Tokyo Redux

A thrilling postmodern noir about the real-life disappearance, in 1949, of one of Japan's most powerful figures, and the three men who try--and fail--to crack the case. Tokyo, July 1949. The president of the National Railways of Japan vanishes. As American and Japanese investigators scrambled for answers, the case went cold--and it remains unsolved to this day. In Tokyo Redux, celebrated crime writer David Peace channels drama, research, and intrigue into this strikingly intelligent fictionalization of Japan's most enduring and haunting mystery. Spanning decades, Peace's novel reveals how the lives of three men all come to revolve around the same inexpicable disappearance. Starting in American-occupied Tokyo, where tension and confusion reign, American detective Harry Sweeney leads the missing-person investigation for General MacArthur's GHQ. Fifteen years later, as Tokyo prepares for the global spotlight as host of the summer Olympics, private investigator Murota Hideki--who was a policeman during the Occupation--is confronted by this very same case, and is forced to address something he's been hiding for more than a decade. And twenty-plus years after that, as Emperor Shōwa lays dying, Donald Reichenbach, an aging American eking out a living in Japan teaching and translating, discovers that the final reckoning of the greatest mystery of the era is now in his hands. The concluding installment of Peace’s acclaimed Tokyo Trilogy, Tokyo Redux is a page-turning portrait of post-World War II Tokyo and an inside look into a storied crime that continues to haunt multiple generations.

Never before published in the U.S., GB84 will be launched in 2014 alongside two other novels by David Peace: The Damned Utd and Red or Dead In taut and gripping prose that often feels like the relentless text of a surveillance report, GB84 tells the story of the British coal miner’s strike of 1984—including the actual bombings, riots and protests that brought the country to the brink of civil war. Called by its author “fiction based on fact,” the book depicts a real-life 1984 more violently dystopian than even Orwell imagined. Slowly starving strikers find themselves pitted against a prime minister—Margaret Thatcher—determined to crush them . . . a police force willing to use infiltration and violence to achieve her will . . . and equally hungry scabs who need a job . . . Mixing real events and characters with the voices of the increasingly desperate strikers, the book becomes a stirring saga of courage against overwhelmingly sinister forces, and paints a searing and haunting portrait of events that changed the course of British history.

“An extraordinary and highly original crime novel” (New York Times Book Review) that plunges us into post–World War II Occupied Japan in a Rashomon–like retelling of a mass poisoning (based on an actual event), its aftermath, and the hidden wartime atrocities that led to the crime. “Hugely daring, utterly irresistible, deeply serious and unlike anything I have ever read.”—New York Times Book Review On January 26, 1948, a man identifying himself as a public health official arrives at a bank in Tokyo. There has been an outbreak of dysentery in the neighborhood, he explains, and he has been assigned by Occupation authorities to treat everyone who might have been exposed to the disease. Soon after drinking the medicine he administers, twelve employees are dead, four are unconscious, and the “official” has fled.... Twelve voices tell the story of the murder from different perspectives. One of the victims speaks, for all the victims, from the grave. We read the increasingly mad notes of one of the case detectives, the desperate letters of an American occupier, the testimony of a traumatized survivor. We meet a journalist, a gangster-turned-businessman, an “occult detective,” a Soviet soldier, a well-known painter. Each voice enlarges and deepens the portrait of a city and a people making their way out of a war-induced hell. Occupied City immerses us in an extreme time and place with a brilliantly idiosyncratic, expressionistic, mesmerizing narrative. It is a stunningly audacious work of fiction from a singular writer.

FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.

No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.

