Unsympathetic Victims

When a defense attorney becomes the defendant, one small town is forced to reconsider their ideas of good and evil. Unsympathetic Victims is the first in the Ashley Montgomery Legal Thriller Series. Fans of relatable female protagonists and plot twists that keep you guessing will love Laura Snider's gripping debut novel. When successful public defender Ashley Montgomery helps acquit yet another client, people in small-town Brine, Iowa are enraged. Following the verdict, a protest breaks out - and the hated defense attorney quickly finds her life in danger. But little does Ashley know, things are about to get worse - much worse. One of her clients turns up dead, and Ashley is arrested for his murder. As local investigators Katie Mickey and George Thomanson dive into the case, they start to suspect that Ashely is being framed - but by whom? With Ashley's freedom at stake, Katie and George are desperate to find out the truth. And soon, they uncover a sinister plot born of corruption, greed, and misplaced loyalty that will leave the whole town reeling - and questioning their faith in the people they trusted most.

International in scope and varied in its theoretical approaches, this collection of ten new critical essays examines the prevailing trends in recent crime fiction. Of particular interest are shifting, and increasingly globalized, conceptions of crime, as well as the genre's response to technological, legal, and social changes at the end of the 20th century. Employing critical tools new to crime-fiction studies, the essays also gesture toward a future for genre scholarship.

Race as a Factor

Originally published in 1990, this title presents work that bridges social psychology and organizations. The primary goal is understanding, but that goal has two opposite sides: understanding organizations by bringing to bear the concepts and methods of social psychology (along with other social sciences), and understanding and developing social psychology by confronting it with the phenomena of actual organizational life. As such the authors break down some traditional stereotypical barriers between the academic world and the business world, between theoretical and applied research, between laboratory and field, and between various academic sub-disciplines. The result is a series of challenging forays into new research domains from which provocative ideas and provocative phenomena emerge.

At a time when Canadians were arguing about the merits of a new flag, the birth-control pill, and the growing hippie counterculture, the leaders of Canada's largest Protestant church were occupied with turning much of English-Canadian religious culture on its head. In After Evangelicalism, Kevin Flatt reveals how the United Church of Canada abruptly reinvented its public image by cutting the remaining ties to its evangelical past. Flatt argues that although United Church leaders had already abandoned evangelical beliefs three decades earlier, it was only in the 1960s that rapid cultural shifts prompted the sudden dismantling of the church's evangelical programs and identity. Delving deep into the United Church's archives, Flatt uncovers behind-the-scenes developments that led to revolutionary and controversial changes in the church's evangelistic campaigns, educational programs, moral stances, and theological image. Not only did these changes evict evangelicalism from the United Church, but they helped trigger the denomination's ongoing numerical decline and decisively changed Canada's religious landscape. Challenging readers to see the Canadian religious crisis of the 1960s as involving more than just Quebec's Quiet Revolution, After Evangelicalism unveils the transformation of one of Canada's most prominent social institutions.

There are six of them: heroines, heroes, wise elders, mad scientists, servants and monsters. One of the most fascinating and also endearing aspects of horror films is how they use these six clearly defined character types to portray good and evil. This was particularly true of the classics of the genre, where actors often appeared in the same type of role in many different films. The development of the archetypal characters reflected the way the genre reacted to social changes of the time. As the Great Depression yielded to the uncertainty of World War II, flawed but noble mad scientists such as Henry Frankenstein gave way to Dr. Nieman (The Ghost of Frankenstein) with his dreams of revenge and world conquest. This work details the development of the six archetypes in horror films and how they were portrayed in the many classics of the 1930s and 1940s.

An insular Amish town . . . A secret that won’t stay buried . . . Minneapolis’s star investigative reporter Riley Spartz is constantly in search of her next TV sweeps piece. When she hears that a young boy is trapped at the bottom of a sinkhole, she smells ratings. Little does she know just how big the story will be—not only does it involve a tragic murder, but the local Amish community as well. Once Riley is on the case, though, she sees that solving it will be anything but easy. When Riley finds a clue the cops have missed, she uncovers a dark web of fraud and deception in the community—driven by motives as old as the Bible: sex and money. Riley will stop at nothing to bring the killer to justice, and she is determined to do so before anyone—including herself—becomes the next target.

'Mesmerising, macabre and murderously funny. The Botanist is M.W. Craven at his sinister best. I couldn't love this series more' Chris Whitaker 'Another classy thriller from the king of Cumbrian crime' Paul Finch This is going to be the longest week of Washington Poe's life... Detective Sergeant Washington Poe can count on one hand the number of friends he has. And he'd still have his thumb left. There's the guilelessly innocent civilian analyst, Tilly Bradshaw of course. Insanely brilliant, she's a bit of a social hand grenade. He's known his beleaguered boss, Detective Inspector Stephanie Flynn for years as he has his nearest neighbour, full-time shepherd/part-time dog sitter, Victoria. And then there's Estelle Doyle. Dark and dangerous and sexy as hell. It's true the caustic pathologist has never walked down the sunny side of the street, but has she gone too far this time? Shot twice in the head, her father's murder appears to be an open and shut case. Estelle has firearms discharge residue on her hands, and, in a house surrounded by fresh snow, hers are the only footprints. Since her arrest she's only said three words: 'Tell Washington Poe.' Meanwhile, a poisoner called the Botanist is sending the nation's most reviled people poems and pressed flowers. Twisted and ingenious, he seems to be able to walk through walls and, despite the advance notice given to his victims, and regardless of the security measures taken, he is able to kill with impunity. Poe hates locked room mysteries and now he has two to solve. To unravel them he's going to have to draw on every resource he has: Tilly Bradshaw, an organised crime boss, even an alcoholic ex-journalist. Because if he doesn't, the bodies are going to keep piling up . . . Praise for The Botanist: 'Unputdownable, gripping, clever and with a rich seam of trademark Craven humour running through it' Imran Mahmood 'A sinful treat' Vaseem Khan 'Fast, furious, and utterly enjoyable.' Keith Nixon Praise for M W Craven: The Curator shortlisted for the VN Thriller of the Year 2022 & longlisted for the Crime Writers' Association Gold Dagger 2021 Dead Ground longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022 & longlisted for the Crime Writers' Association Ian Fleming Steel Dagger 2022 'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker 'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series 'Fantastic' Martina Cole 'Dark, sharp and compelling' Peter James 'A brutal and thrilling page turner' The Sun 'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron 'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark 'A gripping start to a much anticipated new series' Vaseem Khan

A collection of three page-turners in Julie Kramer’s bestselling series featuring television reporter Riley Spartz—for fans of Janet Evanovich and Sue Grafton. Silencing Sam When a widely despised gossip columnist is found shot to death, TV reporter Riley Spartz must secretly investigate a case in which she becomes the prime suspect. Amid murder, she discovers news and gossip have more in common than she ever imagined. Killing Kate Crime-solving means high ratings for Minnesota TV reporter Riley Spartz when she nails the culprit behind Silencing Sam (“Sexy, sinister.” —Linda Fairstein). But the stakes rise when Riley must piece together a serial killer’s murderous motive for Killing Kate. Shunning Sarah When Riley hears that a young boy is trapped in a sinkhole located in the peaceful Amish farm country outside Minneapolis, her reporter’s nose catches the sweet odor of a TV sweeps piece. But not even Riley realizes just how big the story really is…