Undertones

"Undertones" by Madison Julius Cawein. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Film music, how it is used and how it is created.

This is a book soaked in salt. The seasons move through the pages, storms blow through it, and the tides rise and fall. Take a slow walk through those pages and you will see things: whelk, Spanish moss, cypress knees, a great blue heron, and the drama of salty creeks, estuaries, spartina. It is a world of movement where barnacles seethe, water pulses, shadows lengthen and nets are thrown. The language in "Undertones" is as active as the world it describes. Things flutter, slice and fly. The beautiful black and white photos reveal the same world as the prose, a world beneath our world, beside it, always there if we just have the eyes, and curiosity, to see it. Your guides to this world see more than most of us. They look deeply, below the surface and the human grid, into the mystery. But then they are generous enough bring us along, to let us see, too. The images and sentences, made by mother and son, work together to let us enter this older, shadowed world. They slow us down and let us see the poetry of old docks, encrusted driftwood, and human artifacts sand-stained and made primal. Take an hour and settle into this book, and the effect will be not unlike that of sinking down into a place.

Edmund Blunden (1896-1974) was one of the youngest of the war poets, enlisting straight from school to find himself in some of the Western Front's most notorious hot-spots. His prose memoir, written in a rich, allusive vein, full of anecdote and human interest, is unique for its quietauthority and for the potency of its dream-like narrative. Once we accept the archaic conventions and catch the tone - which can be by turns horrifying or hilarious - Undertones of War gradually reveals itself as a masterpiece. It is clear why it has remained in print since it first appeared in1928.This new edition not only offers the original unrevised version of the prose narrative, written at white heat when Blunden was teaching in Japan and had no access to his notes, but provides a great deal of supplementary material never before gathered together. Blunden's "Preliminary" expresses thelifelong compulsion he felt "to go over the ground again" and for half a century he prepared new prefaces, added annotations. All those prefaces and a wide selection of his commentaries are included here - marginalia from friends' first editions, remarks in letters, extracts from later essays, and asubstantial part of his war diary. John Greening has provided a scholarly introduction discussing the bibliographical and historical background, and brings his poet's eye to a much expanded (and more representative) selection of Blunden's war poetry. For the first time we can see the poet Blundenas the major figure he was.Blunden had always hoped for a properly illustrated edition of the work, and kept a folder full of possible pictures. The editor, with the Blunden family's help, has selected some of the best of them to include in this new edition.

Michael Bradley joined his school friend's group in Derry, Northern Ireland in the summer of 1974. They had two guitars and no singer. Four years later the Undertones recorded 'Teenage Kicks', John Peel's favourite record, and became one of the most fondly remembered UK bands of the post punk era. Sticking to their punk rock principles, they signed terrible deals, made great records and had a wonderful time. They broke up in 1983 when they realised there was no pot of gold at the end of the rock and roll rainbow. His story is a bitter-sweet, heart-warming and occasionally droll tale of unlikely success, petty feuding and playful mischief during five years of growing up in the music industry. Wiser but not much richer, Michael became a bicycle courier in Soho after the Undertones split. "Sixty miles a day, fresh air, no responsibilities," he writes. "Sometimes I think it was the best job I ever had. It wasn't, of course."

Poems and songs (without music).

"You never get a second chance to make a first impression." Have you ever heard this saying? Before we get a chance to say a word, our gestures and manners have already spoken for us. Though some of the rules of good manners change, others remain constant. This book is about the constants: the least you need to know to make a good first impression. As Clarence Thomas once said, "Good manners will open doors that the best education cannot." Use this book as a master key to open those doors.

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and shows how to apply it directly toward make-up applications Make-up artists control color the same way a painter does. They choose color palettes, match colors, blend new colors, and create designs on a canvas that is always changing. Some colors cancel others, some balance each other, and some oppose other colors. However, painters seldom have to consider inconsistencies in how their art will be lit and where it will be displayed the way that a make-up artists does. This book teaches how to mix any color using just red, yellow, blue, and white. It discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick, and ideas and techniques are also described for painting prosthetics. The book also explains how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications. Whether you are a professional or a beginner, you will never stop learning. There will always be new products, techniques, and fashions – this book provides guidance and inspiration to keep practicing, creating, and honing your skills.