Tour Of The St Elmos

The tour of the St. Elmo party through the New England states, British provinces, Michigan, Indiana, Illinois, Missouri, Kansas, Colorado, New Mexico, Arizona, California, Nevada, Utah, Wyoming, Nebraska, and Iowa. A journey of nearly ten thousand miles ...

St. Elmo's Fire is a maritime phenomenon where natural electrical discharge, primarily from lightning, causes a ship's mast to glow. Its aura can be seen for miles, and it has been believed to be either an evil omen or a sign of protection and good luck at sea. Beginning in the Port of New York in fall, 1834, St. Elmo's Fire is a fast-paced story of adventure and misadventure. Twenty-year-old Donecha (DONecka) Van Fossen, bookish son of Irish-Dutch immigrant parents, manages to escape their dreary life and follow his dream of becoming a seaman. After his family's tenement is burned to the ground, Donecha is taken aboard the sailing ship Il Paradiso as tutor to the captain's son, eleven-year-old Lyle, who has been held captive at sea for most of his young life. Finding out why and by whom is the central mystery. As the bond between Donecha and Lyle grows, they discover that the true mission of Il Paradiso is twofold: to rescue Liana, Lyle's hidden sister, from the clutches of Mediterranean relatives who would seize both children and appropriate their rightful inheritance, and also to find their mysterious mother, who appears to Lyle as the "glow in the sky". Moving from the Port of New York across the Atlantic to various Mediterranean ports, and back, the travelers return shortly before the Great Fire of New York leveled most of lower Manhattan in December, 1835. Well into the nineteenth century, the stormy Atlantic was still open range for privateers, latter day pirates. Dramatic encounters and narrow escapes throughout the journey build suspense. The rescue effort involves intrigues, pursuits, betrayals, as well as merriment, humor and a touch of romance. In the end Il Paradiso succeeds where Il Purgatorio and Il Inferno have failed. In addition to Donecha and Lyle, other major characters include Mr. Crawdon, landlord, shipowner and father to Lyle; Slogo, the ship's galley cook; Lyle's sister, Liana; and Lyle's pet monkey, the Little Marqus. Characters are merry and scary, wry and sly. Linked into plot and character development are recurrent motifs of fires, secret passages, lively turnabouts of streotypes and the escapades of Lyle's clever little monkey. In the end, the wily Mr. Crawdon and the unlikely Slogo turn out to be the saviors of them all. Numerous character and plot shifts draw the reader to a surprising conclusion. St. Elmo's Fire is a family-oriented story, between 35,000 and 36,000 words, divided into 26 short chapters, It is suitable for family reading and late elementary or middle school readers, both boys and girls, or as a chapter book. The characters and situations are credible in context and historical and geographical detail is generally accurate. The story would be well illustrated with lively drawings, say pen and gouache. Cinematic potential.

Tour of the St. Elmo's: From the Nutmeg State to the Golden Gate, 1883, authored by E. B. Everitt.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

You can quote lines from Sixteen Candles (“Last night at the dancemy little brother paid a buck to see your underwear”), your iPod playlist includes more than one song by the Psychedelic Furs and Simple Minds, you watch The Breakfast Club every time it comes on cable, and you still wish that Andie had ended up with Duckie in Pretty in Pink. You’re a bonafide Brat Pack devotee—and you’re not alone. The films of the Brat Pack—from Sixteen Candles to Say Anything—are some of the most watched, bestselling DVDs of all time. The landscape that the Brat Packmemorialized—where outcasts and prom queens fall in love, preppies and burn-outs become buds, and frosted lip gloss, skinny ties, and exuberant optimism made us feel invincible—is rich with cultural themes and significance, and has influenced an entire generation who still believe that life always turns out the way it is supposed to. You Couldn’t Ignore Me If You Tried takes us back to that era, interviewing key players, such as Molly Ringwald, Anthony Michael Hall, Ally Sheedy, Judd Nelson, Andrew McCarthy, and John Cusack, and mines all the material from the movies to the music to the way the films were made to show how they helped shape our visions for romance, friendship, society, and success.

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