Transnational Italian Studies Today

Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people’s lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay.

The history of Italian culture stems from multiple experiences of mobility and migration, which have produced a range of narratives, inside and outside Italy. This collection interrogates the dynamic nature of Italian identity and culture, focussing on the concepts and practices of mobility, memory and translation. It adopts a transnational perspective, offering a fresh approach to the study of Italy and of Modern Languages.

This volume targets key issues in the controversies that revolve around migration in contemporary Italy, adopting an interdisciplinary approach to works of fiction and non-fiction. It aims to move the discourse forward from migration to transmigration; from nationalism to transnationalism. All too frequently we read stories about boats full of hopeful refugees capsizing off the coast of Italy, or of hundreds of migrants being returned to their own countries after unsuccessful attempts to enter Europe. Who are these people, and what has led them to take such desperate actions? What are their goals and how do they fare if they do enter Europe? What is the high price of reaching for socio-economic salvation in a country whose laws discriminate against migrants and where the autochthonous population too frequently holds them in contempt? Another important issue to consider is that some of these migrants are not running from disastrous circumstances, but are merely looking for a better life. Ironically, some of them encounter adversity for the first time in Italy. From the perspective of the host country, a crucial question also arises: how does the unrelenting influx of migrants impact the already tense socio-economic climate of a country with such limited resources? Migration studies should interest not only academics, whose life work it may be, but the general public as well who, knowingly or not, live in a world strongly affected by the forces created by unprecedented migratory flows resulting from globalization. Shifting and Shaping a National Identity: Transnational Writers and Pluriculturalism in Italy Today, edited by Grace Russo Bullaro and Elena Benelli, tackles these issues and more, in a collection of essays written by prominent critics from educational institutions on three continents. What we learn from this volume illuminates not only the volatile situation in Italy, but serves as a global model for any country in transition. A book for specialists, graduates, undergraduates and the informed public alike who wish to explore the changing panorama of Italian culture and some unsettling questions therein raised.

An Open Access edition of this book will be available on the Liverpool University Press website and the OAPEN library. In a world increasingly defined by the transnational and translingual, and by the pressures of globalization, it has become difficult to study culture as primarily a national phenomenon. A Handbook offers students across Modern Languages an introduction to the kind of methodological questions they need to look at culture transnationally. Each of the short essays takes a key concept in cultural study and suggests how it might be used to explore and illuminate some aspect of identity, mobility, translation, and cultural exchange across borders. The authors range over different language areas and their wide chronological reach provides broad coverage, as well as a flexible and practical methodology for studying cultures in a transnational framework. The essays show that an inclusive, transnational vision and practice of Modern Languages is central to understanding human interaction in an inclusive, globalized society. A Handbook stands as an effective and necessary theoretical and thematically diverse glossary and companion to the ‘national’ volumes in the series.

International specialists explore magazines and newspapers from a sociocultural perspective allowing us to understand the relation between its audience and these much beloved friends from the late seventeenth to the twenty first century. A must-read for academic and interested readers who wish to explore new and relevant ways to analyse periodicals.

For much of the twentieth century the Mediterranean was a colonized sea. Italy's Sea: Empire and Nation in the Mediterranean (1895-1945) reintegrates Italy, one of the least studied imperial states, into the history of European colonialism. It takes a critical approach to the concept of the Mediterranean in the period of Italian expansion and examines how within and through the Mediterranean Italians navigated issues of race, nation and migration troubling them at home as well as transnational questions about sovereignty, identity, and national belonging created by the decline and collapse of the Ottoman empire in North Africa, the Balkans, and the eastern Mediterranean, or Levant. While most studies of Italian colonialism center on the encounter in Africa, Italy's Sea describes another set of colonial identities that accrued in and around the Aegean region of the Mediterranean, ones linked not to resettlement projects or to the rhetoric of reclaiming Roman empire, but to cosmopolitan imaginaries of Magna Graecia, the medieval Christian crusades, the Venetian and Genoese maritime empires, and finally, of religious diversity and transnational Levantine Jewish communities that could help render cultural and political connections between the Italian nation at home and the overseas empire in the Mediterranean. Using postcolonial critique to interpret local archival and oral sources as well as Italian colonial literature, film, architecture, and urban planning, the book brings to life a history of mediterraneita or Mediterraneanness in Italian culture, one with both liberal and fascist associations, and enriches our understanding of how contemporary Italy-as well as Greece-may imagine their relationships to Europe and the Mediterranean today. --

