Translations Of Shakuntala

Translations of Shakuntala and Other Works by Kalidasa: Translations of Shakuntala and Other Works introduces readers to the captivating world of classical Sanskrit literature through the works of Kalidasa, one of the greatest poets and playwrights of ancient India. The book presents English translations of Kalidasa's renowned works, offering a glimpse into the rich cultural and literary heritage of India. Key aspects of Translations of Shakuntala and Other Works: Literary Masterpieces: The book features translations of Kalidasa's most celebrated works, including the timeless play Shakuntala. Readers are immersed in the enchanting narratives, poetic language, and vivid imagery that characterize Kalidasa's writings. Cultural Significance: Kalidasa's works are not only literary treasures but also provide insights into the social, cultural, and philosophical aspects of ancient Indian society. The book offers readers a window into the traditions, beliefs, and values that shaped Indian civilization. Artistic Beauty: Kalidasa's poetic verses are known for their lyrical beauty and evocative descriptions. The translations capture the essence of his writings, allowing readers to appreciate the elegance and artistry of Kalidasa's words. Kalidasa: Kalidasa, an ancient Indian poet and playwright, is hailed as one of the greatest literary figures in Sanskrit literature. While little is known about his life, his works have had a profound influence on Indian literature and culture. Kalidasa's plays, such as Shakuntala and Meghaduta, showcased his mastery of poetic language, vivid imagery, and deep understanding of human emotions. His works continue to be celebrated for their artistic beauty, philosophical insights, and their portrayal of the complexities of love and the human experience. Kalidasa's contributions to classical Indian literature have earned him a revered status among poets and scholars alike.

A well-known Sanskrit drama presented here in a bilingual translation.

Regarded as the most important figure in the Classical Sanskrit literary canon, Kalidasa was a poet and playwright who likely lived in the fifth century AD. This collection brings together some of Kalidasa's most well-regarded dramatic works, including the timeless story of Shakuntala, a beautiful maiden who was abandoned at birth and raised in a remote hermitage. Though she later enchants a powerful king who desires to take the young woman as his bride, Shakuntala must overcome a series of obstacles before she can reign as queen.

This book is an English translation of the Sanskrit classic Play Abhijnan Shakuntalam by the great poet and Playwright Mahakavi Kalidas, written around 220 CE. The play is about the strange fate of Shakuntala, a simple, beautiful ascetic lady. King Dushyant meets her and falls in love with her. They get married. After some time, king Dushyant returns to his capital, assuring her that he would soon send for her. However, due to the curse by a wrathful sage, Durvasa, the king completely forgets about her. Humiliated, Shakuntala goes off into the forest to live by herself. In due course, she gives birth to a boy, whom she names Bharat. Fortuitously, following certain turns of events, Durvasas curse is removed, and the king remembers all about Shakuntala. He tries to find her, but of no avail. One day, he accidentally meets the young boy, Bharat, in the forest. The family is thus united and happily returns to the capital. Bharat grows up to become a great emperor. The original name of India is Bhaarat after his name. Rama, worshipped by Hindus all over the world as an Incarnation of God, was a descendent (some 6000-7000 years ago) of emperor Bharat.

fortunate position in reading Kalidasa: we have substantially all that he wrote, and run no risk of ascribing to him any considerable work from another hand. Of these seven works, four are poetry throughout; the three dramas, like all Sanskrit dramas, are written in prose, with a generous mingling of lyric and descriptive stanzas. The poetry, even in the epics, is stanzaic; no part of it can fairly be compared to English blank verse. Classical Sanskrit verse, so far as structure is concerned, has much in common with familiar Greek and Latin forms: it makes no systematic use of rhyme; it depends for its rhythm not upon accent, but upon quantity. The natural medium of translation into English seems to me to be the rhymed stanza;[3] in the present work the rhymed stanza has been used, with a consistency perhaps too rigid, wherever the original is in verse. Kalidasa's three dramas bear the names: _Malavika and Agnimitra, Urvashi_