Tokyo Vertigo

In TOKYO VERTIGO, Stephen Barber explores the most mesmerising and precarious of all contemporary world cities: Tokyo: the megalopolis, in extremis. Barber probes the multiple ways in which Tokyo projects and hides itself, focusing upon its filmic, photographic and media cultures as well as its extraordinary urban history of destruction, unrest and reconfiguration. Dividing his analysis into three parts, the author first interrogates the disparate urban ‘zones’ of Tokyo, from the image-screen constellated districts of Shinjuku and Shibuya to the desolate peripheries where the megalopolis falls apart, then examines Tokyo’s sexual and media cultures, through which the city’s compulsive fascinations and obsessions exert their power. Finally, the book looks at the ways in which European culture collides with Tokyo’s urban formations, often generating unprecedented, hybrid images and texts.

Journey with innovative travel writer Stephen Barber as he guides the reader through the ultimate futuristic city: Tokyo. A cinematic portrayal of the city, from close-up portraits of individual citizens to panoramic descriptions of its vast avenues and immense digital-image screens. From day to night and past to present, "Tokyo Vertigo" is visceral, exhilarating travel writing. Photos.

This monograph has been written for clinicians who are involved in the management of the dizzy patient and for scientists with a particular interest in the multi-sensorimotor mechan isms that subserve spatial orientation, motion perception, and ocular motor and postural con trol. Special emphasis has been put on making the correct diagnosis, and detailed recommendations have been given for specific treatments. The second edition has resulted in an almost completely new book due to the dramatic expansion in the 1990s of our understanding of vestibular function and dis orders. A few rele vant examples include the novel concept of canalolithiasis, as opposed to cupulolithiasis, both of which are established causes of typical posterior and horizontal canal benign paroxysmal positioning vertigo; familial episodic ataxia land II have been identified as inherited chan nelopathies; otolithic syndromes were recognized as a variety separate from semicircular canal syndromes; several new central vestibular syndromes have been described, localized, and attributed to vestibular pathways and centres; a new classification based on the three major planes of action of the vestibulo-ocular reflex is available for central vestibular syn dromes; and the mystery of the location and function of the multisensory vestibular cortex is slowly being unravelled. This book differs from other clinical textbooks in that it is not divided into two parts: anatomy and physiology, on the one hand, and disorders, on the other.

A dizzying tale of lust, mystery, and murder—from a beloved Japanese crime fiction author and LGBT icon The Lady Killer leads a double life in Tokyo's shadowy underworld. By day, he is a devoted husband and hard worker; by night, he cruises cabaret bars and nightclubs in search of lonely single women to seduce. But now the hunter is being hunted, and in his wake lies a trail of gruesome murders. Who is the culprit? The answer lies tangled in a web of clues—and to find it, he must accept that nothing is what it seems. The Lady Killer pulls from author Masako Togawa’s vibrant personal life as a cabaret performer for Tokyo’s gay nightclub scene during the ‘50s and ‘60s. Throughout her writing career, Togawa continued to champion the LGBT community as a queer woman—sealing her reputation as one of Japan’s most prominent crime fiction authors and LGBT heroines.

The original breath-taking psychological thriller behind Hitchcock’s legendary film—the story of a man tormented by his search for the truth, and ultimately destroyed by a terrible secret It could have happened to any of us, but it happened to a man named Flavieres. His days as a detective were over, and everyone knew he had his reasons. But when an old friend appeared out of nowhere with concerns about his withdrawn and mysterious wife, Flavieres didn't have the heart to refuse. Soon, he would be scouring the streets of Paris in search of an answer—in search of a girl who belonged to no one, not even to herself. Intrigue would be replaced by obsession, and dreams replaced by nightmares. This is the story of a desperate man. A man who ended up compromising his own morality beyond all measure, while World War II raged outside his front door. A man tormented—and destroyed—by a dark, terrible secret.

Astrologer, fortuneteller, and self-styled detective Kiyoshi Mitarai must in one week solve a macabre murder mystery that has baffled Japan for 40 years. Who murdered the artist Umezawa, raped and killed his daughter, and then chopped up the bodies of six others to create Azoth, the supreme woman? With maps, charts, and other illustrations, this story of magic and illusion, pieced together like a great stage tragedy, challenges the reader to unravel the mystery before the final curtain.

From the narrow alleyways of the Golden Gai to the flashing ads and jumbotrons of the Shibuya street crossings to the skyscrapers of Shinjuku and the cartoon billboards of the Akiba, Tokyo is an intensely visual and mesmerizing city. In the most innovative account of Tokyo's urban sensations since Roland Barthes' Empire of Signs, Stephen Barber in Tokyo Vertigo probes the many ways in which Tokyo projects and hides itself, focusing upon its filmic, photographic, and media cultures as well as its extraordinary urban history of destruction and reconfiguration. Dividing his analysis into three parts, Barber first interrogates the disparate urban zones of Tokyo, from the districts of Shinjuku and Shibuya to the desolate peripheries where the megalopolis falls apart. He then examines Tokyo's sexual and media cultures, through which the city's compulsive fascinations and obsessions exert their power. Finally, he looks at the ways in which European culture collides with Tokyo's urban formations, often generating unprecedented hybrid images and texts. An anti-guidebook that intimately reveals the visual culture of this city in constant flux, Tokyo Vertigo includes original photographs by Romain Slocombe and a range of photographic art-works from the 1950s to the 2010s that exemplify the intensity and spectacle of the city.

Many congenitally deaf infants and children suffer vestibular failure, which produces problems with their postural control, locomotion and gait. However it is known that these children can eventually catch up with their normal balance control status in terms of development and growth as a result of central vestibular compensation. In Vertigo and Balance Disorders in Children the author provides comprehensive and integrative information on the vestibular system. The materials presented range from the history of its study, basic anatomy and physiology of vestibular organs, mechanism of balance and motor function development, to clinical aspects of vestibular disorders including their evaluation and pediatric neurology. Although there have been books discussing postural responses of infants and children with vestibular disorders, this is the first to present the influence of peripheral vestibular disorders and central vestibular compensation comprehensively. This book will benefit not only practitioners in this field such as pediatric otolaryngologists, pediatricians, child neurologists and neurologists, but also clinical specialists such as neonatologists, physical therapists and speech therapists, helping them to better care for patients with vestibular failure.

The vestibular labyrinth consists of ? ve compartments: the lateral, anterior, and posterior semicircular canals, the utricule, and the saccule. At the beginning of the twentieth century, Robert Bárány proposed the caloric test as a clinical test of the lateral semicircular canal. This test enabled clinicians to assess the individual lateral semicircular canal function easily by using the simple method of irrigating the external ear canal with cold or warm water and observing the induced nyst- mus. We believe that the caloric test was a breakthrough in the ? eld of vestibular research. However, as far as the other compartments were concerned, there was no simple clinical test equal to the caloric test for the lateral semicircular canal function. At the end of the twentieth century, the vestibular evoked myogenic potential (VEMP) test was proposed as a new method for assessing the individual saccule function. This test has some unique attributes. First, it uses sound stimulation, even though it is a test of the vestibular system. This appears to be a contradiction n- rophysiologically. As a result, in its early stages there were controversies conce- ing the origin of the responses. However, such controversies have been overcome by basic neurophysiological studies and clinical studies. Above all, sound sensit- ity of the saccular afferents shown in cats and guinea pigs with single-unit recording methods became the main supporting evidence. Nowadays, VEMP is one of the routine clinical tests for balance disorder.