Tropical Versailles

This engaging study tells the fascinating story of the only European empire to relocate its capital to the New World.

After emerging victorious from their revolution against the British Empire, many North Americans associated commercial freedom with independence and republicanism. Optimistic about the liberation movements sweeping Latin America, they were particularly eager to disrupt the Portuguese Empire. Anticipating the establishment of a Brazilian republic that they assumed would give them commercial preference, they aimed to aid Brazilian independence through contraband, plunder, and revolution. In contrast to the British Empire's reaction to the American Revolution, Lisbon officials liberalized imperial trade when revolutionary fervor threatened the Portuguese Empire in the 1780s and 1790s. In 1808, to save the empire from Napoleon's army, the Portuguese court relocated to Rio de Janeiro and opened Brazilian ports to foreign commerce. By 1822, the year Brazil declared independence, it had become the undisputed center of U.S. trade with the Portuguese Empire. However, by that point, Brazilians tended to associate freer trade with the consolidation of monarchical power and imperial strength, and, by the end of the 1820s, it was clear that Brazilians would retain a monarchy despite their independence. Smugglers, Pirates, and Patriots delineates the differences between the British and Portuguese empires as they struggled with revolutionary tumult. It reveals how those differences led to turbulent transnational exchanges between the United States and Brazil as merchants, smugglers, rogue officials, slave traders, and pirates sought to trade outside legal confines. Tyson Reeder argues that although U.S. traders had forged their commerce with Brazil convinced that they could secure republican trade partners there, they were instead forced to reconcile their vision of the Americas as a haven for republics with the reality of a monarchy residing in the hemisphere. He shows that as twilight fell on the Age of Revolution, Brazil and the United States became fellow slave powers rather than fellow republics.

In a time of terror for Europe’s monarchs—imprisoned, exiled, executed—Napoleon’s army marched toward Lisbon. Cornered, Prince Regent João had to make the most fraught decision of his life. Protected by the British Navy, he fled to Brazil with his entire family, including his deranged mother, most of the nobility, and the entire state apparatus. Until then, no European monarch had ever set foot in the Americas. Thousands made the voyage, but it was no luxury cruise. It took two months in cramped, decrepit ships. Lice infested some of the vessels, and noble women had to shave their hair and grease their bald heads with antiseptic sulfur. Vermin infested the food, and bacteria contaminated the drinking water. Sickness ran rampant. After landing in Brazil, Prince João liberated the colony from a trade monopoly with Portugal. As explorers mapped the burgeoning nation’s distant regions, the prince authorized the construction of roads, the founding of schools, and the creation of factories, raising Brazil to kingdom status in 1815. Meanwhile, Portugal was suffering the effects of abandonment, war, and famine. Never had the country lost so many people in so little time. Finally, after Napoleon’s fall and over a decade of misery, the Portuguese demanded the return of their king. João sailed back in tears in 1821, and the last chapter of colonial Brazil drew to a close, setting the stage for the strong, independent nation that we know today, changing the New World forever.

This book examines a neglected aspect of the Enlightenment to demonstrate how it influenced the future shape of Spain, Portugal and their American territories.

In 1858 François-Auguste Biard, a well-known sixty-year-old French artist, arrived in Brazil to explore and depict its jungles and the people who lived there. What did he see and how did he see it? In this book historian Ana Lucia Araujo examines Biard’s Brazil with special attention to what she calls his “tropical romanticism”: a vision of the country with an emphasis on the exotic. Biard was not only one of the first European artists to encounter and depict native Brazilians, but also one of the first travelers to photograph the rain forest and its inhabitants. His 1862 travelogue Deux années en Brésil includes 180 woodcuts that reveal Brazil’s reliance on slave labor as well as describe the landscape, flora, and fauna, with lively narratives of his adventures and misadventures in the rain forest. Thoroughly researched, Araujo places Biard’s work in the context of the European travel writing of the time and examines how representations of Brazil through French travelogues contributed and reinforced cultural stereotypes and ideas about race and race relations in Brazil. She further summarizes that similar representations continue and influence perspectives today.

In From Sea-Bathing to Beach-Going B. J. Barickman explores how a narrow ocean beachfront neighborhood and the distinctive practice of beach-going invented by its residents in the early twentieth century came to symbolize a city and a nation. Nineteenth-century Cariocas (residents of Rio) ostensibly practiced sea-bathing for its therapeutic benefits, but the bathing platforms near the city center and the rocky bay shore of Flamengo also provided places to see and be seen. Sea-bathing gave way to beach-going and sun-tanning in the new beachfront neighborhood of Copacabana in the 1920s. This study reveals the social and cultural implications of this transformation and highlights the distinctive changes to urban living that took place in the Brazilian capital. Deeply informed by scholarship about race, class, and gender, as well as civilization and modernity, space, the body, and the role of the state in shaping urban development, this work provides a major contribution to the social and cultural history of Rio de Janeiro and to the history of leisure.

This resource is an interesting look at how European culture, particularly European music, related to the social and cultural experiences of the residents of ninteenth-century Rio de Janeiro. The focus is on how Cariocas (residents of Rio de Janeiro) responded to and often imitated different musical styles imported from Europe. After introducing the local musical setting and showing how musical life in imperial Rio de Janeiro reflected Parisian models, the author discusses the importation of operatic repertory, the use of German classical music as the basis of an elite social class, the role of European music in Brazilian theater, and finally, the emergence of a "national" music. Overall, this study reveals European music as a powerful force in the internal processes of political, cultural, social, and ethnic negotiations during the 19th century government of Emperor Pedro II. Musicologists, Latin American historians, and anyone with an interest in urban studies will find much of interest in this book.

After 1750 the Americas lived political and popular revolutions, the fall of European empires, and the rise of nations as the world faced a new industrial capitalism. Political revolution made the United States the first new nation; revolutionary slaves made Haiti the second, freeing themselves and destroying the leading Atlantic export economy. A decade later, Bajío insurgents took down the silver economy that fueled global trade and sustained Spain’s empire while Britain triumphed at war and pioneered industrial ways that led the U.S. South, still-Spanish Cuba, and a Brazilian empire to expand slavery to supply rising industrial centers. Meanwhile, the fall of silver left people from Mexico through the Andes searching for new states and economies. After 1870 the United States became an agro-industrial hegemon, and most American nations turned to commodity exports, while Haitians and diverse indigenous peoples struggled to retain independent ways. Contributors. Alfredo Ávila, Roberto Breña, Sarah C. Chambers, Jordana Dym, Carolyn Fick, Erick Langer, Adam Rothman, David Sartorius, Kirsten Schultz, John Tutino

A “compelling and elegantly written” history of the fight for the Amazon basin and the work of a brilliant but overlooked Brazilian intellectual (Times Literary Supplement, UK). The fortunes of the late nineteenth century’s imperial powers depended on a single raw material—rubber—with only one source: the Amazon basin. This scenario ignited a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest’s riches. In the midst of this struggle, the Brazilian author and geographer Euclides da Cunha led a survey expedition to the farthest reaches of the river. The Scramble for the Amazon tells the story of da Cunha’s terrifying journey, the unfinished novel born from it, and the global strife that formed the backdrop for both. Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. All the while, he worked on his masterpiece, a nationalist synthesis of geography, philosophy, biology, and journalism entitled Lost Paradise. Hoping to unveil the Amazon’s explorers, spies, natives, and brutal geopolitics, Da Cunha was killed by his wife’s lover before he could complete his epic work. once the biography of Da Cunha, a translation of his unfinished work, and a chronicle of the social, political, and environmental history of the Amazon, The Scramble for the Amazon is a work of thrilling intellectual ambition.