Twilight In Hazard

“Twilight in Hazard paints a more nuanced portrait of Appalachia than Vance did...[Maimon] eviscerates Vance's bestseller with stiletto precision.” —Associated Press From investigative reporter and Pulitzer Prize finalist Alan Maimon comes the story of how a perfect storm of events has had a devastating impact on life in small town Appalachia, and on the soul of a shaken nation . . . When Alan Maimon got the assignment in 2000 to report on life in rural Eastern Kentucky, his editor at the Louisville Courier-Journal told him to cover the region “like a foreign correspondent would.” And indeed, when Maimon arrived in Hazard, Kentucky fresh off a reporting stint for the New York Times’s Berlin bureau, he felt every bit the outsider. He had landed in a place in the vice grip of ecological devastation and a corporate-made opioid epidemic—a place where vote-buying and drug-motivated political assassinations were the order of the day. While reporting on the intense religious allegiances, the bitter, bareknuckled political rivalries, and the faltering attempts to emerge from a century-long coal-based economy, Maimon learns that everything—and nothing—you have heard about the region is true. And far from being a foreign place, it is a region whose generations-long struggles are driven by quintessentially American forces. Resisting the easy cliches, Maimon’s Twilight in Hazard gives us a profound understanding of the region from his years of careful reporting. It is both a powerful chronicle of a young reporter’s immersion in a place, and of his return years later—this time as the husband of a Harlan County coal miner’s daughter—to find the area struggling with its identity and in the thrall of Trumpism as a political ideology. Twilight in Hazard refuses to mythologize Central Appalachia. It is a plea to move past the fixation on coal, and a reminder of the true costs to democracy when the media retreats from places of rural distress. It is an intimate portrait of a people staring down some of the most pernicious forces at work in America today while simultaneously being asked: How could you let this happen to yourselves? Twilight in Hazard instead tells the more riveting, noirish, and sometimes bitingly humorous story of how we all let this happen.

From the bestselling author of Blue Bloods and Witches of East End comes a new novel that explores the battle between good and evil, in the city that never sleeps . . . Vamprires of Manhattan: The New Blue Bloods Coven You'll devour Melissa de la Cruz's hot new adult novel, in which her Blue Bloods immortals have matured and are now exposed to new challenges, new loves, new threats, and a haute, hot hipster lifestyle. It is ten years after the great War with Lucifer, and the Coven has rebuilt. Leader of the Fallen, Oliver Hazard-Perry, plans to celebrate this prosperity by throwing a 400 Year Ball-and all Blue Blood society will be there. And then, all hell breaks loose . . .

From profanity-laced clubhouse tirades and outspoken opinions on the state of the game to tears at an emotional funeral for his murdered granddaughter, Dallas Green tells his story for the first time in this autobiography. In his nearly 60 years in baseball as a pitcher; manager of three franchises, including both New York squads, the Mets and Yankees; general manager; and executive, Dallas Green has never minced words or shied away from making enemies. Though many bristled at his gruff style, nobody could argue with the result of his leadership: as manager of the Philadelphia Phillies, he led the team to a World Series championship in 1980 and as general manger of the Chicago Cubs, he pulled off one of the most lopsided trades in the history of the sport by dealing journeyman Ivan DeJesus to the Phillies in exchange for Larry Bowa and future Hall of Famer Ryne Sandberg. This larger-than-life baseball personality shares insights from the mound, the dugout, and the front office as well as anecdotes of some of the game s biggest stars and encounters with the press, player agents, and the unions. Dallas Green also shares his feelings about his granddaughter, Christina-Taylor Green, who was shot and killed by a deranged stalker in Tucson, Arizona, during an assassination attempt on the life of Arizona Congresswoman Gabrielle Giffords. Knowing that the loss of his beloved granddaughter has irrevocably changed him, Green discusses how, in the wake of her death, baseball became a coping mechanism for him."

Reflecting on his accomplishments, his colleagues, and the future of baseball, Andre Dawson tells the story of his four-decade career as a player and executive in this intimate memoir. Seriously injured at a young age, Dawson struggled with chronic pain throughout his career and was only seriously scouted by the Montreal Expos during college. Overcoming these odds, he went on to be named the National League Rookie of the Year in 1977, earn eight All-Star appearances, seven Gold Gloves, and a Most Valuable Player Award. This behind-the-scenes look at a dedicated player's journey from a segregated Miami neighborhood to the fabled halls of Cooperstown offers fans a window into the psyche of a fan favorite.

