Unbound A Novel In Verse

From the award-winning author of All the Broken Pieces and Serafina's Promise comes a breathtaking new novel that is her most transcendent and widely accessible work to date. The day Grace is called from the slave cabins to work in the Big House, Mama makes her promise to keep her eyes down. Uncle Jim warns her to keep her thoughts tucked private in her mind or they could bring a whole lot of trouble and pain. But the more Grace sees of the heartless Master and hateful Missus, the more a rightiness voice clamors in her head-asking how come white folks can own other people, sell them on the auction block, and separate families forever. When that voice escapes without warning, it sets off a terrible chain of events that prove Uncle Jim's words true. Suddenly, Grace and her family must flee deep into the woods, where they brave deadly animals, slave patrollers, and the uncertainty of ever finding freedom. With candor and compassion, Ann E. Burg sheds light on a startling chapter of American history--the remarkable story of runaways who sought sanctuary in the Great Dismal Swamp--and creates a powerful testament to the right of every human to be free.

A luminous novel in verse from the author of the Jefferson Cup award winner ALL THE BROKEN PIECES. Serafina hasa secret dream. She wants to go to schooland become a doctorwith her best friend, Julie Marie. But in their rural villageoutside Port-au-Prince, Haiti,many obstaclesstand in Serafina’s way--little money,never-ending chores,and Manman’s worries. More powerful eventhan all of theseare the heavy rainsand the shaking earththat test Serafina’s resolvein ways she never dreamed. At once heartbreaking and hopeful,this exquisitely crafted storywill leave a lasting impressionon your heart.

'Superb, moving, beautiful' Joanna Cannon, author of The Trouble with Goats and Sheep He will be allowed to visit his mother soon. His mother who is terminally ill, his mother who he has been barred from seeing as he recovers from his own bout of pneumonia. Until then, with the help of his physiotherapist Freya, he must navigate his increasingly empty and isolated existence: his father, who finds solace in the bottom of a glass; his Nana Q, whose betting-slip confetti litters her handbag; his friends, who simply wouldn’t understand. Time passes with the promise of soon, but one hundred and fifty-two days later the boy will come face to face with his grief, and move beyond to a world full of possibility, hope and love.

Finding Baba Yaga is a mythic yet timely novel-in-verse by the beloved and prolific New York Times bestselling author and poet Jane Yolen, “the Hans Christian Andersen of America” (Newsweek). A young woman discovers the power to speak up and take control of her fate—a theme that has never been more timely than it is now... You think you know this story. You do not. A harsh, controlling father. A quiescent mother. A house that feels like anything but a home. Natasha gathers the strength to leave, and comes upon a little house in the wood: A house that walks about on chicken feet and is inhabited by a fairy tale witch. In finding Baba Yaga, Natasha finds her voice, her power, herself.... "Jane Yolen is a phenomenon: a poet and a mythmaker, who understands how old stories can tell us new things. We are lucky to have her."—Neil Gaiman

An award-winning debut novel from a stellar new voice in middle grade fiction.Matt Pin would like to forget: war torn Vietnam, bombs that fell like dead crows, and the terrible secret he left behind. But now that he is living with a caring adoptive family in the United States, he finds himself forced to confront his past. And that means choosing between silence and candor, blame and forgiveness, fear and freedom.By turns harrowing, dreamlike, sad, and triumphant, this searing debut novel, written in lucid verse, reveals an unforgettable perspective on the lasting impact of war and the healing power of love.

"A feverish story of young adulthood, exploring how fandom and obsession shape how we relate to the world . . . Dreaming of You navigates the complexities of Latinx identity, self-loathing, love, and the loneliness of drifting into adulthood." —Miguel Salazar, Vulture "At the center of this exploration of insecurities, joys, and identity stands Melissa Lozada-Oliva—an unapologetic poet who isn’t afraid of the rawness of the mind and is resilient in her writing— so much so that it feels like we’re talking to our best friend." —Bianca Pérez, Porter House Review A macabre novel in verse of loss, longing, and identity crises following a poet who resurrects pop star Selena from the dead. Melissa Lozada-Oliva's Dreaming of You is an absurd yet heartfelt examination of celebrity worship. A young Latinx poet grappling with loneliness and heartache decides one day to bring Tejano pop star Selena Quintanilla back to life. The séance kicks off an uncanny trip narrated by a Greek chorus of gossiping spirits as she journeys through a dead celebrity prom, encounters her shadow self, and performs karaoke in hell. In visceral poems embodying millennial angst, paragraph-long conversations overheard at her local coffeeshop, and unhinged Twitter rants, Lozada-Oliva reveals an eerie, sometimes gruesome, yet moving love story. Playfully morbid and profoundly candid, an interrogation of Latinidad, womanhood, obsession, and disillusionment, Dreaming of You grapples with the cost of being seen for your truest self.

