Tres Historias Volumen 2

Recent years have seen scholars in a wide range of disciplines re-evaluate the history of the Society of Jesus. In 1997, a group of scholars convened a major international conference to discuss the world of the Jesuits between 1540 and 1773 (the year of its suppression by papal edict). This meeting led to the creation of the first volume in this series, The Jesuits, which examined the worldwide Jesuit undertaking in such fields as music, art, architecture, devotional writing, mathematics, physics, astronomy, natural history, public performance, and education, with special attention to the Jesuits' interaction with non-European cultures. This second volume, following a second conference in 2002, continues in a similar path as its predecessor, complementing the regional coverage with contributions on the Flemish and Iberian provinces, on the missions in Japan, and in post-Suppression Russia and the United States. The performing arts, like theatre and music, are broadly treated, and, in addition to continued attention to painting and architecture, the volume contains essays on a range of objets d'art, including statuary, reliquaries, and alter pieces - as well as on gardens, mechanical clocks, and related automata. Other themes include finances, natural theology, censorship within the Jesuit order, and the Society's relationship to women. Perhaps most important, the volume gives particular attention to the eighteenth century, the 'age of disasters' for the Jesuits - the negative papal ruling on Chinese Rites, the destruction the of Paraguay Reductions, and the suppressions of the order that began in Portugal and that culminated in the general Suppression of 1773. With contributions from distinguished scholars from a dozen different countries, The Jesuits, II continues in the illustrious tradition of its predecessor to make an important contribution to religious memory.

Analysing the narration of the translatio of the body of Saint James from Palestine to Santiago de Compostela and its impact on the historical and biblical construction of Jacobean pilgrimages, this book presents an interdisciplinary approach to the two cities at the centre of the legend: Jerusalem and Compostela. Using a range of political, anthropological, historical and sociological approaches, the contributors consider archaeological research into Palestine in the early centuries and explore the traditions, iconography, and literary and social impact of the translatio on the current reality of pilgrimages to Compostela.

Volume 2 of The New Cambridge History of Islam is devoted to the history of the Western Islamic lands from the political fragmentation of the eleventh century to the beginnings of European colonialism towards the end of the eighteenth century. The volume embraces a vast area from al-Andalus and North Africa to Arabia and the lands of the Ottomans. In the first four sections, scholars – all leaders in their particular fields - chart the rise and fall, and explain the political and religious developments, of the various independent ruling dynasties across the region, including famously the Almohads, the Fatimids and Mamluks, and, of course, the Ottomans. The final section of the volume explores the commonalities and continuities that united these diverse and geographically disparate communities, through in-depth analyses of state formation, conversion, taxation, scholarship and the military.

One of the great documents of colonial Mexico, the Codex Chimalpopoca chronicles the rise of Aztec civilization and preserves the mythology on which it was based. Its two complementary texts, Annals of Cuauhtitlan and Legend of the Suns, record the pre-CortŽsian history of the Valley of Mexico together with firsthand versions of that region's myths. Of particular interest are the stories of the hero-god Quetzalcoatl, for which the Chimalpopoca is the premier source. John Bierhorst's work is the first major scholarship on the Codex Chimalpopoca in more than forty years. His is the first edition in English and the first in any language to include the complete text of the Legend of the Suns. The precise, readable translation not only contributes to the study of Aztec history and literature but also makes the codex an indispensable reference for Aztec cultural topics, including land tenure, statecraft, the role of women, the tribute system, warfare, and human sacrifice.

The ceque system of Cusco, the ancient capital of the Inca empire, was perhaps the most complex indigenous ritual system in the pre-Columbian Americas. From a center known as the Coricancha (Golden Enclosure) or the Temple of the Sun, a system of 328 huacas (shrines) arranged along 42 ceques (lines) radiated out toward the mountains surrounding the city. This elaborate network, maintained by ayllus (kin groups) that made offerings to the shrines in their area, organized the city both temporally and spiritually. From 1990 to 1995, Brian Bauer directed a major project to document the ceque system of Cusco. In this book, he synthesizes extensive archaeological survey work with archival research into the Inca social groups of the Cusco region, their land holdings, and the positions of the shrines to offer a comprehensive, empirical description of the ceque system. Moving well beyond previous interpretations, Bauer constructs a convincing model of the system's physical form and its relation to the social, political, and territorial organization of Cusco.

Despite New Spain’s significant participation in the early transatlantic slave trade, the collective imagination of the Mexican nation evolved in the nineteenth and twentieth centuries to understand itself as devoid of a black presence. In The Nigrescent Beyond, Ricardo Wilson proposes a framework for understanding this psychic vanishing of blackness and thinks through how it can be used both to productively unsettle contemporary multicultural and postracial discourses within the United States and to further the interrogations of being and blackness within the larger field of black studies. Wilson models a practice of reading that honors the disruptive possibilities offered by an ever-present awareness of that which lies, irretrievable, beyond the horizon of vanishing itself. In doing so, he engages with historical accounts detailing maroon activities in early New Spain, contemporary coverage of the push to make legible Afro-Mexican identities, the electronic archives of the Obama presidency, and the work of Carlos de Sigüenza y Góngora, Octavio Paz, Ivan Van Sertima, Miguel Covarrubias, Steven Spielberg, and Colson Whitehead, among others.

The sixteen-volume Handbook of Middle American Indians, completed in 1976, has been acclaimed the world over as the single most valuable resource ever produced for those involved in the study of Mesoamerica. When it was determined in 1978 that the Handbook should be updated periodically, Victoria Reifler Bricker, well-known cultural anthropologist, was elected to be general editor. This third volume of the Supplement is devoted to the aboriginal literatures of Mesoamerica, a topic receiving little attention in the original Handbook. According to the general editor, "This volume does more than supplement and update the coverage of Middle American Indian literatures in the Handbook. It breaks new ground by defining the parameters of a new interdisciplinary field in Middle American Indian studies." The aim of the present volume is to consider literature from five Middle American Indian languages: Nahuatl, Yucatecan Maya, Quiche, Tzotzil, and Chorti. The first three literatures are well documented for both the Classical and Modern variants of their languages and are obvious candidates for inclusion in this volume. The literatures of Tzotzil and Chorti, on the other hand, are oral, and heretofore little has been written of their genres and styles. Taken together, these essays represent a substantial contribution to the Handbook series, with the volume editor's introduction placing in geographic perspective the five literatures chosen as representative of the Middle American literary tradition.

Unwilling to be bound by the categories of religion, Unamuno rejected the laws that distinguish one literary genre from another. Thus, some of Unamuno's finest essays are short stories, and vice versa. Included in this volume are four stories: Tia Tula; The Novel of Don Sandalio, Chess Player; The Madness of Doctor Montarco; Saint Manuel Bueno, Martyr and the play The Other. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.