Unravelling Oliver

“Searing, searching, finally scorching. Think Making a Murderer via Patricia Highsmith: an elegant kaleidoscope novel that refines and combines multiple perspectives until its subject is brought into indelible, tragic focus.” —A. J. Finn, #1 New York Times bestselling author of The Woman in the Window “Pitch-black and superbly written.” —Ruth Ware, New York Times bestselling author of The Woman in Cabin 10 “Top-notch grip lit…incredibly brilliant.” —Marian Keyes, New York Times bestselling author Oliver Ryan has the perfect life. Elegant and seductive, he wants for nothing, sharing a lovely home with his steadfast wife, Alice, who illustrates the award-winning children’s books that have brought him wealth and fame. Until one evening, after eating the dinner Alice has carefully prepared, Oliver savagely assaults her and leaves her for dead. But why? The people who know Oliver can only speculate about the reasons behind his brutal act: his empty-headed mistress Moya, vain and petulant; Veronique, the French chatelaine who tragically lost everything the summer she employed him in her vineyard; Alice’s friend Barney, who has nursed an unrequited love for her since childhood; Oliver’s college pal Michael, struggling with voiceless longings that have shamed him for years. What none of them understands is the dark secret that lies behind his immaculate façade. The revelations that come to light as the layers of Oliver’s past are peeled away are as brutal as his singular act of violence. His decades of careful deception have masked a life irrevocably marked by abandonment, envy, and shame—and as the details of that life are laid bare, Oliver discovers that outrunning his demons is harder than it looks. With its insight into the mind of a psychopath emerging from the wreckage of his own misbegotten past, Unraveling Oliver is a chilling page-turner, brilliantly crafted and unexpectedly moving, by a stunning new voice in fiction. Liz Nugent "presents a fresh look at a man hiding his violent personality in this intense character study" (Publishers Weekly, starred review). As powerful as Patricia Highsmith’s unforgettable noir classic, The Talented Mr. Ripley, Unraveling Oliver will enthrall you from its mesmerizing opening line to its equally shocking last page.

From the internationally bestselling author of Lying in Wait, a biting and masterful new “dark jewel of a novel” (A.J. Finn, #1New York Times bestselling author) that explores the many ways families can wreak emotional havoc across generations, appealing to fans of HBO’s acclaimed series Succession. All three of the Drumm brothers were at the funeral. But one of them was in the coffin. William, Brian, and Luke: three boys, born a year apart, trained from birth by their wily mother to compete for her attention. They play games, as brothers do…yet even after the Drumms escape into the world beyond their windows, those games—those little cruelties—grow more sinister, more merciless, and more dangerous. And with their lives entwined like the strands of a noose, only two of the brothers will survive. Hailed by New York Times bestselling author Shari Lapena as “brilliant, engrossing,” and perfect for fans of breathtaking suspense, Little Cruelties gazes unflinchingly into the darkness collecting in the corners of childhood homes, hiding beneath marriage beds, clasped in the palms of two brothers shaking hands. And it confirms that Liz Nugent is truly “a force to be reckoned with” (Lisa Jewell, New York Times bestselling author) in contemporary fiction.

From the international bestselling author of Unraveling Oliver comes a “dark, captivating psychological thriller” (People) lauded by A.J. Finn—#1 New York Times bestselling author of The Woman in the Window—as “extraordinary…crackles and snaps like a bonfire on a winter’s night.” My husband did not mean to kill Annie Doyle, but the lying tramp deserved it. On the surface, Lydia Fitzsimons has the perfect life: married to a respected judge, mother of a beloved son, living in the beautiful house where she was raised. That beautiful house, however, holds a secret. And when Lydia’s son, Laurence, discovers its secret, wheels are set in motion that lead to an increasingly claustrophobic and devastatingly dark climax. For fans of Ruth Ware and Gillian Flynn, this is “a devastating psychological thriller...an exquisitely uncomfortable, utterly captivating reading experience” (Publishers Weekly, starred review).

Cordelia Waldron has been living on the Côte d'Azur for ten years, posing as an English heiress. Now her money is gone and her luck is running out. Desperate to escape her grotty flat and grim reality, Cordelia spends a decadent night at the Negresco. But surrounded by the young, beautiful and privileged she feels her age and her poverty. As dawn breaks she stumbles home through the back streets. Even before she opens her door she can hear the flies buzzing. It hasn't taken long for the corpse in her bedroom to commence decomposing ... Liz Nugent's novel is the dark, twisted and shocking story of what takes Cordelia from an island childhood in Ireland to ruin in Nice.