What does your heart crave? Love? Intimacy? Worth? Peace? Trust? Control? The greatest human desire is to be loved. Its cavernous appetite demands satisfaction. And its quest often takes us from one relationship to another. The results have a predictable ending and we can feel betrayed by what we thought would fill our heart's void. Whether we made past sexual choices we regret or were a victim against our will, our sexual past can leave scars on our hearts. As a result, we build walls and make vows to self-protect. We lose trust in others, lose faith in God, and lose our sense of identity-hiding our true selves behind masks of our own making. "This isn't how I thought my life would go." "This isn't how I thought my story would turn out."We can't simply delete the painful chapters of our life. But what if we can truly be at peace with God and with our past? What if the Hero of our story can free us from the ghosts of the past, and instead craft a redemptive story through the pages of our life?UNBOUND is a Biblical study of hope as it will help you find freedom from the lies and ties of the past, reclaim your true identity, and unleash your God-given potential. Through the pages of UNBOUND, you are about to meet a Freedom Fighter. Stefanie doesn't fight with the weapons of this world. She isn't involved in overthrowing governments or mob mentality. Instead, she fights courageously for women who find themselves broken and spiritually stuck because of their sexual pasts. Healed from her own painful past, Stefanie Libertore surrenders her own story to offer hope that others can be free. Her passion is to encourage the Bride of Christ to rise up, embrace their healing in Christ and unleash their potential, becoming Freedom Fighters for others."

This book covers all Bernardine Evaristo’s major works: Lara (1997) and Lara (2009), The Emperor’s Babe, Soul Tourists, Blonde Roots and Hello Mum. Each chapter focuses on a particular novel, combining a close analysis of the author’s technique with a penetrating understanding of the basic themes which underlie all of Evaristo’s work. This monograph exposes that Evaristo is not simply interested in “multicultural” issues; to label them as such is to overlook her achievement as a novelist. It shows instead how Evaristo combines apparently disparate elements—for example, historical research with late-twentieth century allusions in a narrative such as The Emperor’s Babe—to show how African-Caribbeans have been coming to Britain for thousands of years. Yet Evaristo is not just interested in the African-Caribbean experience; this book shows how she tries to question those basic concepts—for example “Englishness” or “patriotism”—which lie at the heart of mainstream white culture in contemporary Britain. It argues that Evaristo is interested in alternative constructions—not only of nationalism, but of other basic issues such as race, gender and class. Her books give the chance for hitherto marginalized characters—slaves, women, or victims of a patriarchal world—to tell their stories and postulate alternative views of the world they live in. Above all, this monograph shows how Evaristo refuses to be pigeon-holed; she is not simply “a black British writer,” but someone who focuses on the interconnectedness of society. This book calls for readers to adopt a more enlightened approach, not only to issues of culture and identity, but to the work of Evaristo as a whole.

Creating a Tween Collection shows librarians how to evaluate their current juvenile and teen collections; meet all tween needs for recreation, education, and life skills; and carve out space, market, budget, and justify the need for a tween collection.

Focusing on works by Derek Walcott, Les Murray, Anne Carson, and Bernardine Evaristo, Katharine Burkitt investigates the relationship between literary form and textual politics in postcolonial narrative poems and verse-novels. Burkitt argues that these works disrupt and undermine the traditions of particular forms and genres, and most notably the expectations attached to the prose novel, poetry, and epic. This subversion of form, Burkitt argues, is an important aspect of the texts' postcoloniality as they locate themselves critically in relation to literary convention, and they are all concerned with matters of social, racial, and national identities in a world where these categories are inherently complicated. In addition, the awareness of epic tradition in these texts unites them as 'post-epics', in that as they reuse the myths and motifs of a variety of epics, they question the status of the form, demonstrate it to be inherently malleable, and regenerate its stories for the contemporary world. As she examines the ways in which postcolonial texts rewrite the traditions of classical epics for the twentieth and twenty-first centuries, Burkitt ties close textual analysis to a critical intervention in the politics of form.