Unto These Hills

Unto These Hills: A Drama of the Cherokee

No matter your place in life, this inspiring collection of 365 devotional readings is designed to bring you daily to a special place of renewal— to help you pause and gaze "unto the hills" for help and inspiration. Each of the 365 daily readings in this inspiring collection was distilled from a lifetime of study and ministry. This devotional supplies daily food for thought about living fruitfully and joyfully in an often-fretful world. Every day of the year, you can join our nation’s most beloved spiritual leader for a moment of quiet and reflection through: A carefully chosen passage of scripture A brief, thoughtful message from Billy Graham A heartfelt prayer composed especially for this devotional Simple, direct, encouraging yet challenging, this book will be a heartening companion for your daily walk in the valley. This collection is a gentle but constant reminder that we can find help for all our needs as long as we remember to look up . . . unto the hills, but especially unto the Lord, the One who can always help.

Documents the 1830s policy shift of the U.S. government through which it discontinued efforts to assimilate Native Americans in favor of forcibly relocating them west of the Mississippi, in an account that traces the decision's specific effect on the Cherokee Nation, U.S.-Indian relations, and contemporary society.

As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.

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Dr. Sloop and her husband began their lifelong dedication to the mountain people when they rode horseback into the remote hill region of North Carolina in 1909. The conditions they encountered were shockingly primitive. The people had neither doctors, nor schools and were suspicious of medicine and "larnin’." Electricity and running water were unheard of, roads were rough mountain paths and the diet consisted of "hog meat, greens and grease." The main industry was moon shining. Dr. Sloop declared a personal war on moonshiners, tracking down hidden still with a reluctant sheriff in tow. She fought against child marriages and in a region where girls often married at the age of fourteen. With the help of the mountain people, she reinvigorated the weaving trade, built a church and a modern well equipped hospital. Her spirited support of education resulted in a modern twenty-five-building school. An amazing story of a unique crusade in the hill country of North Carolina.

Faint traces of Indigenous people and their histories abound in American media, memory, and myths. Indigeneity often remains absent or invisible, however, especially in contemporary political and intellectual discourse about white supremacy, anti-Blackness, and racism in general. In this ambitious new book, Kevin Bruyneel confronts the chronic displacement of Indigeneity in the politics and discourse around race in American political theory and culture, arguing that the ongoing influence of settler-colonialism has undermined efforts to understand Indigenous politics while also hindering conversation around race itself. By reexamining major episodes, texts, writers, and memories of the political past from the seventeenth century to the present, Bruyneel reveals the power of settler memory at work in the persistent disavowal of Indigeneity. He also shows how Indigenous and Black intellectuals have understood ties between racism and white settler memory, even as the settler dimensions of whiteness are frequently erased in our discourse about race, whether in conflicts over Indian mascotry or the white nationalist underpinnings of Trumpism. Envisioning a new political future, Bruyneel challenges readers to refuse settler memory and consider a third reconstruction that can meaningfully link antiracism and anticolonialism.

Was written by John Twells (1923-2006)1st King George Gurkha Rifles as “virtually autobiographical although told in the third person” (Sellers)” A few incidents have been embellished and certain characters amalgamated”. “I have the fortune to be with Gurkhas.”