" . . . both an excellent introduction and a thoroughgoing analysis of Kristeva's writing." —Signs "The book is a brilliant combination of a recuperative and a critical reading of Kristeva's work." —Changes: An International Journal of Psychology & Psychotherapy " . . . a thorough, detailed, and critical analysis of the writings of Julia Kristeva." —Elizabeth Grosz ". . . the most involved and engaging study of Julia Kristeva's work to date . . ." —The Year's Work in Critical and Cultural Theory This first full-scale feminist interpretation of Kristeva's work situates her within the context of French feminism. Oliver guides her readers through Kristeva's intellectual formation in linguistics, Freud, Lacan, and poetics. This comprehensive introduction to Kristeva makes accessible her important contributions to philosophy, linguistics, and psychoanalytic feminism.

For centuries, rumors have circulated in England that Lord Protector Oliver Cromwell did not die of natural causes. Now, in a fascinating book that reads like a historical whodunit, we have a motive, a means, a murderer (complete with his own deathbed confession), and a supporting cast that includes John Milton and Andrew Marvell. Almost from the moment of Cromwell's death in 1658, writers and biographers have dismissed suspicions of foul play as little more than the result of a powerful person's unexpected demise. They have assumed that at age fifty-nine Cromwell was in generally poor health and that his government's collapse was inevitable. But his family was generally long-lived and, contrary to royalist wishes, his government was becoming established. As the crucial first step toward the restoration of the Stuart monarchy in 1660, his death proved to be a turning point in British history. In a wide-ranging investigation that draws upon the fields of history, toxicology, medical forensics, and literature, H.F. McMains offers a fresh reading of evidence that has sat quietly in libraries and archives for more than two centuries. He examines the development of Cromwell's illness in 1658, analyzes his symptoms, and evaluates persons with motive, method, and opportunity to do him harm. The result is a reassessment of Cromwell's relationship with the English people and their government and a convincing investigation of his mysterious death.

After their parents are declared dead, Leo and his brother Hollis are taken in by a wealthy but distant step-uncle, and when, on his thirteenth birthday, Leo acquires the ability to hear sounds from the past when touching certain objects, he tries to use the skill to rescue a dolphin, whatever the cost.

~Lambda Literary Award finalist for the best LGBT YA novel of 2018~ A fresh, charming rom-com perfect for fans of Simon vs. the Homo Sapiens Agenda and Boy Meets Boy about Nathan Bird, who has sworn off happy endings but is sorely tested when his former best friend, Ollie, moves back to town. Nathan Bird doesn’t believe in happy endings. Although he’s the ultimate film buff and an aspiring screenwriter, Nate’s seen the demise of too many relationships to believe that happy endings exist in real life. Playing it safe to avoid a broken heart has been his MO ever since his father died and left his mom to unravel—but this strategy is not without fault. His best-friend-turned-girlfriend-turned-best-friend-again, Florence, is set on making sure Nate finds someone else. And in a twist that is rom-com-worthy, someone does come along: Oliver James Hernández, his childhood best friend. After a painful mix-up when they were little, Nate finally has the chance to tell Ollie the truth about his feelings. But can Nate find the courage to pursue his own happily ever after?

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the power of speech, the capacity to recognize faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world. There is Lilian, a concert pianist who becomes unable to read music and is eventually unable even to recognize everyday objects, and Sue, a neurobiologist who has never seen in three dimensions, until she suddenly acquires stereoscopic vision in her fifties. There is Pat, who reinvents herself as a loving grandmother and active member of her community, despite the fact that she has aphasia and cannot utter a sentence, and Howard, a prolific novelist who must find a way to continue his life as a writer even after a stroke destroys his ability to read. And there is Dr. Sacks himself, who tells the story of his own eye cancer and the bizarre and disconcerting effects of losing vision to one side. Sacks explores some very strange paradoxes—people who can see perfectly well but cannot recognize their own children, and blind people who become hyper-visual or who navigate by “tongue vision.” He also considers more fundamental questions: How do we see? How do we think? How important is internal imagery—or vision, for that matter? Why is it that, although writing is only five thousand years old, humans have a universal, seemingly innate, potential for reading? The Mind’s Eye is a testament to the complexity of vision and the brain and to the power of creativity and adaptation. And it provides a whole new perspective on the power of language and communication, as we try to imagine what it is to see with another person’s eyes, or another person’s mind.

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.