Machine generated contents note: -- Introduction. All at One Point: The Un/likely Connections between Italy's Emigration, Immigration and (Post- )Colonialism -- Part I. Waters: Migrant Voyages and Ships from/to Italy -- Aperture I: An Osean of Pre-Occupation and Possibilities: The Show L'orda -- Chapter 1. Crossing the Atlantic to Meet the Nation: The Emigration Ship in Mignonette's Songs and Crialese's Nuovomondo -- Chapter 2. Overlapping Mediterranean Routes in Marra's Sailing Home, -- Ragusa's The Skin Between Us, and Tekle's Libera -- Part II. Houses: Multi-Ethnic Residential Spaces as Living Archives of Pre-Occupation and Invention -- Aperture II: A Multi-Cultural Project in a National Square: The Orchestra of Piazza Vittorio -- Chapter 3. Displaced Italies and Immigrant "Delinquent" Spaces in Pariani's Argentinian Conventillos and Lakhous' Roman Palazzo -- Chapter 4. Writing the Pasta Factory and the Boarding House as Trans-National Homes: Public and Private Acts in Melliti's Pantanella and Mazzucco's Vita -- Part III. Workplaces: A Creative Re-Occupation of Labor Spaces against Exploitation -- Aperture III: Labor on the Move: Rodari's Construction Workers and Kuruvilla's Babysitter -- Chapter 5. Edification between Nation and Migration in Cavanna's Les Ritals and Adascalitei's "Il giorno di San Nicola"--Chapter 6: The Circular Routes of Colonial and Post-Colonial Homecare: Però's and Ciaravino's Alexandria and Ghermandi's "The Story of Woizero Bekelech and Signor Antonio" -- Conclusions. Italy as an Imagi-Nation Laboratory: The Citizenship Law between In and Outbound Flows

The growing number of states with weak capacity to carry out basic governance functions is leading to unacceptable levels of human suffering. Using Ethiopia as a case study, this book acknowledges the multidimensional nature of state fragility and highlights the non-political factors that drive it. The first part uses institutional theory to explore how weak institutions become a source of state fragility by undermining social cohesion and the broader economic progress of countries. Part two examines the role of entrepreneurship and industrial policy as a means of creating and sustaining economic and political stability, trade policy as a means of increasing incomes and easing tensions, and technology policy as a means of engaging people in entrepreneurship and innovation. The final chapter provides lessons that fragile nations can learn from successful developing countries in Southeast Asia and Latin America. This book will appeal to researchers interested in international business, economic and business policy, international trade, and emerging markets who seek to understand how fragile states can promote sustainable peace and development.

As multisited research has become mainstream in anthropology, collaboration has gained new relevance and traction as a critical infrastructure of both fieldwork and theory, enabling more ambitious research designs, forms of communication, and analysis. Collaborative Anthropology Today is the outcome of a 2017 workshop held at the Center for Ethnography, University of California, Irvine. This book is the latest in a trilogy that includes Fieldwork Is Not What It Used to Be and Theory Can Be More Than It Used to Be. Dominic Boyer and George E. Marcus assemble several notable ventures in collaborative anthropology and put them in dialogue with one another as a way of exploring the recent surge of interest in creating new kinds of ethnographic and theoretical partnerships, especially in the domains of art, media, and information. Contributors highlight projects in which collaboration has generated new possibilities of expression and conceptualizations of anthropological research, as well as prototypes that may be of use to others contemplating their own experimental collaborative ventures.