Tragedys End

A catastrophe of unimaginable proportions struck in the middle of the twelfth century BC and with a sudden swiftness brought Old World civilizations to an abrupt end. This initiated the worlds longest and deepest known dark age. When the world finally recovered centuries later, new written languages had replaced old ones, a new strategic and useful metal had replaced the old one, and the historical reality of the old civilizations had been replaced by yore and myth invented from fragments passed down through the barrier of the long deep dark age. Some of these fragments, and possibly some references to the catastrophe itself, may be found in the Old Testament and in ancient Greek literature. Out of the fragmented preserved memories, and stories built around them, we became what we are today.

A passionate love story set in the rowdy raucous honky-tonks of Texas in 1970. A veteran Texas musician and nineteen-year-old fledgling go-go dancer fall head-over-heels in love. They couldn't have been more opposite and the love ignited into an ever-burning flame. This story takes you up and down the roads of Texas with the hottest country band of the time. It includes bits and pieces of music history throughout. The two lovers embrace life together, only to be torn apart by fate and circumstance and separated by walls and bars. This is a story filled with passion and peril.

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.

Elizabethan domestic tragedies depicted the workings of Fortune in the lives of ordinary people, telling stories of sin, discovery, punishment and divine mercy, with their settings and characterization often enhanced by a highly entertaining blend of realism and sensationalism. Only some half-dozen survive to offset the dramas of kings and nobles in the tragedies of Shakespeare and his peers. They combined journalism and entertainment with a didactic concern, and their plots were often derived from contemporary events. Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece.

In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.

Every year at an exclusive private boarding school in New York state, the graduating students uphold an old tradition - they must swear an oath of secrecy and leave behind a "treasure" for each incoming senior. When Duncan Meade inherits the room and secrets of Tim Macbeth, he uncovers evidence of a clandestine romance, and unravels the truth behind one of the biggest mysteries in the school's history. How far would you go to keep a secret?

Shakespeare's tragedies are among the greatest works of tragic art and have attracted a rich range of commentary and interpretation from leading creative and critical minds. This Reader's Guide offers a comprehensive survey of the key criticism on the tragedies, from the 17th century through to the present day. In this book, Nicolas Tredell: - Introduces essential concepts, themes and debates. - Relates Shakespeare's tragedies to fi elds of study including psychoanalysis, gender, race, ecology and philosophy. - Summarises major critical texts from Dryden and Dr Johnson to Janet Adelman and Julia Reinhard Lupton, and covers influential critical movements such as New Criticism, New Historicism and poststructuralism. - Demonstrates how key critical approaches work in practice, with close reference to Shakespeare's texts. Informed and incisive, this is an indispensable guide for anyone interested in how the category of Shakespeare's tragedies has been constructed, contested and changed over the years.

The essays in this volume grew out of the reflections and discussions conducted during the second international conference "Impulses from Salzburg" from May 6 to 9, 2008, on "Facing Tragedies". In accordance with the aims of this project, participants were asked to reflect not simply on the nature and meaning of tragedy but also on ways in which those who are the victims of tragedy make sense of, or cope with, their condition. It was recognised that abstract reflection is important in this regard, but also that such reflection must be rooted in ordinary, everyday. experience, and thus the conference had as one of its aims the attempt to ensure that philosophical reflection not lose the moorings it needs in the reality of ordinary life.