Translation And Tradition In Slavia Orthodoxa

Both Old Church Slavonic and the written culture of the Orthodox Slavs began with translations. In the Slavic beginning, it may be said, was a word translated, a word in transit, moved by the effort to "make Slavic" the Greek logos of Scripture and liturgical books. Translating texts remained a central cultural practice for the Orthodox Slavs throughout the medieval period. This volume brings together some of the most prominent medievalists in the Slavic field from Europe, Israel, and the US. The contributors reflect on translation as a transposition of textual, spiritual, and political authority, and consider it in a continuum with other strategies for appropriating an authoritative text. (Series: Slavische Sprachgeschichte - Vol. 5)

In Chosen Places. Constructing New Jerusalems in Slavia Orthodoxa, Jelena Erdeljan focuses on the Old Testament topic of the divinely-chosen status of Jerusalem and translatio Hierosolymi, including the history, process and media of formulating and disseminating this idea and its spatial-visual matrix in Christian visual culture. Firstly the study presents the case of Constantinople, the capital of the Byzantine Empire, as New Jerusalem, and secondly, in relation to Constatinople, discussion focuses on the cases of the capitals of Slavia Orthodoxa in the later Middle Ages: Turnovo, Belgrade and Moscow. The idea of Jerusalem corresponds with the idea of a mystical center, the center of the historical Christian world, which travels and follows the path of eschatologial realisation.

This comprehensive new work provides extensive evidence for the essential role of language contact as a primary trigger for change. Unique in breadth, it traces the spread of the periphrastic perfect across Europe over the last 2,500 years, illustrating at each stage the micro-responses of speakers and communities to macro-historical pressures. Among the key forces claimed to be responsible for normative innovations in both eastern and western Europe is 'roofing' - the superstratal influence of Greek and Latin on languages under the influence of Greek Orthodoxy and Roman Catholicism respectively. The author provides a new interpretation of the notion of 'sprachbund', presenting the model of a three-dimensional stratified convergence zone, and applies this model to her analysis of the have and be perfects within the Charlemagne sprachbund. The book also tackles broader theoretical issues, for example, demonstrating that the perfect tense should not be viewed as a universal category.

Conceptually, the volume focuses on the relationship of the three key notions that essentially triggered the inception and subsequent realization of this project, to wit, language contact, grammaticalization, and areal grouping. Fully concentrated on the areal-typological and historical dimensions of Slavic, the volume offers new insights into a number of theoretical issues, including language contact, grammaticalization, mechanisms of borrowing, the relationship between areal, genetic, and typological sampling, conservative features versus innovation, and socio-linguistic aspects of linguistic alliances conceived of both synchronically and diachronically. The volume integrates new approaches towards the areal-typological profiling of Slavic as a member of several linguistic areas within Europe, including SAE, the Balkan Sprachbund and Central European groupings(s) like the Danubian or Carpathian areas, as well as the Carpathian-Balkan linguistic macroarea. Some of the chapters focus on structural affinities between Slavic and other European languages that arose as a result of either grammatical replication or borrowing. A special emphasis is placed on contact-induced grammaticalization in Slavic micro-languages

This international encyclopedia documents and surveys, for the first time, the entire complex of translation as well as the operations and phenomena associated with it. Structured along systematic, historical and geographic lines, it offers a comprehensive and critical account of the current state of knowledge and of international research. The Encyclopedia (1) offers an overview of the different types and branches of translation studies; (2) covers translation phenomena - including the entire range of interlingual, intralingual, and intersemiotic transfer and transformation - in their social, material, linguistic, intellectual, and cultural diversity from diachronic, synchronic, and systematic perspectives, (3) documents and elucidates the most important results of the study of translation to the present day, as well as the current debates, taking into account theoretical assumptions and methodological implications; (4) identifies, where possible, lacunae in existing research, listing priorities and desiderata for further research. The languages of publication are German, English, and French

The present second volume completes the handbook Die slavischen Sprachen "The Slavic languages. Ein internationales Handbuch zu ihrer Struktur, ihrer Geschichte und ihrer Erforschung. An International Handbook of their History, their Structure and their Investigation". While the general conception is continued, the present volume now contains articles concerning inner and outer language history as well as problems of sociolinguistics, contact linguistics, standardology and language typology.

Imagining Creation is a collection of views on creation by noted authors from different disciplines. Topics include creation accounts and iconography from Mesopotamia and Egypt, and cosmologies from India and Africa. Special attention is devoted to creation in the Scriptures (Bible and Koran) and related oral traditions on Genesis from Slavonic Europe, as well as Kabbalah. Some of the creations myths are earlier and some later than the Bible, while a number of the discussed texts offer alternative approaches to the beginnings of the universe. The contributions provide many new perspectives on the origins of man and his world from diverse cultures. The volume is the proceedings of a symposium on creation stories held at University College London.

The essays gathered in this volume are devoted to different aspects of the reception of Humanism and the Renaissance in Slavic countries. They mark the beginning of a dialogue among scholars of different Slavic languages and literatures, in search of the ways in which the entire Slavic world – albeit to varying degrees – has participated from the very beginning in European cultural transformations, and not simply by sharing some characteristics of the new currents, but by building a new identity in harmony with the changes of the time. By overcoming the dominant paradigm, which sees all cultural manifestations as part of a separate ‘national’ linguistic, literary and artistic canon, this volume is intended to be the first step in outlining some ideas and suggestions in view of the creation, in the future, of an atlas that maps the relevance of Humanism and the Renaissance in the Slavic world.

Translation Classics in Context carefully considers the relationship between translation and the classics. It presents readers with revelatory and insightful case studies that investigate translations produced as part of nexuses of colonial resistance and liberation across Africa and in Ireland; translations of novels and folklore collections that influence not just other fictions, but stage productions and entire historical disciplines; struggles over Ukrainian and Russian literature and how it is shaped and transferred; and the role of the academy and the curriculum in creating notions of classic translations. Along the way it covers oral poetry, saints, scholars, Walter Scott and Jules Verne, not to mention Leo Tolstoy and the Corpse Bride making her way from folklore to Frankenstein and into the world of Disney animation. Contributors are all leading scholars, and the book is accessible and engaging, assuming no specialist knowledge.

This book examines the multiple contexts for the pseudepigraphal Apocalypse of Abraham, including the ancient Jewish milieu in which it was originally written and its medieval Christian Slavic setting.