Travelers Book Of Color Photographs

Representing the best of the Holmes archive and brimming with brilliant color photographs, this rare window on the world of 100 years ago will transport readers to a time that has all but evaporated.

Introducing the first travel guide organized by color palette. Travel through Costa Rica's green rainforests, Australia's red desert and Dubai's gold souk, along with hundreds of other colorful destinations. Travelers will discover the best places in the world to immerse themselves in their favorite shade of aquamarine, magenta, canary yellow, and everything in between. Each chapter features a single color and shows you the most picturesque places around the world where you can surround yourself with that shade. Whether it's the chilly blues of New Zealand's Fox Glacier, the earth tones of Morocco's red mudbrick pre-Saharan architecture, or the soothing lavender fields of Provence; whatever your dream aesthetic, there's a color to match. And for those of us whose favorite color as kids was "rainbow," there's an entire chapter dedicated to those special places where the full spectrum of color is everywhere you look. Travel by Colour is a vibrant feast for the visually obsessed traveler. Let color be your guide. Includes photos and information to help you find 15 immersive color experiences all over the world. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, on mobile, video and in 14 languages, 12 international magazines, armchair and lifestyle books, eBooks, and more.

Callahan has consistently explored new ways of looking at the world around him - from high-contrast photographs of trees silhouetted against snow, to double exposures of his wife's nude figure merging into landscapes, to minimal abstractions - but he has used these experiments to reveal his relationships to the world around him.

Hopi traditional elder Thomas Banyacya once described the American Southwest as "the spiritual center of our continent." Author, photographer, and adventurer John Annerino retraces ancient trails to show us why this is so. Through recent and historical photos, essays, and literary quotes, he takes us across what the Spaniards often feared as despoblados, or unknown lands, from Old Mexico to the Four Corners of ancient cities, painted deserts, and trilingual cultural landscapes--some of the most inaccessible land on the continent. Juxtaposed with tales of his own perilous excursions, the book contains oral histories and remarkable images of terrain that few of today's tourists have ever seen. Told from a current point of view, this throwback to the days of Geronimo and Navajo headman Manuelito will appeal to adventurers, historians, and those interested in the mesmerizing mystique of our own American outback.

The appreciation of Eggleston's work has come a long way since his pioneering 1976 exhibition, William Eggleston's Guide, at New York's Museum of Modern Art. He has been called the 'father of colour photography' and since the 1990s he is widely regarded as the leading and most influential colour photographer of the twentieth century. Ancient and Modern is a collection of photographs chosen from Eggleston's earliest photographs taken in the American South, Africa and England. The photographs depict subjects and objects from everyday life and it is Eggleston's unique ability to find beauty, and striking displays of colour, in ordinary scenes. Mark Holborn, in his illuminating introduction, writes about the dark undercurrent of these mundane scenes as viewed through Eggleston's lens: '[Eggleston's] subjects are, on the surface, the ordinary inhabitants and environs of suburban Memphis and Mississippi - friends, family, barbecues, back yards, a tricycle and the clutter of the mundane. The normality of these subjects is deceptive, for behind the images there is a sense of lurking danger.'

Paradise Wavering explores the fugitive nature of experience, time, light and the photographic medium itself, melding together past and present, and alluding to an uncertain future.