Uncensored Fantasies

The debut of a hot new voice in lesbian erotica. In a world where so many stifle their emotions, what woman doesn't yearn for a little old-fashioned honesty -- even if it means revealing one's own secret desires? Danielle Engle's heroines do just that -- and a great deal more -- in their quest for sexual fulfillment.

The bestselling author of My Secret Garden exposes the wild and sexy fantasies that many of us have but are afraid to share. For over thirty years, Nancy Friday has written about eros, love, beauty, and seduction. Now she returns to the territory she pioneered during the sexual revolution—exploring our most taboo sexual desires. Fans of Fifty Shades of Grey will love this provocative collection of real fantasies from dozens of women—and for the first time, men. Friday knows that forbidden sex "gets us higher faster" and explores love, lust and power through erotic tales of domination, masturbation, S&M, threesomes, and more. Beyond My Control: Forbidden Fantasies in an Uncensored Age shows that our forbidden fantasies are not compensation for a lackluster sex life, but are a critical component of our fullest selves—and how our secret desires can lead to exhilarating and satisfying sexual freedom. Praise for Nancy Friday "YOU'LL BLUSH, YOUR PULSE WILL RACE."—The New York Times "Delicious... women can share in their sisters' secrets and not feel that they are alone."—Los Angeles Times "Nancy Friday's work... demonstrate[s] beyond doubt that the emancipation of women's bodies begins with the emancipation of our minds." —Faye Wattleton, former president, Planned Parenthood Federation of America

Representing the Woman: Cinema and Psychoanalysis examines the theory and politics of representation in narrative film. Questioning current accounts of cinema's pleasures for men and women, Elizabeth Cowie draws on the psychoanalytic theory of Freud and Lacan to propose a new understanding of the relation of identification, fantasy and the drives, and of voyeurism and fetishism to the pleasures of cinema and to the making of the feminine and masculine spectators of film.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Shocking, fun, and illuminating all at once, this book dares to break the silence as men across the nation share their uncensored fantasies and innermost wants without reservation. Challenging myths about men and sexuality, over seventy fantasies from over 500 men provide reassurance to men that they are not alone -- and offer unique insight to women as to what really makes men tick!

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

"If Disneyland is the 'Happiest Place on Earth' Key West must be the sexiest. It has Fantasy Fest!" —Frank Holtzer, Bawdy Tales "Fantasy Fest is indeed a visual spectacle -- with colorful floats and dazzling costumes and acres of skin, many revelers wearing little more than bodypaint ..." —Hayes Brandwell, The Polemic Post Key West's annual Fantasy Fest is ten days of revelry, ranging from wild costumed parties to funky bikini contests to eye-popping bodypainting exhibitions. Libations flow ... inhibitions disappear ... nudity abounds. This colorful collection of photographs shows all. And the accompanying text gives you the inside scoop on Fantasy Fest, from history to parties to parades. Own the ebook for less than the cost of a Playboy Magazine; or enjoy the 8.5' x 8.5' coffee-table paperback for the price of a couple of pi–a coladas.

Martin Duberman, one of the LGBTQ+ community's maverick thinkers and historians, looks back on ninety years of life, his history in the movement, and what he's learned. In the early Sixties, Martin Duberman published a path-breaking article defending the Abolitionists against the then-standard view of them as "misguided fanatics." In 1964, his documentary play, In White America, which reread the history of racist oppression in this country, toured the country—most notably during Freedom Summer—and became an international hit. Duberman then took on the profession of history for failing to admit the inherent subjectivity of all re-creations of the past. He radically democratized his own seminars at Princeton, for which he was excoriated by powerful professors in his own department, leading him to renounce his tenured full professorship and to join the faculty of the CUNY Graduate School. At CUNY, too, he was initially blocked from offering a pioneering set of seminars on the history of gender and sexuality, but after a fifteen-year struggle succeeded in establishing the Center for Gay and Lesbian Studies—which became a beacon for emerging scholars in that new field. By the early Seventies, Duberman had broadened his struggle against injustice by becoming active in protesting the war in Vietnam and in playing a central role in forming the National Lesbian and Gay Task Force and Queers for Economic Justice. Down to the present-day he continues through his writing to champion those working for a more equitable society.

In this study of D.H.Lawrence and critical theory, Robert Burden pays particular attention to the critical formations that underpin the reception history of the main novels, including the much maligned “leadership” novels, because strong readings have always contested the meaning and significance of Lawrence, and because there has been a persistent reluctance to approach his writing through post-structuralist theory. This study demonstrates in some detail that once Lawrence’s texts are the objects of the newer critical paradigms, their principles of coherence are understood differently; and that older notions of textual unity are displaced by aesthetic structures of degrees of generic and linguistic destabilization. This enables a radicalizing of Lawrence’s fiction by drawing out its deconstructive effects on his myth-making and essentialist notions of the self. The sexual identities represented in the fiction are read as experiments, or “thought adventures”, as Lawrence himself characterized his work. The different approaches to Lawrence’s writing in this study lead to a radical reassessment of his relationship to Modernism, especially in the light of the more elastic concept of Modernism in recent discussion, and one which traditional Lawrence scholars have ignored. What emerges is a more self-deconstructive Lawrence, with some surprising results.