Venetian Gothic

'A riveting story of deception and corruption' Daily Mail 'A must for all Italy lovers' David Hewson Even the most beautiful city on earth has a dark side . . . It is November 2nd, 2017. All Souls Day. On the Day of the Dead, the citizens of Venice make their way to the cemetery island of San Michele to pay their respects to the departed. When an empty coffin is unearthed in the English section of the graveyard, a day of quiet reflection for Nathan Sutherland becomes a journey into the dark past of a noble Venetian family. A British journalist, investigating the events of forty years previously, disappears. A young tourist - with an unhealthy interest in Venice's abandoned islands - is found drowned in the icy lagoon. A terrible secret is about to be brought to light, and a deadly reckoning awaits on Venice's Isle of the Dead. Praise for Philip Gwynne Jones 'An unputdownable thriller' Gregory Dowling 'Pure pleasure' Literary Review 'Clever and great fun' The Times 'An irresistible concoction of crime and culture' Daily Mail 'Superb - always gripping, beautifully constructed and vivid' Stephen Glover 'Sinister and shimmering . . . as haunting and darkly elegant as Venice itself' L. S. Hilton, bestselling author of Maestra 'Gwynne Jones' entertaining take on his beloved Venice is as delightful as a Spritz by the Rialto - a must for all Italy lovers' David Hewson 'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail 'The Venetian setting is vividly described' Literary Review 'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go' Reader reviewer, 5 stars

John Ruskin, one of the most influential art critics of the 19th century, wrote more than half a million words on Venice. This is an abridged version of his opus, which still contains the essence of his original work, for those who would appreciate Venice, architecture and Ruskin's fine writing.

This book is an introduction to the vernacular (or "minor") architecture of the villages of the Venetian lagoon, excluding the historic centre of the city itself. It is intended as a companion volume to Dr Goy's "Chioggia and the Villages of the Venetian Lagoon".

The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin. Ruskin examines Venetian architecture in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city. As well as being an art historian, Ruskin was a social reformer. He set out to prove how Venetian architecture exemplified the principles he discussed in his earlier works.

Discusses the relation of Venetian color to social, cultural, and environmental factors

For the first time in a generation, leading scholars of medieval and Renaissance Venice join forces to define the current state of the field and to reveal in its rich diversity. Forays into neglected aspects of Venetian studies reveal new insights into coinage and concubinage, the first Jewish ghetto and the Fourth Crusade, and matters from dowry inflation to state spectacle to cheese...

"Thus much, however, it is necessary for the reader to know, that, when I planned the work, I had materials by me, collected at different times of sojourn in Venice during the last seventeen years, which it seemed to me might be arranged with little difficulty, and which I believe to be of value as illustrating the history of Southern Gothic. Requiring, however, some clearer assurance respecting certain points of chronology, I went to Venice finally in the autumn of 1849, not doubting but that the dates of the principal edifices of the ancient city were either ascertained, or ascertainable without extraordinary research." -Preface

"A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.