Tribute To Iris Barbura

Unquestionably brave, creative, and erudite, the free spirit Isadora Duncan (1877-1927) captivated the American, European, and Soviet cultural scenes with her innovative modern dance and un-self-conscious lifestyle.

This is the first anthology to explore the fertile intersection of dance and political studies. It offers new perspectives on the connections of dance to governmental, state and party politics, war, nationalism, activism, terrorism, human rights, political ideologies and cultural policy. This cutting-edge book features previously unpublished work by leading scholars of dance, theatre, politics, and management, alongside renowned contemporary choreographers, who propose innovative ways of looking at twentieth- and twenty-first-century dance. Topics covered range across the political spectrum: from dance tendencies under fascism to the use of choreography for revolutionary socialist ends; from the capacity of dance to reflect the modern market economy to its function in campaigns for peace and justice. The book also contains a comprehensive introduction to the relations between dance and politics.

"You want the dreams they dreamed of to come true-Then They Do." That line from one of country music's best songs in recent memory pretty much sums up the way millions of parents feel about their children. Many times as they are growing up and driving you crazy, you dream of when they will be out of the house-and you will have your life back again-and then they do. Then They Do is filled with heartwarming, and sometimes tear-inducing, stories from parents about cherishing the moments with your children and celebrating the fine young men and women they have become. This book will serve as a reminder to parents to seize those moments when their tiny ones are still underfoot, and will be a nostalgia-inducing keepsake for those whose children have moved upwards and onwards. A fine gift for parents young and old or for grown children in the midst of raising their own families.

This is the first book to analyse the cultural representations of female identity that were created by the interaction between choreography and literary writing in German modernism. It explores the connections between dance, literature and gender discourses with a focus on a key period of the Austro-German dance scene: the years between 1900 and 1933. Drawing on influential feminist and gender theories, this book evaluates the choreographies of leading artists such as Grete Wiesenthal, Mary Wigman, Valeska Gert, Anita Berber, and the sensational 'dream' dancer Madeleine Guipet. In response to growing criticism of ballet, German modern dance reflected and helped shape a reassessment of images of the female, embracing both essentialist and constructionist models of femininity. It also triggered a range of literary responses from dance artists themselves and from contemporary authors - some high-profile, others less well known. This interdisciplinary work offers analyses and part-translations of texts by Alfred Döblin, Frank Wedekind and Carl Sternheim, amongst others, which have to date received little attention in Anglo-American cultural studies due to their unavailability in English.