The inaugural winner of The Novel Prize, an international biennial award established by Giramondo (Australia), Fitzcarraldo Editions (UK) and New Directions (USA). Cold Enough for Snow was unanimously chosen from over 1500 entries. A novel about the relationship between life and art, and between language and the inner world – how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter. A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them. 'So calm and clear and deep, I wished it would flow on forever.' — Helen Garner 'Rarely have I been so moved, reading a book: I love the quiet beauty of Cold Enough for Snow and how, within its calm simplicity, Jessica Au camouflages incredible power.' — Edouard Louis 'Au’s prose is elegant and measured. In descriptions of bracing clarity she evokes ‘shaking delicate impressions’ of worlds within worlds that are symbolic of the parts of ourselves we keep hidden and those we choose to lay bare. Put simply, this novel is an intricate and multi-layered work of art — a complex and profound meditation on identity, familial bonds and our inability to fully understand ourselves, those we love and the world around us.' — Jacqui Davies, Books+Publishing

“Probably the best novel ever written about sport.” —The Times (UK) He was a real-life, working-class hero known as the “British Muhammad Ali”—because he had a big mouth and wasn’t afraid to use it. But Brian Clough wasn’t a boxer, he was a soccer coach, known for taking backwater teams and making them into champions. In towns where people had little else, the hard-drinking and scrappy Clough was a hero. He was especially beloved for telling it like it was on behalf of small-town teams everywhere—calling out the stars who played dirty, rival coaches he suspected of bribing referees, and the league that let them get away with it. And then one day Clough was offered a job coaching the big-city team he’d called the dirtiest—the perennial powerhouse Leeds United. The Damned Utd tells the story of the legendary Clough’s tumultuous forty-four days trying to turn around a corrupt institution without being corrupted himself—the players who wouldn’t play, the management that looked the other way, the wife and friends who stood by him as he fought to do the right thing. The inspiring story behind the movie of the same name, The Damned Utd has been called by The Times of London, “The best novel ever written about sport.”

Patricia E. Roy is the winner of the 2013 Lifetime Achievement Award, Canadian Historical Association. Canada's early participation in the Asia-Pacific region was hindered by "contradictory impulses" shaping its approach. For over half a century, racist restrictions curtailed immigration from Japan, even as Canadians manoeuvred for access to the fabled wealth of the Orient. Canada's relations with Japan have changed profoundly since then. In Contradictory Impulses, leading scholars draw upon the most recent archival research to examine an important bilateral relationship that has matured in fits and starts over the past century. As they makes clear, the two countries' political, economic, and diplomatic interests are now more closely aligned than ever before and wrapped up in a web of reinforcing cultural and social ties. Contradictory Impulses is a comprehensive study of the social, political, and economic interactions between Canada and Japan from the late nineteenth century until today.

The first installment of David Peace's electrifying Red Riding Quartet vividly brings to life a gritty, dangerous working class city tormented by a series of brutal murders. Nineteen Seventy-Four follows Eddie Dunford, the newly minted crime correspondent for the Yorkshire Post. His first story is about Clare Kemplay, a young girl recently found brutally murdered. While the police department and other crime reporters at the newspaper believe it's an isolated incident, Eddie finds a pattern between Clare's disappearance and those of other girls from a few years earlier. Despite his better judgment, and against the advice of others, he starts to dig deep. What he finds is a nightmare of corruption, violence, blackmail, and obsession that ultimately leads to a shocking, explosive conclusion.

Since 2008, the American patriot/militia movement—right-wing antigovernment groups who portray themselves as fighting encroaching tyranny—has grown exponentially. Oath Keepers is among the most visible and vocal of these organizations. Formed in 2009, Oath Keepers gained notoriety for its involvement in the Bundy Ranch standoff of 2014 and the Malheur Refuge occupation of 2016. The group gives voice to a recurrent form of American politics: virulent distrust of the government combined with a valorization of violence. Sam Jackson takes readers inside the world of the most prominent antigovernment group in the United States, examining its extensive online presence to discover how it builds support for its political goals and actions. Through an extensive textual analysis of the group’s publications, Jackson explores how Oath Keepers draws on core American political values and pivotal historical moments of conflict and crisis from the Revolutionary War to Waco to Hurricane Katrina to cast its adherents as defenders of liberty. He details how Oath Keepers makes sense of the contemporary United States, how it provides members with models of political behavior, and how it lobbies the wider American public to join the group. The first book-length investigation of the contemporary patriot/militia movement, Oath Keepers sheds new light on what animates groups that pose a growing threat to American security and political culture.