Valide

The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publically adopted the stance of the viewer, speaker, writer, or patron.

Concubines and Courtesans contains sixteen essays that consider, from a variety of viewpoints, enslaved and freed women across medieval and pre-modern Islamic social history. The essays bring together arguments regarding slavery, gender, social networking, cultural production (songs, poetry and instrumental music), sexuality, Islamic family law, and religion in the shaping of Near Eastern and Islamic society over time. They range over nearly 1000 years of Islamic history - from the early, formative period (seventh to tenth century C.E.) to the late Ottoman, Safavid and Mughal eras (sixteenth to eighteenth century C.E.) - and regions from al-Andalus (Islamic Spain) to Central Asia (Timurid Iran). The close, common thread joining the essays is an effort to account for the lives, careers and representations of female slaves and freed women participating in, and contributing to, elite urban society of the Islamic realm. Interest in a gendered approach to Islamic history, society and religion has by now deep roots in Middle Eastern and Islamic studies. The shared aim of the essays collected here is to get at the wealth of these topics, and to underscore their centrality to a firm grasp on Islamic and Middle Eastern history.

Who are the Vlachs? For the first time, Mirela Roznoveanu has put Europe's original people—her people—on the map. Living for millennia hidden high in the Balkan and Dalmatian mountains, above the shifting tides of empires, the Vlachs, or Armâns, have fiercely guarded the unity in variety of their ancient way of life. Their long silence breaks at last, overflowing with mythology, history, landscape, folklore, food, customs, clothing, music, magical realism, intrigue, passion, cruelty, poetry, tragedy, and comedy. Vlachica is a force of nature—total immersion in a rich, lost world.

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Without Lazar's guiding hand and presence, the Stone Palace of Percheron has become a different place. Young Zar Boaz, mistrusting of his mother, Herezah, but too inexperienced to stand on his own, seeks counsel from the suddenly changed and secretive Vizier, who has a sinister agenda of his own. As Herezah privately grieves for Lazar, she hatches an audacious plot to destroy the odalisque Ana, who flouts the rules of the harem but has found a measure of protection in having caught the eye of Zar Boaz. And Ana shoulders a tremendous burden of guilt as she matures from a beautiful girl into a stunning young woman . . . and fears what her future in the harem might hold. Yet Lazar, unbeknownst to nearly everyone in the palace, is slowly recovering on a secret island. As he struggles to return to health, war from a distant realm threatens Percheron, and, as the cyclical battle of the gods continues to build, the first of the Goddess's disciples falls into the grip of the demon Maliz. Success or failure—for both Percheron and Lyana—hinges on Lazar, whose illness has left him with a new gift he fears is a curse, and if he cannot take action soon, all may well be lost.

The subject of this two-volume publication is an inventory of manuscripts in the book treasury of the Topkapı Palace in Istanbul, commissioned by the Ottoman sultan Bayezid II from his royal librarian ʿAtufi in the year 908 (1502–3) and transcribed in a clean copy in 909 (1503–4). This unicum inventory preserved in the Oriental Collection of the Library of the Hungarian Academy of Sciences (Magyar Tudományos Akadémia Könyvtára Keleti Gyűjtemény, MS Török F. 59) records over 5,000 volumes, and more than 7,000 titles, on virtually every branch of human erudition at the time. The Ottoman palace library housed an unmatched encyclopedic collection of learning and literature; hence, the publication of this unique inventory opens a larger conversation about Ottoman and Islamic intellectual/cultural history. The very creation of such a systematically ordered inventory of books raises broad questions about knowledge production and practices of collecting, readership, librarianship, and the arts of the book at the dawn of the sixteenth century. The first volume contains twenty-eight interpretative essays on this fascinating document, authored by a team of scholars from diverse disciplines, including Islamic and Ottoman history, history of science, arts of the book and codicology, agriculture, medicine, astrology, astronomy, occultism, mathematics, philosophy, theology, law, mysticism, political thought, ethics, literature (Arabic, Persian, Turkish/Turkic), philology, and epistolary. Following the first three essays by the editors on implications of the library inventory as a whole, the other essays focus on particular fields of knowledge under which books are catalogued in MS Török F. 59, each accompanied by annotated lists of entries. The second volume presents a transliteration of the Arabic manuscript, which also features an Ottoman Turkish preface on method, together with a reduced-scale facsimile.