorian City will ever view London in the same light again.

A choice between duty and desire… After a night of passion at Victorian England’s most notorious masquerade, Arthur Harwell knows he’s met the woman of his dreams. A wealthy viscountess with deep political connections, Lavinia is surely the perfect match for the future marquess. But tragedy has left Lavinia unable to provide Arthur with the one thing he needs: an heir. Must Arthur abandon true love to satisfy aristocratic obligations? A Vow Reconsidered Ever since a tragedy twenty years ago, Arthur Harwell, the Earl of Petersham, has vowed to never fall in love again—or marry. Yet a passionate encounter with a veiled woman at a masquerade inflames his hopes, and he is determined to find her. When he discovers the stranger is Lavinia, a woman for whom he already carries a torch, he is certain his future is settled. An Old Wound Widowed, wealthy, and well-connected, Lavinia, the Viscountess Foxley-Graham, has her pick of lovers, including the far too appealing Lord Petersham. Yet a disastrous affair twenty years prior left her heartbroken and wary. She fights her demons to allow herself to fall in love with Arthur. A Doomed Attraction But disaster looms anew. As heir to the Marquessate of Richmond, Arthur is required to marry—and produce an heir. Lavinia’s scandalous liaison left her with more than just sorrow—she was rendered barren. Can Arthur reconcile familial duty with the needs of the heart? Where Destiny Plays was previously published in 2015. It has been reedited with minor revisions and has a new cover. The Harwell Heirs Victorian aristocracy has very strict rules concerning marital connections and familial obligations. But the Harwell heirs—Helena, Sophia, and Arthur—discover love doesn’t always follow the rules. Scandalous affairs force these scions of society to choose between duty and desire, deference and destiny. Book 1: The Pleasure Device Book 2: Disobedience By Design Book 3: Where Destiny Plays

A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org. Arguing that neo-Victorian fiction enacts and celebrates cultural memory, this book uses memory discourse to position these novels as dynamic participants in the contemporary historical imaginary.

A middle class home, circa 1850, of the sort that many people live in today, is the focus of Judith Flanders' book. The Victorian age is both recent and unimaginably distant. In the most prosperous and technologically advanced nation in the world, people carried slops up and down stairs; buried meat in fresh earth to prevent mould forming; wrung sheets out in boiling water with their bare hands. This drudgery was routinely performed by the parents of people still living, but the knowledge of it has passed as if it had never been. Running water, stoves, flush lavatories - even lavatory paper - arrived slowly throughout the century; and most were luxuries available only to the prosperous.