Tradition And Experiment In Wordsworths Lyrical Ballads 1798

Part 1 (Life, Times, Themes) sets Lyrical Ballads in the context of Wordsworth life and his age, for instance Wordsworth in France. Part 2, Literary Strategies, considers Wordsworth's provocative theories of how poetry should work, and includes a treatment of the famous' Preface' to Lyrical Ballads, one of the great poetic manifestos. Part 3 offers illuminating commentary and questions on the following poems:' We are seven',' Anecdote for fathers',' Lines left upon a Seat in a Yew-tree',' To my sister',' Lines written in Early Spring',' Expostulation and Reply',' The Tables Turned';,' The Female Vagrant',' Goody Blake and Harry Gill',' The Last of the Flock',' The Mad Mother',' The Complaint of a forsaken Indian Woman',' The Convict',' Old Man travelling',' Simon Lee',' The Idiot Boy',' TheThorn',' Tintern Abbey',' Hart-leap Well',' There was a boy',' Nutting',' The Lucy Poems',' The Brothers' and' Michael'. Part 4, on Critical Reception, discusses contemporary, Victorian and recent critical approaches to Wordsworth and includes an annotated guide to further reading.

Lyrical Ballads have always been wedded to controversy. Though the judgments of the periodicals and the ensuing authorial reaction have long since been superseded by a plethora of scholarly interpretations, the debate still focuses on their elusive, paradoxical character. Are the poems traditional or experimental, a random collocation or an organised sequence? Patrick Campbell surveys the critical fluctuations of nearly two centuries while privileging recent approaches which have sought fresh perspectives on the volume - contextual, formalist and genre based, psycho-analytic, materialist, maverick.

A comprehensively revised classic with the 1798 and 1800 editions of Lyrical Ballads reprinted together - the complete text of one of the most important documents of the Romantic movement with introduction, textual variants and copious notes.This is a comprehensively revised second edition of a classic student text with the 1798 and 1800 editions of Lyrical Ballads reprinted together. It contains the complete text of one of the most important documents of the Romantic movement - now with new introduction, textual variants and fully up-dated, copious notes.

Long central to the canon of British Romantic literature, Samuel Taylor Coleridge and William Wordsworth’s Lyrical Ballads is a fascinating case study in the history of poetry, publishing, and authorship. This Broadview edition is the first to reprint both the 1798 and the 1800 editions of Lyrical Ballads in their entirety. In the appendices to this Broadview edition, reviews, correspondence, and a selection of contemporary verse and prose situate the work within the popular and experimental literature of its time, and allow readers to trace the work’s transformations in response to the pressures of the literary marketplace.

The Cambridge Companion to Wordsworth provides a wide-ranging account of one of the most famous Romantic poets. Specially commissioned essays cover all the important aspects of this multi-faceted writer; the volume examines his poetic achievement with a chapter on poetic craft, other chapters focus on the origin of his poetry and on the challenges it presented and continues to present. The volume ensures that students will be grounded in the history of Wordsworth's career and his critical reception.

This is a comprehensively revised second edition of a classic student text with the 1798 and 1800 editions of Lyrical Ballads reprinted together. It contains the complete text of one of the most important documents of the Romantic movement - now with new introduction, textual variants and fully up-dated, copious notes.

Repetition has connotations of something boring, or unoriginal, or lacking in poetic skill, but repetition - in several different senses - dominates Wordsworth's poetry. This book explores those moments of repetition, placing them in the early nineteenth century context from which they emerged, and teasing out through extended close attention to the poetry itself the complexities of repetition and recapitulation. Drawing on extensive close readings of Wordsworth's poetry, the book asks what it means to repeat, and how saying things again, often in a way which recognises both sameness and difference at the same time, is fundamental to Wordsworth's attempt to write what he called 'sincere' verse. By analysing instances of repetition and the conjunctions which facilitate recapitulation within Wordsworth's writing, the book attempts to understand the context, in terms of ideas of repetition, from which Wordsworth's works emerge, and to consider repetition in a broad range of senses - from repeated words and sounds within particular poems, to ideas of translation, allusion, and echo. Houghton-Walker also argues the importance of the element of difference within even apparently 'pure' repetition. Such difference might be in perception, attitude, or understanding, but for Wordsworth, the subtle relationship between instances of what seems to be the same experience illuminates the potential for poetry to portray simultaneously the specific and the universal: to hold within its lines both immediate and general truths at the same time.