Vanishing Race The Last Grt In

A record in picture and story of the last Great Indian Council, participated in by eminent Indian Chiefs from nearly every Indian reservation in the United States, together with the story of there lives as told by themselves - There speeches and folklore tales - There solemn farewell and The Indians' story of the Custer Fight. This volume is illustrated with eighty photographs of Indian Chiefs and Indian Life and will appeal greatly to all who are interested in the Indian history. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Reproduction of the original: The Vanishing Race by Joseph K. Dixon

"The Vanishing Race" is a record in picture and story of the last great Indian council, participated in by eminent Indian chiefs from nearly every Indian reservation in the United States. This book also includes the story of their lives as told by themselves, their speeches and folklore tales, their solemn farewell, and the Indians' story of the Custer fight. Contents: Indian Imprints a Glimpse Backward The Story of the Chiefs Chief Plenty Coups Chief Red Whip Chief Timbo Chief Apache John Chief Running Bird Chief Brave Bear Chief Umapine Chief Tin-tin-meet-sa Chief Runs-the-enemy Chief Pretty Voice Eagle Folklore Tales—sioux Chief White Horse Folklore Tales—yankton Sioux Chief Bear Ghost Chief Running Fisher Bull Snake Mountain Chief Mountain Chief's Boyhood Sports Chief Red Cloud Chief Two Moons The Story of the Surviving Custer Scouts White-man-runs-him Folklore Tale—crow Hairy Moccasin Curly Goes-ahead-basuk-ore The Indians' Story of the Custer Fight The Last Great Indian Council Indian Impressions of the Last Great Council The Farewell of the Chiefs

#1 NEW YORK TIMES BESTSELLER ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES * THE WASHINGTON POST * NPR * PEOPLE * TIME MAGAZINE* VANITY FAIR * GLAMOUR 2021 WOMEN'S PRIZE FINALIST “Bennett’s tone and style recalls James Baldwin and Jacqueline Woodson, but it’s especially reminiscent of Toni Morrison’s 1970 debut novel, The Bluest Eye.” —Kiley Reid, Wall Street Journal “A story of absolute, universal timelessness …For any era, it's an accomplished, affecting novel. For this moment, it's piercing, subtly wending its way toward questions about who we are and who we want to be….” – Entertainment Weekly From The New York Times-bestselling author of The Mothers, a stunning new novel about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds, one black and one white. The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect? Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins. As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken beauty. Mourning her mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. It's not serious-- until the pregnancy. As years move by, Nadia, Luke, and her friend Aubrey are living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently?

Perhaps the most sophisticated and complex of shows in HBO's recent history, Deadwood has surprisingly little coverage in our current scholarship. Grounding contemporary anxieties about race and class, domesticity and American exceptionalism in its nineteenth-century setting, Deadwood revises our understanding of a formative period for the American nation through a re-examination of one of the main genres through which this national story has been transmitted: the Western. With contributions from scholars in American studies, literature, and film and television studies, The Last Western situates Deadwood in the context of both its nineteenth-century setting and its twenty-first-century audience. Together, these essays argue for the series as a provocative meditation on both the state and historical formation of U.S. empire, examining its treatment of sovereign power and political legitimacy, capital accumulation and dispossession, racial and gender identities, and social and family structures, while attending to the series' peculiar and evocative aesthetic forms. What emerges from this collection is the impressive range of Deadwood's often contradictory engagement with both nineteenth and twenty-first century America.

Jocelyn's twin brother Jack was everything she had growing up in a world of foster homes - and now he's dead, and she has nothing. Then she gets a cryptic letter from "Jason December" - the code name her brother used to use when he made up elaborate puzzles to fill the unhappy hours at Seale House, a terrifying foster home from their childhood. Only one other person knows about Jason December: Noah, Jocelyn's childhood crush, and their only real friend among the troubled children at Seale House. But when Jocelyn sneaks off to return to Seale House and the city where she last saw Noah, she gets more than she bargained for. Turns out Seale House's dark powers weren't just the figment of a childish information. And someone is following Jocelyn. Is Jack still alive? And if he is, what kind of trouble is he in - and how can Jocelyn and Noah help him?