To Keep Love Blurry

To Keep Love Blurry is about the charged and troubled spaces between intimately connected people: husbands and wives, parents and children, writers and readers. These poems include sonnets, villanelles, and long poems, as well as two poetic prose pieces, tracing how a son becomes a husband and then a father. Robert Lowell is a constant figure throughout the book, which borrows its four-part structure from that poet's seminal Life Studies. Craig Morgan Teicher won the Colorado Prize for Poetry. He is poetry reviews editor for Publishers Weekly magazine and served as vice president on the board of the National Book Critics Circle.

Inspired by Lowell's Life Studies, Teicher explores troubled spaces between loved ones as a son becomes a husband and father.

You don’t have to understand God to trust him. “Just trust me.” Those are the words we often hear in movies just before something bad happens. And yet, we are told to trust God. In a culture where we tend to take control of our own lives, trusting God has become a religious platitude rather than a life-changing attitude. We say it, but do we really mean it? And what does trusting God really look like? Sharon, Mary, and Gwen—the Girlfriends in God ministry team—have been there. They’ve traveled the tough roads of life to discover the peace and power that comes from grabbing the hand of God and trusting his plan. The life stories they share bring laughter and sometimes tears, but always spiritual growth. Each of the 12-week sections concludes with a Bible study guide and journal page, inviting you to lock arms with Sharon, Mary, and Gwen and share with other women in a small group setting or to use individually in your own quiet time.

Redeemer. Healer. Provider. How will you encounter God today? Throughout Scripture, God reveals His complex character by identifying Himself by different names—names that shed light on who He is and how we should relate to Him. In this engaging book, the popular Girlfriends in God devotional team introduces you to forty of those names, each of which invites you to glory in a different aspect of our amazing God. In each day’s reading you’ll encounter personal, inspiring stories and biblical truths that lead you to a deeper understanding of who God is and what He does on your behalf. You’ll be fed with Scripture that you can apply to your unique circumstances. And most important, as you come to know Him by name, you’ll draw closer to God and learn to trust Him more fully. Perfect for personal study and for discussing with girlfriends, prayer partners, or small groups, this eight-week daily devotional features: • a weekly guide to deeper study, reflection, and prayer • creative ideas to help you apply new insights • journaling pages • a pronunciation guide for God’s Hebrew and Greek names Begin today with Knowing God by Name—and grow closer to the One who knows you by name. “Knowing God by Name opens our eyes to the many facets of God’s love and mercy, letting us see Him more clearly and know Him more deeply.” —Liz Curtis Higgs, author of The Girl’s Still Got It

Haunting and beautiful fables of lonely birds, groaning cows, nurturing wolves, and sad little boys.

Traversing a world based on perspective, with the force of our own illusions propping us up, what would you forsake to know the truth? Two families, separated by continents, are wrapped up in the same timeless struggle - to be more than the sum of their parts. Join them as they seek to solve a mystery that goes beyond the limits of our physical reality. With time never on our side, the question arises: what would you give up for freedom?

"The poems in Copia are about what is and what is almost-gone, what is in limbo and what won't give way, what is almost at rock bottom but still and always brimming with the possibility of miracle."—Rachel Zucker Erika Meitner's fourth book takes cues from the Land Artists of the 1960s who created work based on landscapes of urban peripheries and structures in various states of disintegration. The collection also includes a section of documentary poems about Detroit that were commissioned for Virginia Quarterly Review. Because it is an uninhabited place, because it makes me hollow, I pried open the pages of Detroit: the houses blanked out, factories absorbed back into ghetto palms and scrub- oak, piles of tires, heaps of cement block. Vines knock and enter through shattered drop-ceilings, glassless windows. Ragwort cracks the street's asphalt to unsolvable puzzles. Meitner also probes the hulking ruins of office buildings, tract housing, superstores, construction sites, and freeways, and doesn't shy from the interactions that occur in Walmart and supermarket parking lots. It is nearly Halloween, which means wrong sizes on Wal-Mart racks, variety bags of pumpkins extinguishing themselves on the stoop children from the trailer park trawling our identical lawns soon so we can give away nickels, light, sandpaper, raisins, cement. Erika Meitner was a 2009 National Poetry Series winner. Her work has appeared in American Poetry Review, Ploughshares, Tin House, The Best American Poetry 2011, Kenyon Review, and elsewhere. She is associate professor of English at Virginia Tech.

Known for the transcendent, abstractionist poems of Nomina, Volkman's newest collection returns to tangible experiences of the body—its range of expressivity and physical movement in space. Where is the body in travel? What space does it occupy in dreams and memory? With rich perplexity, Whereso responds to dance, performance, and position in time—translating flight of the body into language and line. Karen Volkman is the author of Crash's Law, winner of the National Poetry Series; Spar, winner of the Iowa Poetry Prize and the James Laughlin Award; and Nomina. She teaches at the University of Montana in Missoula, Montana.

Honored as a "Best Book of 2014" by Library Journal NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. 'Every last word is contagious,' he writes, awake to all the implications of that phrase. There is plenty of guilt—survivor’s guilt, sinner’s guilt—and ever-present death, but also the joy of survival and sin. And not everyone has the chutzpah to rewrite The Good Book.”—NPR.org "Erotic and grief-stricken, ministerial and playful, Brown offers his reader a journey unlike any other in contemporary poetry."—Rain Taxi "To read Jericho Brown's poems is to encounter devastating genius."—Claudia Rankine In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing—and the truth is coming on fast. Fairy Tale Say the shame I see inching like steam Along the streets will never seep Beneath the doors of this bedroom, And if it does, if we dare to breathe, Tell me that though the world ends us, Lover, it cannot end our love Of narrative. Don’t you have a story For me?—like the one you tell With fingers over my lips to keep me From sighing when—before the queen Is kidnapped—the prince bows To the enemy, handing over the horn Of his favorite unicorn like those men Brought, bought, and whipped until They accepted their masters’ names. Jericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.

Fans of Jerry Spinelli's Maniac Magee and Louis Sachar's Holes will enjoy this story about a boy and the ancient secrets that hide deep in the heart of the Florida everglades near a place called Muck City. When Charlie moves to the small town of Taper, Florida, he discovers a different world. Pinned between the everglades and the swampy banks of Lake Okeechobee, the small town produces sugar cane . . . and the fastest runners in the country. Kids chase muck rabbits in the fields while the cane is being burned and harvested. Dodging flames and blades and breathing smoke, they run down the rabbits for three dollars a skin. And when they can do that, running a football is easy. But there are things in the swamp, roaming the cane at night, that cannot be explained, and they seem connected to sprawling mounds older than the swamps. Together with his step-second cousin "Cotton" Mack, the fastest boy on the muck, Charlie hunts secrets in the glades and on the muck flats where the cane grows secrets as old as the soft earth, secrets that haunted, tripped, and trapped the original native tribes, ensnared conquistadors, and buried runaway slaves. Secrets only the muck knows.