Tricksters And Punks Of Asia

This non-fiction guide covers the myriad scams, tricks and money business that Asia is famous for, as well as a philosphical foray into the world of punk and outsidership.

Philosopher, music critic, and syndicated columnist Crispin Sartwell has forged a distinctive and fiercely original identity over the years as a cultural commentator. In books about anarchism, art and politics, Native American and African American thought and culture, Eastern spirituality, and American transcendentalism, Sartwell has relentlessly insisted on an ethos rooted in unadorned honesty with oneself and a healthy skepticism of others. This volume of selected popular writings combines music and art criticism with personal memoir about addiction and rebellion, as well as cultural commentary on race, sexuality, cynicism, and the meaning of life.

If you apply the guidelines contained in this e-book without taking any shortcuts, you will get your non-fiction book published. Note: this guarantee applies only to non-fiction guidebooks except personal memoirs of people who do not enjoy celebrity status (that's most of us!). Also, every individual who purchases this e-book can take advantage of Philip Wylie's manuscript evaluation service.

Tilly loves to play pranks on everyone around her, but when her family decides to turn the tables Tilly needs to decide if she should change.

Philippine Folk Literature: The Proverbs is Volume VI of the author's eight-volume Philippine Folk Literature Series. The present collection focuses on the proverb--a terse didactic statement, handed down through generations, the wisdom of many and the wit of one. It ordinarily suggests a course of action or passes judgment on a situation. This work is a national collection of Philippine proverbs--a putting together of available proverbs from allover the country, listed alphabetically, in dictionary fashion, according to the most significant word in their English translation. Thirty-six Philippine languages are represented in this collection. As an introduction to the collection, the essay Philippine Proverb Lore, is reprinted, to provide readers with an overview. For each entry, the following kinds of information are given: (1) the English translation, (2) the proverb in its original Philippine language or languages, (3) language label and source (collector/collections); and (4) foreign parallels, if any.

"Heartbreakingly beautiful writing; sometimes funny, sometimes shattering—always revolutionary. Truly amazing collection!"--Margaret Cho "Sister Spit is like the underground railroad for burgeoning queer writers. Not only in the van, but in the audiences trapped in the hinterlands of America and looking to escape. Sister Spit saves lives."--Justin Vivian Bond, author of TANGO: My Childhood, Backwards and in High Heels A collection of writing and artwork from the irreverent, flagrantly queer, hilariously feminist, tough-talking, genre-busting ruffians who have toured with the legendary Sister Spit. Co-founded in 1997 by award-winning writer Michelle Tea, Sister Spit is an underground cultural institution, a gender-bending writers' cabaret that brings a changing roster of both emerging writers and some of the most important queer and counterculture artists of the day to universities, art galleries, community spaces, and other venues across the country and worldwide. Sister Spit: Writing, Rants and Reminiscence from the Road captures the provocative, politicized, and risk-taking elements that characterize the Sister Spit aesthetic, stamping the raw energy and signature style of the live show onto the page. Bratty poets and failed priestesses, punk angst and tough love, too much to drink and tattooed timelines—this anthology captures it all in a collection of poetry, personal narrative, fiction, and artwork. Featuring a who's who of queer and queer-centric writers and artists, the collection functions as a travelog, a historical document, and a yearbook from irreverent graduates of the school of hard knocks. Eileen Myles * Beth Lisick * Michelle Tea * MariNaomi * Cristy Road * Ali Liebegott * Blake Nelson * Lenelle Moise * and Many More!

The first fantasy-writing textbook to combine a historical genre overview with an anthology and comprehensive craft guide, this book explores the blue prints of one of the most popular forms of genre fiction. The first section will acquaint readers with the vast canon of existing fantasy fiction and outline the many sub-genres encompassed within it before examining the important relationship between fantasy and creative writing, the academy and publishing. A craft guide follows which equips students with the key concepts of storytelling as they are impacted by writing through a fantastical lens. These include: - Character and dialogue - Point of view - Plot and structure - Worldbuilding settings, ideologies and cultures - Style and revision The third section guides students through the spectrum of styles as they are classified in fantasy fiction from Epic and high fantasy, through Lovecraftian and Weird fiction, to magical realism and hybrid fantasy. An accompanying anthology will provide students with a greater awareness of the range of possibilities open to them as fantasy writers and will feature such writers as Ursula Le Guin, China Miéville, Theodora Goss, Emrys Donaldson, Ken Liu, C.S.E. Cooney, Vandana Singh, Sofia Samatar, Rebecca Roanhorse, Jessie Ulmer, Yxta Maya Murray, and Rachael K. Jones. With writing exercises, prompts, additional online resources and cues for further reading throughout, this is an essential resource for anyone wanting to write fantastical fiction.

Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.