U2 Live

Since their formation in 1976, U2 have played over 1,000 concerts to millions of fans around the world. Now updated to include their PopMart and Elevation tours, U2 Live: A Concert Documentary takes you along to every single U2 live performance - from 1976 to 2003. With over 500 colour and black & white photographs.

U2 planted the seeds for The Joshua Tree during an existential journey through America. As Irishmen in the 1970s, the band grew up with the belief that America was a place of freedom and prosperity, a symbol of hope and a refuge for all people. However, global politics of the 1980s undermined that impression and fostered hypocritical policies that manipulated Americans and devastated people around the world. Originally conceived as "The Two Americas," The Joshua Tree was U2's critique of America. Rather than living up to the ideal that the country was "an idea that belongs to people who need it most," the band found that America sacrificed equality and justice for populism and fascism. This book explores the political, social, and cultural themes rooted in The Joshua Tree when it was originally released in 1987 and how those themes resonated as a response to the election of Donald Trump when U2 toured for the album's 30th anniversary. The author juxtaposes the band's existential journey through America with his own journey connecting with his Irish roots by becoming a citizen in the age of Trump and places U2's and The Joshua Tree's relevance in context with the current political climate.

Underpinning the popularity of U2 is their passion for touring. For the first time the band has agreed to allow a book on this vital part of their creative energy to be published. Photographs are hand-picked from their archive.

Vancouver's Commodore Ballroom is, like New York's CBGB's and Los Angeles's Whiskey a Go-Go, one of the most venerated rock clubs in the world; originally built in 1930, it's hosted a who's-who of music greats before they made it big: The Police, The Clash, Blondie, Talking Heads, Nirvana, New York Dolls, U2, and, more recently, Lady Gaga and the White Stripes. Filled with never-before-published photographs, posters, and paraphernalia, Live at the Commodore is a visceral, energetic portrait of one of the world's great rock venues. Aaron Chapman is a musician and journalist, and the author of Liquor, Lust, and the Law.

Celebrity philanthropy comes in many guises, but no single figure better encapsulates its delusions, pretensions and wrongheadedness than U2’s iconic frontman, Bono—a fact neither sunglasses nor leather pants can hide. More than a mere philanthropist—indeed, he lags behind many of his peers when it comes to parting with his own money—Bono is better described as an advocate, one who has become an unwitting symbol of a complacent wealthy Western elite. The Frontman reveals how Bono moved his investments to Amsterdam to evade Irish taxes; his paternalistic and often bullying advocacy of neoliberal solutions in Africa; his multinational business interests; and his hobnobbing with Paul Wolfowitz and shock-doctrine economist Jeffrey Sachs. Carefully dissecting the rhetoric and actions of Bono the political operator, The Frontman shows him to be an ambassador for imperial exploitation, a man who has turned his attention to a world of savage injustice, inequality and exploitation—and helped make it worse.

In U2’s Songs of Trauma and Hope: “Between the Midnight and the Dawning", Ingunn Røysland and Charles Ivan Armstrong show that trauma is an important theme for U2. While this leads the band to confront extreme instances of grief and suffering, this does not prevent them to cross (in the words of their song “A Sort of Homecoming”) “the fields of mourning to a light that's in the distance.” Theories from trauma and memory studies are deployed in the examination of song lyrics and performances by U2, spanning from the early days of the band to more recent times. In their exploration of light and dark, of hope and trauma within the U2 catalogue, Røysland and Armstrong acknowledge the complexity of the songs, addressing different layers, including romantic as well as divine allegory. The authors also address the band’s troublesome lyrics, with an entire chapter devoted to “Sunday Bloody Sunday,” as well as the role of multidirectional memory and significant places, so-called lieux de mémoire, in U2’s dealings with a ranger of historical conflicts and crises. They further examine how music plays an important part in the path of healing from traumatic wounds, analysing the reception of the songs. Ultimately, it is suggested, U2 shows us how to get “through the night.”

Low voltage unearthed (IT) AC and DC systems are commonly applied for supply of power and control circuits in industry, transportation, medical objects etc. The main reasons for their use are high reliability and numerous advantages offered by isolating them against ground. Insulation level is a decisive factor for networks operational reliability and safety. Insufficient insulation-to-ground resistance can cause various disturbances. Though ground faults in IT systems do not make networks operation impossible, they may cause severe problems with their safe functioning. In this book the most important issues concerning normal operation and ground fault phenomena are described in concise form. Numerous methods of insulation resistance and capacitance measurement in live circuits are presented. Important other procedures of these parameters determination based on measurement and calculation are explained and reviews of selected insulation resistance measurement devices as well as earth fault locating systems are included. For the text understanding merely basic knowledge of electrical circuits theory is required. This book is addressed to electrical engineers, technicians and students of this specialty and may also serve as an academic handbook.

(Guitar Recorded Versions). Guitar transcriptions to U2's award-winning 2000 release with 11 tracks, including: Beautiful Day * Elevation * Peace on Earth * Stuck in a Moment You Can't Get Out Of * Walk On * Wild Honey * and more.

Although the event management field has grown considerably over the last decade, critical, social-scientific studies of the international events industry are rare. This book intends to help fill this void. It focuses on power, social and political relations, conflicts and controversies in the context of international events, popular festivals and famous spectacles. It draws on recent primary research and offers a diverse range of new and intriguing case studies, for example the Arirang Festival in North Korea, the Gay Games, the Gymnaestrada, horse-racing events, the London 2012 Olympics, regional and rural festivals, the World Baseball Classic, World Fairs/Expos and U2 concerts. The main aim of this volume is to bring the critical, social-scientific analysis of events, festivals and spectacles more into the core of the teaching of events management degree programmes. The book draws extensively upon the disciplines of politics, sociology, cultural studies and history. In the process, it addresses key themes such as: • political economy • politics of popular culture • the global and the local • regionalism and globalization • nations and nationalism • international relations and foreign policy. This groundbreaking collection of essays is unique and innovative. It will be an essential source for students, researchers and academics with a keen interest in critical, social-scientific analyses of events.