Transforming Cape Town

“An engaging, insightful and at times beautifully written account of post-apartheid transformation in the city of Cape Town. Besteman shows the continuing legacy of apartheid, racial segregation and poverty in South Africa as well as glimpses of new forms of cultural creativity and identity formation that are characterized by empathy, compassion, and hope. Transforming Cape Town deserves to be read by anthropologists and anyone interested in how people confront the challenges of racial exclusion and historical inequality, and how a few bold agents of transformation seek to create new social spaces to cross old barriers.”—Richard A. Wilson, author of The Politics of Truth and Reconciliation in South Africa “Cape Town and anthropology come alive in Besteman's work. Insightful, dynamic, and well-written, this book opens a 'space of trust' to understanding the pains and creative innovations of transition—of people, politics, and daily survival—in a new light.”—Carolyn Nordstrom, author of Global Outlaws and Shadows of War “Besteman navigates and illuminates post-apartheid Cape Town with uncommon skill. She brings to bear an anthropologist's training, a reporter's eye and ear for the choice remark, the telling detail and a candid sympathy for the disenfranchised, whose lot in South Africa has not necessarily improved under democracy. It's a distressing picture she draws: the persisting mutual ignorance, even reciprocal demonization, across old ethnic and racial lines, alongside the ongoing economic injustice. The revolution in South Africa has been a piecemeal affair, and Besteman's descriptions of the difficulties that even the best-intentioned individuals encounter as they struggle toward creating a general social transformation ring painfully true.”—William Finnegan, author of Crossing the Line, Dateline Soweto, A Complicated War, and Cold New World “Transforming Cape Town is a fascinating account of how people in this divided city engage with democracy, transformation, and the legacies and ongoing realities of radical inequalities. Through conversations with ordinary people, Besteman explores the ways in which apartheid's legacies continue to shape interactions both intimate and public. In doing so, she restores a sense of faith in anthropology as a tool for understanding and critiquing social worlds.”—Fiona Ross, author of Bearing Witness: Women and Truth and Reconciliation

This study provides a window into the lives of ordinary South Africans more than ten years after the end of apartheid, with the promises of the democracy movement remaining largely unfulfilled. Catherine Besteman explores the emotional and personal aspects of the transition to black majority rule by homing in on intimate questions of love, family, and community and capturing the complex, sometimes contradictory voices of a wide variety of Capetonians. Her evaluation of the physical and psychic costs to individuals involved in working for social change is grounded in the experiences of the participants and illu-minates two overarching dimensions of life in Cape Town: the aggregate forces determined to maintain the apartheid-era status quo, and the grassroots efforts to effect social change.

This book examines the reciprocity that exists between the body and the urban built environment. It will draw on archival and ethnographic research as well as an interdisciplinary literature on cultural materialism, semiotics, and aesthetics to challenge dualist interpretations of four different points of historical-material contact in Cape Town, South Africa. Each chapter attends to different groups, social practices, and historical periods, but all share the fundamental questions: how does material culture reflect the way social agents make meaning through bodily contact with urban built form, and how does such meaning challenge the ways bodies are objectified? Further, how can we make sense of the historical processes embedded in the objectification of bodies without treating the social and the material, the mental and the physical as separate realities?

This book traces and analyses the role of heritage in the urban transformation of the city of Cape Town. By looking at discourses of heritage and urban design, the book shows how Cape Town positions itself as an emerging global city in the context of a series of global events. The book points at how a heritage focus on the themes of post-colonial and post-apartheid reconciliation, restitution and memory in the city shifts to a focus on creativity, design and the arts. Thereby showing how traumatic remnants of colonialism and apartheid are reframed as “design challenges”. Furthermore, it argues that the idea of a transformed society is projected into a future time and the chaotic present everyday life is left to its own devices. Against this backdrop, the book lays out the opportunities for epistemological reset and decolonial reflection on the city’s deep histories, its embedded injustices and traumas that surfaced.​

"Cape Towns public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the research tools one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive mother city. Various of its constituent parts sound different from each other [T]here is the sound of the singing men and their choirs (teams they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. [] There are texts of the hallowed Dutch songs but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city."

Joint Winner of the 2023 ASSAf Humanities Book Award in the Emerging Researcher Category This book showcases a practical starting point for changing how criminologists think about gangs and street culture – offering hope to those trying to exit gang life, as well as those trying to help them do so.

Nineteen writers, nineteen views of Cape Town. Each recreate the city that has shaped them, going beyond the iconic picture postcard image of Cape Town. They explore, often with startling honesty, the complex personal relationship that each writer has with the city.

In this engaging book, Amber Reed provides a new perspective on South Africa’s democracy by exploring Black residents’ nostalgia for life during apartheid in the rural Eastern Cape. Reed looks at a surprising phenomenon encountered in the post-apartheid nation: despite the Department of Education mandating curricula meant to teach values of civic responsibility and liberal democracy, those who are actually responsible for teaching this material (and the students taking it) often resist what they see as the imposition of “white” values. These teachers and students do not see South African democracy as a type of freedom, but rather as destructive of their own “African culture”—whereas apartheid, at least ostensibly, allowed for cultural expression in the former rural homelands. In the Eastern Cape, Reed observes, resistance to democracy occurs alongside nostalgia for apartheid among the very citizens who were most disenfranchised by the late racist, authoritarian regime. Examining a rural town in the former Transkei homeland and the urban offices of the Sonke Gender Justice Network in Cape Town, Reed argues that nostalgic memories of a time when African culture was not under attack, combined with the socioeconomic failures of the post-apartheid state, set the stage for the current political ambivalence in South Africa. Beyond simply being a case study, however, Nostalgia after Apartheid shows how, in a global context in which nationalism and authoritarianism continue to rise, the threat posed to democracy in South Africa has far wider implications for thinking about enactments of democracy. Nostalgia after Apartheid offers a unique approach to understanding how the attempted post-apartheid reforms have failed rural Black South Africans, and how this failure has led to a nostalgia for the very conditions that once oppressed them. It will interest scholars of African studies, postcolonial studies, anthropology, and education, as well as general readers interested in South African history and politics.