Vanishing Cornwall Photographs By Christian Browning

Within the formulas of crime fiction, this collection ranges from writers Daphne du Maurier and Margery Allingham, whose names are synonymous with conventional subgenres of crime fiction, through Patricia Highsmith, and Shirley Jackson, who deliberately set conventions aside or who moved those conventions into other realms. Most important, perhaps, Jackson, Highsmith and E. X. Ferrars depict civilizations that are not essentially orderly, that are not founded upon a commonly understood concept of justice--where one must make her own order.

FROM THE BESTSELLING AUTHOR OF REBECCA 'An eloquent elegy on the past of a county she loved so much' THE TIMES 'This classic evocation of du Maurier's beloved home ranks as a work of art ... ' INDEPENDENT 'Du Maurier has no equal' SUNDAY TELEGRAPH 'There was a smell in the air of tar and rope and rusted chain, a smell of tidal water. Down harbour, around the point, was the open sea. Here was the freedom I desired, long sought-for, not yet known. Freedom to write, to walk, to wander, freedom to climb hills, to pull a boat, to be alone ... I for this, and this for me.' Daphne du Maurier lived in Cornwall for most of her life. Its rugged coastline, wild terrain and tumultuous weather inspired her imagination and many of her works are set there, including Rebecca, Jamaica Inn and Frenchman's Creek. In Vanishing Cornwall she celebrates the land she loved, exploring its legends, its history and its people, eloquently making a powerful plea for Cornwall's preservation.