To Quell The Terror The True Story Of The Carmelite Martyrs Of Compiegne

Recounts the dramatic true story of the Discalced Carmelite nuns of Compiègne, martyred during the French Revolution's "Great Terror," and known to the world through their fictional representation in Gertrud von Le Fort's Song at the Scaffoldand Francis Poulenc's Dialogues of the Carmelites. Includes index and 15 photos. More Information At the height of the French Revolution's "Great Terror," a community of sixteen Carmelite nuns from Compiègne offered their lives to restore peace to the church and to France. Ten days after their deaths by the guillotine, Robespierre fell, and with his execution on the same scaffold the Reign of Terror effectively ended. Had God thus accepted and used the Carmelites' generous self-gift? Through Gertrud von Le Fort's modern novella, Song at the Scaffold, and Francis Poulenc's famed opera, Dialogues of the Carmelites, (with its libretto by Georges Bernanos), modern audiences around the world have become captivated by the mysterious destiny of these Compiègne martyrs, Blessed Teresa of St. Augustine and her companions. Now, for the first time in English, William Bush explores at length the facts behind the fictional representations, and reflects on their spiritual significance. Based on years of research, this book recounts in lively detail virtually all that is known of the life and background of each of the martyrs, as well as the troubled times in which they lived. The Compiègne Carmelites, sustained by their remarkable prioress, emerge as distinct individuals, struggling as Christians to understand and respond to an awesome calling, relying not on their own strength but on the mercy of God and the guiding hand of Providence.

This book recounts the dramatic true story of the Discalced Carmelite nuns of Compiègne, martyred during the French Revolution's "Great Terror," and known to the world through their fictional representation in Gertrud von Le Fort's Song at the Scaffold and Francis Poulenc's Dialogues of the Carmelites. At the height of the French Revolution's "Great Terror," a community of sixteen Carmelite nuns from Compiègne offered their lives to restore peace to the church and to France. Ten days after their deaths by the guillotine, Robespierre fell, and with his execution on the same scaffold the Reign of Terror effectively ended. Had God thus accepted and used the Carmelites' generous self-gift? Through Gertrud von Le Fort's modern novella, Song at the Scaffold, and Francis Poulenc's famed opera, Dialogues of the Carmelites, (with its libretto by Georges Bernanos), modern audiences around the world have become captivated by the mysterious destiny of these Compiègne martyrs, Blessed Teresa of St. Augustine and her companions. Now, for the first time in English, William Bush explores at length the facts behind the fictional representations, and reflects on their spiritual significance. Based on years of research, this book recounts in lively detail virtually all that is known of the life and background of each of the martyrs, as well as the troubled times in which they lived. The Compiègne Carmelites, sustained by their remarkable prioress, emerge as distinct individuals, struggling as Christians to understand and respond to an awesome calling, relying not on their own strength but on the mercy of God and the guiding hand of Providence. The book includes an index and 15 photos.

The Song at the Scaffold is a novelette set in the time of the French Revolution, an epoch that vividly demonstrated man's capacity for both heroism and brutality. It is a very intense story dealing primarily with the Carmelite Convent at Compiegne but also encompassing the Paris mob, the Reign of Terror, Women Revolutionists, etc., climaxing in the martyrdom of sixteen Carmelite nuns. Excellent reading for both students and adults!

Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.

Examines the change in memory regime in postwar France, from one centered on the concentration camps to one centered on the Holocaust.

Festivals and the French Revolution--the subject conjures up visions of goddesses of Liberty, strange celebrations of Reason, and the oddly pretentious cult of the Supreme Being. Every history of the period includes some mention of festivals; Ozouf shows us that they were much more than bizarre marginalia to the revolutionary process.

This celebrated study of witchcraft in Europe traces the worship of the pre-Christian and prehistoric Horned God from paleolithic times to the medieval period. Murray, the first to turn a scholarly eye on the mysteries of witchcraft, enables us to see its existence in the Middle Ages not as an isolated and terrifying phenomenon, but as the survival of a religion nearly as old as humankind itself, whose devotees held passionately to a view of life threatened by an alien creed. The findings she sets forth, once thought of as provocative and implausible, are now regarded as irrefutable by folklorists and scholars in related fields. Exploring the rites and ceremonies associated with witchcraft, Murray establishes the concept of the "dying god"--the priest-king who was ritually killed to ensure the country and its people a continuity of fertility and strength. In this light, she considers such figures as Thomas a Becket, Joan of Arc, and Gilles de Rais as spiritual leaders whose deaths were ritually imposed. Truly a classic work of anthropology, and written in a clear, accessible style that anyone can enjoy, The God of the Witches forces us to reevaluate our thoughts about an ancient and vital religion.