Under The Umbrella

The weather has never been worse. The man with the stormy heart is soaked and he's going to be late! His mood is as black as the sky. Outside a nearby patisserie, a little boy stands under the shelter of its awning, gazing at the beautiful treats on display. When the wind snatches the man's umbrella and drops it at the child's feet, can this hasty curmudgeon slow down long enough for an unlikely friendship to blossom? Catherine Buquet's touching debut in lyrical rhyme, accompanied by Marion Arbona's bold and stylish illustrations, celebrates intergenerational friendship and the magic of sharing. It also reminds children and adults alike that bright moments can be found on even the gloomiest of days.

From this award-winning creative duo comes a stunning celebration of the joy and comfort that love can bring - wherever we roam in the big, wild world. Whatever you fear, come close my dear You're tucked in safe for always here And I will never not be near Because of our love umbrella A celebration of the joy and comfort that love can bring - in a special edition for the very smallest of readers.

“Boelts lays out Ruben’s ethical dilemma and emotional turmoil without preaching, and his struggle toward the moral choice . . . is both dramatic and genuine.” — Publishers Weekly (starred review) Ruben feels like he is the only kid without a bike. His friend Sergio reminds him that his birthday is coming, but Ruben knows his family can’t afford that. So when Ruben sees a dollar bill fall out of someone’s purse, he picks it up and puts it in his pocket. But when he gets home, he discovers it’s not one dollar or even five or ten — it’s a hundred-dollar bill, more than enough for a new bike just like Sergio’s! Finders keepers, right? Presenting a relatable story with subtlety and heart, the creative team behind Those Shoes pairs up again for a story about how hard it can be to do the right thing.

Presents research-based strategies and practical techniques for addressing various needs of girls with autism spectrum disorders. This book helps to nurture and develop their gifts and talents.

It’s not always unusual to be different, but people prefer being different. Writings are different, but no writing preaches intuitions. They lead all perceptions of the world to glide down to the writer’s background for your nominal hallucinations. Adjusting is good, but suppression and killing one’s choices are wrong. Why are females inferior in the ghost of the world and the men superior? Every wing has the right to fly. So, pillaring it under the parchment paper can lead to deaths. Let no hand pull anyone back in the drunks made by the elephant mentality trunks. Enlightenment is needed to work with honesty and support is needed at every step. It is not a loophole or weakness; it’s all about how and with whom someone adjusts virtually or literally. Under my umbrella is pronounced in the age of dynasty when no one was allowed to rule our boundary or us with no abundance of contact.

From the puppies in Philadelphia to the piglets in Wichita, here are poems and pictures for everyone to love. Color ilustrations.

In the rich and varied life stories in Under the Black Umbrella, elderly Koreans recall incidents that illustrate the complexities of Korea during the colonial period. Hildi Kang here reinvigorates a period of Korean history long shrouded in the silence of those who endured under the "black umbrella" of Japanese colonial rule. Existing descriptions of the colonial period tend to focus on extremes: imperial repression and national resistance, Japanese subjugation and Korean suffering, Korean backwardness and Japanese progress. "Most people," Kang says, "have read or heard only the horror stories which, although true, tell only a small segment of colonial life."The varied accounts in Under the Black Umbrella reveal a truth that is both more ambiguous and more human—the small-scale, mundane realities of life in colonial Korea. Accessible and attractive narratives, linked by brief historical overviews, provide a large and fully textured view of Korea under Japanese rule. Looking past racial hatred and repression, Kang reveals small acts of resistance carried out by Koreans, as well as gestures of fairness by Japanese colonizers. Impressive for the history it recovers and preserves, Under the Black Umbrella is a candid, human account of a complicated time in a contested place.

Jan Brett's New York Times bestselling picture book The Umbrella has all the rollicking fun of the woodland animals that crowd into a mitten in the snow in The Mitten. Only this time it's in a lush cloud forest as one by one, tree frog, toucan, kinkajou, baby tapir, quetzal, monkey, and jaguar crowd into an open, upside down banana umbrella until a tiny hummingbird lands and they all fall out. A shortened text for toddlers and simple Spanish phrases like "Hola!" add to the fun of reading aloud this lively board book.

“A subtle, deceptively simple book about inclusion, hospitality, and welcoming the ‘other.’” —Kirkus Reviews “A boundlessly inclusive spirit...This open-ended picture book creates a natural springboard for discussion.” —Booklist “This sweet extended metaphor uses an umbrella to demonstrate how kindness and inclusion work...A lovely addition to any library collection, for classroom use or for sharing at home.” —School Library Journal In the tradition of Alison McGhee’s Someday, beloved illustrator Amy June Bates makes her authorial debut alongside her eleven-year-old daughter with this timely and timeless picture book about acceptance. By the door there is an umbrella. It is big. It is so big that when it starts to rain there is room for everyone underneath. It doesn’t matter if you are tall. Or plaid. Or hairy. It doesn’t matter how many legs you have. Don’t worry that there won’t be enough room under the umbrella. Because there will always be room. Lush illustrations and simple, lyrical text subtly address themes of inclusion and tolerance in this sweet story that accomplished illustrator Amy June Bates cowrote with her daughter, Juniper, while walking to school together in the rain.

"Certain things are better kept than said. . . . But certain things you have to find out now. . . ." On the tumultuous streets of Manila, where the earth is as brown as a tamarind leaf and the pungent smells of vinegar and mashed peppers fill the air, where seasons shift between scorching sun and torrential rain, eleven-year-old Gringo strives to make sense of his family and a world that is growing increasingly harsher before his young eyes. There is Gringo's older brother, Pipo, wise beyond his years, a flamboyant, defiant youth and the three-time winner of the sequined Miss Unibers contest; Daddy Groovie, whiling away his days with other hang-about men, out of work and wilting like a guava, clinging to the hope of someday joining his sister in Nuyork; Gringo's mother, Estrella, moving through their ramshackle home, holding her emotions tight as a fist, which she often clenches in anger after curfew covers the neighborhood in a burst of dark; and Ninang Rola, wise godmother of words, who confides in Gringo a shocking secret from the past--and sets the stage for the profound events to come, in which no one will remain untouched by the jagged pieces of a shattered dream. As Gringo learns; shame is passed down through generations, but so is the life-changing power of blood ties and enduring love. In this lush, richly poetic novel of grinding hardship and resilient triumph, of selfless sacrifice and searing revelation, Bino A. Realuyo brings the teeming world of 1970s Manila brilliantly to life. While mapping a young boy's awakening to adulthood in dazzling often unexpected ways, The Umbrella Country subtly works sweet magic.