Traces Of A Daoist Immortal

Traces of a Daoist Immortal is a Daoist-infused tour de force on the Daoist mountain hermit Chén Tuán 陳摶 (Xīyí 希夷 [Infinitesimal Subtlety]; d. 989) and his fellow “hidden immortals.” Breaking various academic taboos, including hyper-historicism, social constructivism, and conformist mentalities, here Komjathy, in an aspirational gesture towards unbridled inquiry, offers annotated translations and scholarly introductions to ten major works associated with the Daoist immortal. The book also contains a cutting-edge, mythopoetic introduction that addresses the life and legend of Chén Tuán, his connection to the Western Marchmount of Huàshān 華山 (Mount Hua; Huàyīn, Shǎnxī), Daoist views about sleeping, dreaming, waking, as well as Daoist time-being.

In this seventeenth-century Chinese novel, Han Xiangzi, best known as one of the Eight Immortals, seeks and achieves immortality and then devotes himself to converting his materialistic, politically ambitious Confucian uncle—Han Yu, a real historical figure—to Daoism. Written in lively vernacular prose interspersed with poems and songs, the novel takes its readers across China, to the heavens, and into the underworld. Readers listen to debates among Confucians, Daoists, and Buddhists and witness trials of faith and the performance of magical feats. In the mode of the famous religious novel Journey to the West, The Story of Han Xiangzi uses colorful characters, twists of plot, witty dialogue, and action suitable for a superhero comic book to convey its religious message—that worldly life is ephemeral and that true contentment can be found only through Daoist cultivation. This is the first translation into any Western language of Han Xiangzi quanzhuan (literally, The Complete Story of Han Xiangzi). On one level, the novel is a delightful adventure; on another, it is serious theology. Although The Story of Han Xiangzi’s irreverent attitude toward the Confucian establishment prevented its acceptance by literary critics in imperial China, it has remained popular among Chinese readers for four centuries. Philip Clart’s introduction outlines the Han Xiangzi story cycle, presents Yang Erzeng in his social context, assesses the literary merits and religious significance of the text, and explores the theory and practice of inner alchemy. This unabridged translation will appeal to students of Chinese literature and to general readers who enjoy international fiction, as well as to readers with an interest in Daoism.

The Palace of Eternal Joy (Yongle gong) is a mammoth cult site dedicated to one of late imperial China’s most popular deities, Lu Dongbin. In one of the first book-length studies of a Chinese sacred site, Paul Katz focuses on the Palace’s role in the development of Lu's legend. This highly innovative approach takes into account the various "histories" of the Palace presented in different texts and surpasses previous scholarship by stressing the ways in which the site both reflected and produced cultural diversity. Katz breaks new ground by analyzing the texts in terms of the textuality--the processes by which they were produced, transmitted, and understood. The study begins with a detailed description of the Palace of Eternal Joy and a brief account of its history. The reader is then introduced to the cult of Lu Dongbin. Special consideration is given to various hagiographical traditions, particularly those that influenced the growth of his cult at Yongle. Throughout late imperial China, a growing number of worshipers (among them scholar-officials, Taoist priests, artisans, and dramatists) created an ever-burgeoning variety of images of Lu, ranging from a patron god of ink-makers and prostitutes to a member of that powerful yet rambunctious group of spirits known as the Eight Immortals. In this context, the author explores the Perfect Realization Taoist movement's adoption of Lu's cult during the Jin and Yuan dynasties and highlight the social and religious factors that led to Lu's immense popularity in north China during the late imperial era. Katz next looks at the four type of inscriptions found at the Palace (commemorative, official, hagiographical, and poetic) and identifies the Palace patrons who worshiped there and contributed to its growth. In the description and analysis of the Palace murals that follow, he divides these works into two types: those painted to provide a setting for, and even an object of, Taoist rituals performed at the Palace; and those used to instruct Perfect Realization Taoists and perhaps pilgrims. The final section traces the reception of the Palace texts among the people of Yongle and its environs. Here Katz examines the ways in which patrons tried to impose their representations of the Palace’s history and the cult of Lu Dongbin on other members of the community and assesses the extent to which these efforts succeeded. Images of the Immortal is richly informed by a wide reading in social, cultural, and literary theory as well as a thorough awareness of previous work in comparative and Chinese religion. Scholars of Taoism, Chinese popular religion, and art history will find it especially rewarding for its thought-provoking reinterpretation of an important religious figure and his cult.

A collection of tales and legends about the semi-divine Eight Immortals of Chinese Taoism, each of whom is supposed to have lived as an historical person. However the main role of the Eight Immortals is as symbols of the success of Taoist discipline and magic.

Immortal Sisters presents life stories and teachings of distinguished female Taoist adepts who lived from the third to twelfth centuries. Among them is the poet and mystic Sun Bu-er, who passed into folklore as one of the famous Seven Immortals and appears as a character in countless popular novels of China. These accomplished women, renowned in their own day and in history, represent a uniquely female heritage of spiritual mastery. Through poems, stories, teachings, and commentaries, Immortal Sisters sheds light on the spiritual methods taught and practiced by these women and illustrates the importance of the feminine in Taoism.

As a girl growing up in Hong Kong, Eva Wong heard and memorized many tales told to her by Hong Kong's finest professional storytellers, by actors on the radio, and by her grandmother. These popular tales of the Taoist immortals were also often dramatized in Chinese operas. The stories are of famous characters in Chinese history and myth: a hero's battle with the lords of evil, the founder of the Ming dynasty's treacherous betrayal of his friends, a young girl who saves her town by imitating rooster calls. Entertaining and often provocative, these tales usually include a moral. The immortals are role models in Chinese culture, as well as examples of enlightenment. Some of the immortals were healers, some were social activists, some were aristocrats, and some were entrepreneurs. The tales chosen by Eva Wong here are of the best-known immortals among the Chinese. Their names are household words and their stories are told and retold by one generation to the next.

28 legends and fables featuring the Eight Immortals--an illuminating study of popular Chinese religious beliefs with special appeal for readers of the Tao Te Ching and Joseph Campbell's works on myth. To this day, the Eight Immortals are among the most popular figures in Chinese art, and their cult has affected every aspect of Chinese culture. Line drawings throughout.

In 1927, General Yang Sen invited Li Qingyun to Wanxian, China, to teach about health and longevity. Li Qingyun was reported to be 250 years old at the time, and his visit to Wanxian was big news. In 1970, Yang Sen compiled a book of his and other's accounts of Li Qingyun, titled "An Authentic and True Record of a 250-Year-Old Man, " which Stuart Alve Olson started translating into English in 1982. Besides the notion of someone living to 250 years of age, this book goes well beyond the biography of Li Qingyun's life. It has great historical value, especially for Westerners who are unfamiliar with much of Chinese history towards the end of the Qing dynasty. It also explains incredible health therapies and provides information on what is now called Medical Qigong. Much is explained about Daoism on meditation, breathing, qigong exercise, food, sex, and philosophy for Daoist living. Another true gem of this book is the philosophical teachings, as much of this material has never been presented in English. The depth of information provided in this book surpasses any previously published work on Daoist health practices and philosophy. It is rare to come across a text with such abundance of insights and written with such clarity as this material provides. Although"Qigong Teachings of a Taoist Immortal: The Eight Essential Exercises of Master Li Ching-yun" was published in 2002, which includes translations from Yang Sen's book, the entire translation is now finally available.This book belongs in everyone's library who studies or has an interest in Chinese philosophy, qigong regimes, and biographies. A companion DVD-"Li Qingyun's Eight Brocades"-is now available."