Gary Jennings's Aztec is the extraordinary story of the last and greatest native civilization of North America. Told in the words of one of the most robust and memorable characters in modern fiction, Mixtli-Dark Cloud, Aztec reveals the very depths of Aztec civilization from the peak and feather-banner splendor of the Aztec Capital of Tenochtitlan to the arrival of Hernán Cortás and his conquistadores, and their destruction of the Aztec empire. The story of Mixtli is the story of the Aztecs themselves---a compelling, epic tale of heroic dignity and a colossal civilization's rise and fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Vampire romance takes a snarky turn in this humorous novel, coming soon to TV screens as a Lifetime Original Movie! Pearl is a sixteen-year-old vampire…fond of blood, allergic to sunlight, and mostly evil…until the night a sparkly unicorn stabs her through the heart with his horn. Oops. Her family thinks she was attacked by a vampire hunter (because, obviously, unicorns don’t exist), and they’re shocked she survived. They’re even more shocked when Pearl discovers she can now withstand the sun. But they quickly find a way to make use of her new talent. The Vampire King of New England has chosen Pearl’s family to host his feast. If Pearl enrolls in high school, she can make lots of human friends and lure them to the King’s feast—as the entrées. The only problem? Pearl’s starting to feel the twinges of a conscience. How can she serve up her new friends—especially the cute guy who makes her fangs ache—to be slaughtered? Then again, she’s definitely dead if she lets down her family. What’s a sunlight-loving vamp to do?

No one can complain that in this story Mr. Howells has taken his type from the commonplace. It is a study of life in New York, and the author has brought together such a gallery of odd and strongly differentiated characters as could perhaps be found in no other city on the continent, while the conditions and phases of social life represented are not less distinctive and peculiar. The Marches, it is true, are from Boston, but they serve the purpose of external points of observation, whence to note and sufficiently to emphasize those features of our city life which of necessity strike strangers and outsiders most forcibly and with the greatest freshness of suggestion. A new magazine is founded with the money of old Dryfoos, a "natural gas millionaire," whose primary object is to give his son Conrad — a youth of saint-like character and dominant altruism — opportunity to become a businessman. The prime mover of the venture is Fulkerson, a true Western Yankee, if the phrase be allowable, whose engaging impudence, fluent slang, indomitable assurance, and substantial loyalty and goodness of heart are sure to make him as great a favorite with the reader as he is with all who know him in the story. The Marches, too, are fantastic, and nowhere has Mr. Howells better presented that peculiar American humor which finds motives for half-sarcastic jest and quip in even the most serious things, less out of lightness of heart than from an almost desperate conscious ness of hopeless incongruities and perplexities inherent in the general scheme. The picture is in itself a condemnation of and protest against that rank growth of naked materialism which is the most depressing feature of our time. The character and the faults of society are shown plainly but temperately — the spirit of levity, the love of spectacle, the repugnance to serious thinking, the absence of jealousy of popular rights, constantly encroached upon, ignored and subordinated to selfish corporate or individual interests. The aspects of the city are also most graphically and admirably described in many a wandering of the Marches, and the book exhibits an amount of local study undertaken by the author which speaks well for his conscientiousness, and adds much to the charm and permanent interest of the story. There is, as we have intimated, an unwonted variety and an unwonted force in " A Hazard of New Fortunes." If it can hardly be said to have a dominant note, it is none the less a faithful and carefully elaborated study of New York life, and it presents some of the most salient characteristics of that life in a very impressive and artistic manner. Most readers will, we think, agree with us that the change in method here shown is a change for the better. Never, certainly, has Mr. Howells written more brilliantly, more clearly, more firmly, or more attractively, than in this instance. The reversion to these strong individualizations seems to have put new vigor into his hands, and he deals with the deeper tragedies, the graver emotions of life, with a power which may perhaps be regarded as a practical demonstration of the ultimate supremacy destined to be attained by Nature over Art ; by the true over the false Realism.

A new adventure starring Lauren and her magical pony, Twilight who turns into a beautiful, snow-white unicorn when Lauren says the magic words. There's great excitement at the stables - a beautiful mare called Apple has just had a foal! The new foal is gorgeous and seems to be watching Lauren with a very wise look in his huge eyes. Lauren's excitement is spoiled when snooty Jade Roberts turns up. Jade goes to Lauren's school and used to be Twilight's owner but she sold him because he was too quiet and dull. Lauren, of course, knows better... That night Lauren and Twilight visit the foal in secret. Suddenly Twilight hears a noise and they find Jade up to no good. Apple, fiercely protective of her foal, is frightened and angry at Jade's intrusion. Even though she doesn't like Jade, Lauren knows she has to do something to help. Lauren and Twilight make a daring rescue to save Jade who has to admit that she may have been wrong about Twilight after all. Later, Lauren and Twilight discover the reason for Apple's over-protectiveness - that maybe, just maybe, Currant is a new unicorn, but they'll have to wait at least a year to find out...

Volume III in the heroic saga of magic, betrayal and adventure, The Darksword Trilogy. In the realm where magic is life, Joram was one of the Dead. Born without power, he was denies his royal birthright and sentenced to the Turning—his mind to be imprisoned inside a husk of living stone. Yet at the last moment, Saryon took his place, suffering the eternal torment for his young master, And joram and his wife Gwendolyn vanished into the mists that marked the Border of the World. . . . Now, ten years later, Joram and Gwendolyn have returned to reclaim their rightful place in Merilon. Wielding one last time the terrible, magic-thirsting Darksword, Joram must confront the evil sorcerer Menju and his army of Technologists from beyond the Border in a final apocalyptic battle. Rejoined by Saryon, the mage Mosiah and Simkin, Joram will fulfill the ancient prophecy of the Darksword—the prophecy that puts in his hands the power to destroy the world . . . or save it.