Tuning In

When the Arizona Historical Society created its hall of fame, the first inductees included Barry Goldwater, Sandra Day O'Conner and Wallace and Ladmo. This is the story of "Wallace," who was born Bill Thompson and was the creator of Arizona's most celebrated children's television show. It is a broadcasting story, chronicling how Thompson was able to keep a children's show on the air for 35 years, long after every other kids' show across the nation got the axe, longer than most shows in television history. It is also an Arizona story, telling how a wide-eyed college dropout who grew up the scion of a wealthy family in upstate New York decided to reinvent himself out West. Thompson's relatives found fortune discovering copper in the ground of Arizona. This book tells how Bill Thompson came back to claim the airwaves. What he created in Arizona was unique across the nation--a funny, topical, edgy show that entertained not only children, but also teenagers, college students, and adults. Thanks for Tuning In reveals behind-the-scenes details of Arizona's most beloved show, while telling, for the first time, Thompson's own story. It reveals how Thompson's privileged childhood served as fodder for the show's villain, Gerald. It tells the tale of Thompson's adventures as a bullfighter. And it chronicles the truth behind the end of the show, and the deterioration and reconciliation of Wallace's friendship with his partner Ladmo. For those who didn't grow up with Wallace and Ladmo, it's a chance to see what all the fuss is about. For fans, it's an illuminating glimpse into the person who greeted them on television every day. Consider it a "thanks" for tuning in.

Last night I finished reading all the rest of this lovely book. After each short chapter, rich with wisdom and love, I just kept being moved by Ron Gordons life path as poet, philosopher, educator, and person-centered practitioner. May this book soon be in many peoples hands and homes and in classrooms and therapists offices. Had Carl Rogers known Ron, I imagine he would rest well, knowing what Ron has done with his work and beyond (Gay Swenson Barfield, PhD). Gay Swenson Barfield, along with Dr. Carl Rogers, was founding codirector of the Carl Rogers Institute for Peace at the Center for Studies of the Person, La Jolla, California. She is currently in private practice as a licensed marriage and family yherapist. This book is absolutely great! Im thoroughly enjoying and benefiting from this brilliant book in countless ways. Bravo! This book will deepen and enrich your life (Noelie Rodriguez, PhD). Noelie Rodriguez is coauthor of Systematic Self-Observation (SAGE Publications) and is a professor of sociology at the HCC campus of the University of Hawaii.

This book contains everything a music educator requires to approach fine-tuning intonation with their ensemble. This resource includes intonation charts for tracking personal progress, along with extensively researched color-coded fingering charts for every instrument providing pitch tendencies and suggestions for alternate fingerings.

Armed–Disarmed Effects in Carbohydrate Chemistry: History, Synthetic and Mechanistic Studies, by Bert Fraser-Reid and J. Cristóbal López * A Survey of Ley’s Reactivity Tuning in Oligosaccharide Synthesis, by Ana M. Gómez * “Active–Latent” Thioglycosyl Donors and Acceptors in Oligosaccharide Syntheses, by Tze Chieh Shiao and René Roy * Effect of Electron-Withdrawing Protecting Groups at Remote Positions of Donors on Glycosylation Stereochemistry, by Kwan Soo Kim and Dae-Hwan Suk * Influence of Protecting Groups on the Reactivity and Selectivity of Glycosylation: Chemistry of the 4,6-O-Benzylidene Protected Mannopyranosyl Donors and Related Species, by Sylvain Aubry, Kaname Sasaki, Indrajeet Sharma and David Crich * Superarmed and Superdisarmed Building Blocks in Expeditious Oligosaccharide Synthesis, by Hemali D. Premathilake and Alexei V. Demchenko * Programmable One-Pot Glycosylation, by Chung -Yi Wu and Chi -Huey Wong * Uronic Acids in Oligosaccharide and Glycoconjugate Synthesis, by Jeroen D. C. Codée, Alphert E. Christina, Marthe T. C. Walvoort, Herman S. Overkleeft and Gijsbert A. van der Marel

This classic chronicle of the longstanding challenges of tuning and temperament devotes a chapter to each principal theory, features a glossary and numerous tables, and requires only minimal background in music theory.

How pervasive digital devices—smartphones, iPods, GPS navigation systems, and their networks—us formulate a sense of place and refine social relationships How do pervasive digital devices—smartphones, iPods, GPS navigation systems, and cameras, among others—influence the way we use spaces? In The Tuning of Place, Richard Coyne argues that these ubiquitous devices and the networks that support them become the means of making incremental adjustments within spaces—of tuning place. Pervasive media help us formulate a sense of place, writes Coyne, through their capacity to introduce small changes, in the same way that tuning a musical instrument invokes the subtle process of recalibration. Places are inhabited spaces, populated by people, their concerns, memories, stories, conversations, encounters, and artifacts. The tuning of place—whereby people use their devices in their interactions with one another—is also a tuning of social relations. The range of ubiquity is vast—from the familiar phones and hand-held devices through RFID tags, smart badges, dynamic signage, microprocessors in cars and kitchen appliances, wearable computing, and prosthetics, to devices still in development. Rather than catalog achievements and predictions, Coyne offers a theoretical framework for discussing pervasive media that can inform developers, designers, and users as they contemplate interventions into the environment. Processes of tuning can lead to consideration of themes highly relevant to pervasive computing: intervention, calibration, wedges, habits, rhythm, tags, taps, tactics, thresholds, aggregation, noise, and interference.

Television has been called the "boob tube," "goof box," and even a "vast wasteland" of American culture. Yet, for all its banality, television is in many ways a mirror of culture, and communicates messages within culture through the multiple channels of visual images, language, sound, and music. All of these channels contain their own unique coded messages to create the larger meaningful text of television. As one of these sensory channels, music contributes to meaning in television through its artistic language and through television viewers' association of music with certain aspects of culture. Music has always been an integral part of the American television, even from its earliest days. Like its parent medium of radio, television broadcasts music to entertain viewers with live and video taped performances, but music has also come to play a much larger role in television beyond its pleasurable performance aspects. Music is used in narrative programs to evoke moods and identify characters and setting, it is used to sell products through commercial jingles, and most importantly, music generally aids broadcast television in navigating through the continuous "flow" of daily programming. This navigational aspect of television music is a distinctive feature, and functions to transport the viewer through three "spaces" of TV: the flow of the televisual apparatus, with commercials, newbreaks, and promos; the storyworld of each narrative program, and the representational space between narrative and flow. As Heard on TV is an examination and analysis of music in American television during the first fifty years of its history. The book focuses on how music has functioned to serve as a navigator through the flow of television and contributing to structure narrative programs, while also conveying meaning to its viewers by correlating with the images and sounds that it accompanies. Drawing from precedents of the cinema and radio, the book examines music in a number of "classic" television genres by positing a theory of "functional musical spaces" adapted from theories of Charles Morris, Umberto Eco, John Fiske, and others.

With contributions from some of the most notable experts in the field, Performance Tuning of Scientific Applications presents current research in performance analysis. The book focuses on the following areas.Performance monitoring: Describes the state of the art in hardware and software tools that are commonly used for monitoring and measuring perf

Hundreds of chords and voicings for four guitar tunings, seven banjo tunings, three dobro and three fiddle tunings, plus ukelele and tenor guitar. An indispensable guide for the folk, bluegrass, pop, blues and rock musician.