Trauma Tragedy Of Syonan Years 1942 1945

Brimming with verve and dramatic incident, Singapore: A Biography offers fresh insights into the life story of this island city-state through the personal experiences of the workers, adventurers, rulers and revolutionaries who have shaped its history over the last seven centuries. The authors, drawing on research undertaken in collaboration with the National Museum of Singapore, have woven together ancient chronicles, eyewitness accounts, oral histories and even modern radio and television broadcasts to create a vivid and compelling narrative that brings the past back to life. Grounded in scholarship yet fired by the imagination, this book reveals the Singapore story to have been as rich, diverse and multilayered as the city-state is prosperous, ordered and successful today.

Globalization discourse now presumes that the “world space” is entirely at the mercy of market norms and forms promulgated by reactionary U.S. policies. An academic but accessible set of studies, this wide range of essays by noted scholars challenges this paradigm with diverse and strong arguments. Taking on topics that range from the medieval Mediterranean to contemporary Jamaican music, from Hong Kong martial arts cinema to Taiwanese politics, writers such as David Palumbo-Liu, Meaghan Morris, James Clifford, and others use innovative cultural studies to challenge the globalization narrative with a new and trenchant tactic called “worlding.” The book posits that world literature, cultural studies, and disciplinary practices must be “worlded” into expressions from disparate critical angles of vision, multiple frameworks, and field practices as yet emerging or unidentified. This opens up a major rethinking of historical “givens” from Rob Wilson’s reinvention of “The White Surfer Dude” to Sharon Kinoshita’s “Deprovincializing the Middle Ages.” Building on the work of cultural critics like Edward Said, Gayatri Spivak, and Kenneth Burke, The Worlding Project is an important manifesto that aims to redefine the aesthetics and politics of postcolonial globalization withalternative forms and frames of global becoming.

War is often described as an extension of politics by violent means. With contributions from twenty-eight eminent historians, Volume 2 of The Cambridge History of the Second World War examines the relationship between ideology and politics in the war's origins, dynamics and consequences. Part I examines the ideologies of the combatants and shows how the war can be understood as a struggle of words, ideas and values with the rival powers expressing divergent claims to justice and controlling news from the front in order to sustain moral and influence international opinion. Part II looks at politics from the perspective of pre-war and wartime diplomacy as well as examining the way in which neutrals were treated and behaved. The volume concludes by assessing the impact of states, politics and ideology on the fate of individuals as occupied and liberated peoples, collaborators and resistors, and as British and French colonial subjects.

The memoirs of Mustapha Hussain, from his coming of age in a Minangkabau Malay community in Perak to his part in the formation of the Young Malays Union.

First time all the factors concerning the Fall of Singapore have been examined in one place Churchill's controversial role in the surrender is also examined

During the nineteenth century, the colonial Straits Settlements of Singapore, Penang, and Melaka were established as free ports of British trade in Southeast Asia and proved attractive to large numbers of regional migrants. Following the abolishment of slavery in 1833, the Straits government transported convicts from the East India Company’s Indian presidencies to the settlements as a source of inexpensive labor. The prison became the primary experimental site for the colonial plural society and convicts were graduated by race and the labor needed for urban construction. Hidden Hands and Divided Landscapes investigates how a political system aimed at managing ethnic communities in the larger material context of the colonial urban project was first imagined and tested through the physical segregation of the colonial prison. It relates the story of a city, Singapore, and a contemporary city-state whose plural society has its origins in these historical divisions. A description of the evolution of the ideal plan for a plural city across the three settlements is followed by a detailed look at Singapore’s colonial prison. Chapters trace the prison’s development and its dissolution across the urban landscape through the penal labor system. The author demonstrates the way in which racial politics were inscribed spatially in the division of penal facilities and how the map of the city was reconfigured through convict labor. Later chapters describe penal resistance first through intimate stories of penal life and then through a discussion of organized resistance in festival riots. Eventually, the plural city ideal collapsed into the hegemonic urban form of the citadel, where a quite different military vision of the city became evident. Hidden Hands and Divided Landscapes is a fascinating and thoroughly original study in urban history and the making of multiethnic society in Singapore. It will compel readers to rethink the ways in which colonial urban history, postcolonial urbanism, and governance have been theorized by scholars and represented by governments.

When Singapore fell dramatically to the Japanese on 15 February 1942, hundreds of people scrambled to leave. Amongst the evacuees were 65 Australian nurses who boarded coastal freighter "Vyner Brooke" which Japanese bombers sank. The largest group of nurses that made it to shore gathered at Radji Beach. Eventually the shipwreck survivors surrendered to the Japanese rather than slowly starve to death. The Japanese did not accept their surrender and divided the Europeans into three groups and killed all in turn. The Australian nurses were in the third group, and 21 of them died in a hail of bullets as they walked into the waters off the beach. There was one survivor, Vivian Bullwinkel, and she went on to survive the various camps and diseases that took away several of her friends.

Why did independent Singapore celebrate two hundred years of its founding as a British colony in 2019? What does Merdeka mean for Singaporeans? And what are the possibilities of doing decolonial history in Singapore? Raffles Renounced: Towards a Merdeka History presents essays by historians, literary scholars and artists which grapple with these questions. The volume also reproduces some of the source material used in the play Merdeka / 獨立 / சுதந்திரம் (Wild Rice, 2019). Taken together, the book shows how the contradictions of independent nationhood haunt Singaporeans' collective and personal stories about Merdeka. It points to the need for a Merdeka history: an open and fearless culture of historical reckoning that not only untangles us from colonial narratives, but proposes emancipatory possibilities.