Totem Of Terror

The Eidola Project, a team of 19th Century ghost hunters, have been tasked with trying to stop a deadly shapeshifting demon attacking the native people of La Push, on the Washington Coast. The team brings their own demons with them, in the form of drug addiction, a werewolf's curse, and being in mourning from the death of a loved one. Can they rise to this new challenge, or will they face they same grisly end as the shapeshifter's other victims?

The Denver Rocky Mountain News called The Totem one of the 10 Scariest Books of all time. Horror: 100 Best Stories called it one hell of a frightening novel. But if you think horror means ghosts, vampires, and children of the devil, think again. The Totem plunges you into an all-to-real visceral terror made all the more terrifying because it is timely.

Terror and Taboo is about the mythology of terrorism; it is an exploration of the ways we talk about terrorism. It offers incontestable evidence to support the idea that we give power to terrorism by the way we write and talk about it. According to Zulaika and Douglass, we make terrorism worse by the way we represent it in the media and in everyday conversation. Through their examination of terrorism, they propose to remove the taboos surrounding terrorism. Terror and Taboo is full of examples to ground the authors premise, ranging from specific examples, such as tendency to talk more about where Timothy McVeigh shopped for weapons than about the international traffic in arms by legitimate nations, to more theoretical interpretations that will be familiar to readers of cultural studies books.

In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. She challenges the conventional wisdom that violent horror films can only degrade women and incite violence, and contends instead that the contemporary horror film speaks to the cultural need to express rage and terror in the midst of social upheaval.

This book argues that conventional interpretation of Freudian psychology has not accounted for the death anxiety and its relation to illusions and delusions. It contends that there is evidence to support the view that death anxiety is a very normal and central emotional threat human beings deal with by impeding awareness of the threat.

The Theater of Trauma is a groundbreaking rereading of the relations between psychology and drama in the age of Eugene O'Neill, Susan Glaspell, and their many brilliant contemporaries. American modernist Theater of Trauma drew its vision from the psychological investigation of trauma and its consequences - among them hysteria and dissociation - made by French and American psychiatrists such as the great Pierre Janet, Alfred Binet, William James, Morton Prince, and W.E.B. Du Bois; the European and American «dissociationist culture» that developed around their work; and the resulting trauma of World War I. American dramatists' deep resistance to Freud's suppression of trauma challenges the equation of Freud and modernism that has become commonplace in modernist criticism.

Five Millennia of Prescriptions for Spiritual Healing

First Published in 1991. This book includes several contributions to the new look in terrorism research, including a history of terrorism that reaches back two thousand years, an examination of the life-cycle of terrorist groups that have come and gone since World War II, and a new theory of the stages by which political protest becomes political violence and terrorism.

A group of workmen unwittingly disturb an ancient Indian burial ground and unleash the Ancient One, a creature with a taste for evil that can only be stopped by one person

Blending concepts from 'dramatism' such as 'victimage ritual' with Foucault's approach to modern power and knowledge regimes, this book presents a novel and illuminating perspective on political power and domination resulting from the global war on terrorism. With attention to media sources and political discourse within the context of the global war on terror, the author draws attention to the manner in which power elites construct scapegoats by way of a victimage ritual, thus providing themselves with a political pretext for extending their power and authority over new territories and populations, as well as legitimating an intensification of domestic surveillance and social control. A compelling analysis of ritual rhetoric and political violence, Power, Discourse and Victimage Ritual in the War on Terror will be of interest to sociologists, political theorists and scholars of media and communication concerned with questions of surveillance and social control, political communication, hegemony, foreign policy and the war on terror.