Trade In The Ancient Sahara And Beyond

Demonstrates that the pre-Islamic Sahara was a more connected region than previously thought, with trade an essential linking element.

Examines key technological innovations, knowledge transfer, connectivity and social meaning in the ancient and Medieval Sahara.

The ancient Sahara has often been treated as a periphery or barrier, but this agenda-setting book – the final volume of the Trans-Saharan Archaeology Series – demonstrates that it was teeming with technological innovations, knowledge transfer, and trade from long before the Islamic period. In each chapter, expert authors present important syntheses, and new evidence for technologies from oasis farming and irrigation, animal husbandry and textile weaving, to pottery, glass and metal making by groups inhabiting the Sahara and contiguous zones. Scientific analysis is brought together with anthropology and archaeology. The resultant picture of transformations in technologies between the third millennium BC and the second millennium AD is rich and detailed, including analysis of the relationship between the different materials and techniques discussed, and demonstrating the significance of the Sahara both in its own right and in telling the stories of neighbouring regions.

This ground-breaking volume pushes back conventional dating of the earliest sedentarisation, urbanisation and state formation in the Sahara.

Places burial traditions at the centre of Saharan migrations and identity debate, with new technical data and methodological analysis.

This study examines the history and organization of trans-Saharan trade in western Africa using original source material.

Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.

This open access book provides a multi-perspective approach to the caravan trade in the Sahara during the 19th century. Based on travelogues from European travelers, recently found Arab sources, historical maps and results from several expeditions, the book gives an overview of the historical periods of the caravan trade as well as detailed information about the infrastructure which was necessary to establish those trade networks. Included are a variety of unique historical and recent maps as well as remote sensing images of the important trade routes and the corresponding historic oases. To give a deeper understanding of how those trading networks work, aspects such as culturally influenced concepts of spatial orientation are discussed. The book aims to be a useful reference for the caravan trade in the Sahara, that can be recommended both to students and to specialists and researchers in the field of Geography, History and African Studies.

While the economic involvement of early modern Germany in slavery and the slave trade is increasingly receiving attention, the direct participation of Germans in human trafficking remains a blind spot in historiography. This edited volume focuses on practices of enslavement taking place within German territories in the early modern period as well as on the people of African, Asian, and Native American descent caught up in them.

The Roman Empire had a rich and multifaceted visual culture, which was often variegated due to the sprawling geography of its provinces. In this remarkable work of scholarship, a group of international scholars has come together to find alternative ways to discuss the nature and development of the art and archaeology of the Roman provinces. The result is a collection of nineteen compelling essays—accompanied by carefully curated visual documentation, seven detailed maps, and an extensive bibliography—organized around the four major themes of provincial contexts, tradition and innovation, networks and movements, and local accents in an imperial context. Easy assumptions about provincial dependence on metropolitian models give way to more complicated stories. Similarities and divergences in local and regional responses to Rome appear, but not always in predictable places and in far from predictable patterns. The authors dismiss entrenched barriers between art and archaeology, center and provinces, even “good art” and “bad art,” extending their observations well beyond the empire’s boundaries, and examining phenomena, sites, and monuments not often found in books about Roman art history or archaeology. The book thus functions to encourage continued critical engagement with how scholars study the material past of the Roman Empire and, indeed, of imperial systems in general.