Tudor Textiles

A detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. Indeed, in 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated book tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets, lavish embroidery, and more within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade, including previously unstudied encounters between the New World and the Elizabethan court. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival—and unsurpassed display of golden textiles—held in 1520. Even half a millennium later, such extraordinary works remain Tudor society’s strongest projection of wealth, taste, and ultimately power.

The paperback edition of this captivating story of Tudor dress, and the people who made and wore it The Tudors are some of the best-known figures in history. They continue, even today, to spark our curiosity and imagination. Their enduring popularity is no doubt partly due to the iconic portraits in which they are depicted, in farthingales and ruffs, furs and jewels, codpieces and cloaks, and vast expanses of velvet and silk. Far from being mere decoration, fashion was pivotal in the communication of status and power. This paperback edition of Tudor Textiles presents insights into the fashions of the Tudor dynasty. Histories of Kings and Queens complement stories of unsung dressmakers, laundresses, and officials charged with maintaining and transporting the immense Tudor wardrobes from palace to palace. Evidence from rare surviving garments and textiles, original documents, fine and decorative art, and archaeological findings enhance our understanding of the Tudors and their courts. Handsomely illustrated, this sumptuous book contextualizes Tudor dress and fills in gaps in our knowledge of the period and its fascinating historical figures.

Essential source book for reconstructing clothing 1509 to 1603.

The essays here take us from the twelfth century, with an exploration of an inventory of Mediterranean textiles from an Ifriqiyan Church, into an examination and reconstruction of an extant thirteenth-century sleeve in France which provides a rare and early example of medieval quilted armour, and finally on to late medieval Sweden and the reconstruction of gilt-leather intarsia coverlets. A study of construction techniques and the evolution of form of gable and French hoods in the late medieval and the early modern periods follows; and the volume alos includes a study of how underwear for depicted in Renaissance paintings and manuscript illuminations serves as a marker of class.

This book provides photographs of portraits, miniatures, tomb sculptures, engravings, woven textiles and embroideries of clothes found in the wardrobe of Queen Elizabeth. It is an invaluable reference for students of the history of dress and embroidery, for social historians and art historians.

The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl

Forty-five handsome, ready-to-color plates depict styles worn by all social classes in 15th- and 16th-century England -- from woolen tunics of country workers to elegant apparel of Tudor monarchs. Captions.

Monumental study of English fashions from 1485 through 1603 surveys clothing worn by all classes and includes headgear, hairstyles, jewelry, collars, footwear, and other accessories. 1,000 black-and-white figures. 24 halftones. 22 color plates.

Jacobean Embroidery: Its Forms and Fillings, Including Late Tudor is an exquisite anthology that explores the rich tapestry of embroidery arts from the Jacobean and late Tudor periods. This collection amalgamates a diverse range of literary styles to scrutinize the intricate patterns, cultural significances, and the evolution of embroidery techniques during these eras. The anthology stands out not only for its comprehensive coverage of the subject matter but also for its dedication to showcasing the diversity within these historic embroidery forms, highlighting the blend of aesthetics across different social and economic groups. The contributing authors, A.F. Morris Hands and Ada Wentworth Fitzwilliam, bring to this collection a profound depth of knowledge and a plethora of perspectives grounded in their rich backgrounds in the study of textiles and historical embroidery. Their combined efforts illuminate the broader cultural, societal, and artistic movements of the Jacobean and late Tudor periods, enriching readers' understanding of the era's aesthetics and its impact on contemporary embroidery practices. Their scholarly approach offers a unique window into the past, linking historical context with the intricate beauty of embroidery art. This anthology is an indispensable resource for enthusiasts of textile arts, history scholars, and anyone keen on exploring the evolution of embroidery. By delving into Jacobean Embroidery: Its Forms and Fillings, Including Late Tudor, readers are granted a unique opportunity to traverse time through the lens of fabric and thread, uncovering the myriad ways these artistic expressions contribute to our understanding of history and culture. The collection not only educates but also inspires a deeper appreciation for the craftsmanship and aesthetic sensibility of past centuries, making it a must-read for those eager to connect with the historical narrative through the intricate beauty of embroidery.

"Campbell sheds light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. He challenges the predominantly text-driven histories of the period and offers a fresh perspective on the life of Henry VIII"--OCLC