To See And Be Seen

Whether inscribed in physical media, projected on surfaces, or viewed on digital devices, we find ourselves constantly inundated with streams of visual data. Yet, we know surprisingly little about how these images are made, especially in journalistic contexts where representations are long-lasting and where repercussions can be dramatic. To See and Be Seen considers some of the ideological, aesthetic, pragmatic, institutional, cultural, commercial, environmental, and psychological forces that consciously or otherwise shape the production of news images and subsequently influence their reception. T. J. Thomson examines the expectations, experiences, and reactions of those depicted by visual journalists and considers other relevant factors: how do everyday people perceive cameras and those who operate them? How are identities visually represented and presented to different audiences? And how does the physical and the socially constructed environment shape those depictions? The results of Thomson’s research provide one of the first empirical and real-time glimpses into the experience of being in front of a journalist’s lens. To See and Be Seen enables us to understand the stories behind images by considering the environment in which such images are made, the exchange (if one occurred) between the camera-wielding observer and the observed, the identities of both parties, and how they react to the representations that are created. To See and Be Seen is the winner of the National Communication Association’s 2020 Diane S. Hope Book of the Year Award. NCA reviewers called the book “a signature achievement in understanding the process of media production and the ethics of photojournalism.”

This book examines the themes that surface when considering clinical situations where patients feel stuck and where a failure to develop impedes the progress of analysis.

"This volume is published in conjunction with the exhibition To See Without Being Seen: Contemporary Art and Drone Warfare, organized by the Mildred Lane Kemper Art Museum at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, and on view there January 29 to April 24, 2016."--Page 96.

"Utterly captivating. Ghost story, murder mystery, haunting Aboriginal fable--The Things She's Seen checks every spooky box you could want." --Paste Magazine Cosmopolitan called The Things She's Seen one of the best YA books you'll be obsessed with in 2019. Now in paperback, with an updated, more commercial cover, this thriller is poised to break out to an even wider audience. Nothing's been the same for Beth Teller since the day she died. Her dad is drowning in grief. He's also the only one who has been able to see and hear her since the accident. But now they've got a mystery to solve, a mystery that will hopefully remind her detective father that he needs to reconnect with the living. The case takes them to a remote Australian town, where there's been a suspicious fire. All that remains are an unidentifiable body and an unreliable witness found wandering nearby. This witness speaks in riddles. Isobel Catching has a story to tell, and it's a tale to haunt your dreams--but does it even connect to the case at hand? As Beth and her father unravel the mystery, they find a shocking and heartbreaking story lurking beneath the surface of a small town.

It's Christmas Eve and Little Bear can't wait for Santa to come! Big Bear slides down the chimney to reassure Little Bear that Santa will be able to fit while Mommy Bear sets out milk and a snack for Santa. But Little Bear doesn't want to go to bed, he wants to see Santa! After catching Big Bear drinking Santa's milk and eating one of Santa's snacks, Little Bear really can't get to sleep and both he and Big Bear decide to hide downstairs to wait for Santa. Now, It's Mommy Bear who gets caught putting a present in each of their stockings, so all three bears decide to wait up for Santa. Will Little Bear ever see Santa?