Under The Sky Of My Africa

A wide-ranging consideration of the nature and significance of Pushkin's African heritage Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter's godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia's greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin's African ancestry has played the role of a "wild card" of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal's legacy has been included in or excluded from Pushkin's biography over the last two hundred years can serve as a shifting marker of Russia's self-definition. The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin's blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin's era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.

Sandy lived and worked in South Africa between 1988 and 2003, years coinciding with some of the most tumultuous and significant events in the history of the nation, including the release of Mandela. Set against a background of profound political and social change, Sandy tells her personal story with honesty, passion, intelligence and humour. As a community development worker in the townships she witnessed the brutality of life under the apartheid regime yet at the same time she was bewitched by the uncrushable richness and vibrancy of the culture and traditions of the people, and the grandeur and beauty of the land. Her encounters were intense and often dangerous. While living with a black family in a township she was caught up in the violence of the 1990 Seven Day War between Inkatha and ANC factions, in which hundreds were killed. She was forced to flee from gun-wielding attackers and watched helplessly as a young man was shot dead in the driveway of her home. Through her work she met the man who was to become her husband, and began the next phase of her life as a member of an extended and welcoming traditional, rural black South African Family. Together she and her husband sought to contribute to the rebuilding and transformation of a post apartheid nation. At first it seemed their love and commitment were strong enough to overcome the prejudice of the white and black communities, prejudices that were exacerbated by their adoption of her husband's young niece, followed by the birth of their own son. But having given up so much for the love of a man of Africa, Sandy found that no amount of commitment and determination could prevent the rifts that formed within her marriage. Her final choice was unavoidable, she left her marriage and the land she loved to return to Australia and begin a new life. But she will carry forever in her heart the land that changed her life, and which she in turn sought to support on its journey towards freedom.

A 2023 Choice Reviews Outstanding Academic Title Reading Darwin in Imperial Russia: Literature and Ideas expands upon the cataloging efforts of earlier scholarship on Darwin’s reception in Russia to analyze the rich cultural context and vital historical background of writings inspired by the arrival of Darwin’s ideas in Russia. Starting with the first Russian translation of The Origin of Species in 1864, educated Russians eagerly read Darwin’s works and reacted in a variety of ways. From enthusiasm to skepticism to hostility, these reactions manifested in a variety of published works, starting with the translations themselves, as well as critical reviews, opinion journalism, literary fiction, and polemical prose. The reception of Darwin spanned reverent, didactic, ironic, and sarcastic modes of interpretation. This book examines some of the best-known authors of the second half of the nineteenth century (Dostoevsky, Chernyshevsky, Chekhov) and others less well-known or nearly forgotten (Danilevsky, Timiriazev, Markevich, Strakhov) to explore the multi-faceted impact of Darwin’s ideas on Russian educated society. While elements of Darwin’s Russian reception were comparable to other countries, each author reveals distinctly Russian concerns tied to the meaning and consequences of the challenge posed by Darwinism. The scholars in this volume demonstrate not only what the authors wrote, but why they took their unique perspectives.

It is 1834. The Eastern Cape frontier is burning. Rauch Beukes, a young Boer of 17, returns to the family homestead to find it razed, the livestock gone and his mother and sisters slaughtered by the marauding Xhosa from across the Great Fish River. So begins a tale of violence and warfare and love and lust across racial divides, painted against the

The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime. In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.

An action-packed story of love, duty and destiny, by global sensation Wilbur Smith. 'A master storyteller' - Sunday Times 'Wilbur Smith is one of those benchmarks against whom others are compared' - The Times 'No one does adventure quite like Smith' - Daily Mirror The higher you fly, the harder you fall . . . From a young age it's clear that David Morgan is a 'bird', a natural pilot, most at home in the air. His family want him to take over the family business, but David is determined to follow his destiny, and joins the South African Air Force, where he is commended for his skills. When he meets Debra, a beautiful young Israeli writer, David once again feels the pull of destiny. He joins the Israeli Defence Force and finds himself caught up in the country's struggles. But when the war separates him from Debra, David feels his two destinies pulling him apart. Can he become the man he always dreamed of being, without losing the woman he's fighting for?

An anthology of short stories by African writers from a dozen countries. The subjects range from war and politics to problems with domestics and African humor. Some stories were written in English, others are translations from Arabic, French and Portuguese. All were written in the latter part of the 20th century.

In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.

Sun and Moon must leave their earthly home after Sun invites the Sea to visit.

From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.