To Brooklyn With Love Hildegard Christina Risse

What happens when UNESCO heritage conventions are ratified by a state? How do UNESCO’s global efforts interact with preexisting local, regional and state efforts to conserve or promote culture? What new institutions emerge to address the mandate? The contributors to this volume focus on the work of translation and interpretation that ensues once heritage conventions are ratified and implemented. With seventeen case studies from Europe, Africa, the Caribbean and China, the volume provides comparative evidence for the divergent heritage regimes generated in states that differ in history and political organization. The cases illustrate how UNESCO’s aspiration to honor and celebrate cultural diversity diversifies itself. The very effort to adopt a global heritage regime forces myriad adaptations to particular state and interstate modalities of building and managing heritage.

Considering in depth the origins of the Solomon R. Guggenheim Museum when it was first known as the Museum of Non-Objective Painting, this volume reveals for the first time the museums complex and sometimes twisted architectural history and the ambitious exhibition programme organized by Hilla Rebay, the museums founding Director and Curator from 1939 to 1952. Through the extensive correspondence between Rebay and Rudolf Bauer the artist whose work Guggenheim collected exhaustively Karol Vail reveals the important role Bauer played in envisioning the collection and the museum. Fully illustrated throughout, and featuring extensive previously unpublished archival materials, this book provides essential reading and a rich reference of the Guggenheims multifaceted and fascinating history.

Cardiac Resynchronization Therapy continues to evolve at a rapidpace. Growing clinical experience and additional clinical trialsare resulting in changes in how patients are selected for CRT. This new edition of the successful Cardiac ResynchronizationTherapy builds on the strengths of the first edition, providingbasic knowledge as well as an up-to-date summary of new advances inCRT for heart failure. Fully updated to include information ontechnological advances, trouble shooting and recent key clinicaltrials, and with nine new chapters, this expanded text provides thelatest information, keeping the reader up-to-date with this rapidlyevolving field. The second edition of Cardiac Resynchronization Therapyis an essential addition to your collection.

Originally published: London: The British Museum Press, 2013.

This volume examines the implications and consequences of the idea of ‘intangible heritage’ to current international academic and policy debates about the meaning and nature of cultural heritage and the management processes developed to protect it. It provides an accessible account of the different ways in which intangible cultural heritage has been defined and managed in both national and international contexts, and aims to facilitate international debate about the meaning, nature and value of not only intangible cultural heritage, but heritage more generally. Intangible Heritage fills a significant gap in the heritage literature available and represents a significant cross section of ideas and practices associated with intangible cultural heritage. The authors brought together for this volume represent some of the key academics and practitioners working in the area, and discuss research and practices from a range of countries, including: Zimbabwe, Morocco, South Africa, Japan, Australia, United Kingdom, the Netherlands, USA, Brazil and Indonesia, and bring together a range of areas of expertise which include anthropology, law, heritage studies, archaeology, museum studies, folklore, architecture, Indigenous studies and history.

Provides histories and biographies for the cities and townships of: Belle Creek, Belvidere, Burnside, Cannon Falls, Central Point, Cherry Grove, Featherstone, Florence, Frontenac Station, Goodhue, Hay Creek, Holden, Kenyon, Leon Township, Minneola, Pine Island, Red Wing, Roscoe, Stanton, Vasa, Wanamingo, Warsaw, Wacouta, Welch, and Zumbrota.

For many today, the art of the late nineteenth century is dominated by Impressionism and Post-impressionism. By explicating a range of highly engaging, often mysterious and beautiful prints, drawings and small sculptures, The Darker Side of Light evokes the shadowed interiors and private introspections that compose a far less familiar history of late nineteenth century art.

"An Ambiguous Grief is a beautiful, unflinchingly honest, poignant and wistful memoir, written with humor, and a graceful sangfroid that is admirable. One thing Dominique Hunter has done extremely well is to reveal her son Dylan's story in the exact right way: readers know upfront that she has lost him, but they don't know how. By the time we find out what happened to him, we know enough about his struggles and hers to understand how he came to that point in his life. Although the story is about Dylan, in the end, it tells the story of a mother's journey through coping with a devastating loss and moving forward - not "getting over it," but facing it by using her intelligence, humor, honesty, and humanity to deal with it in all its messy, sad, loving, ironic, despairing, hopeful, ambivalent ways. And to survive that journey, she takes us into an imaginative realm where past, present and future align to give her the space to heal." - Susan Edwards, Editor, Florida "A brave and beautiful memoir. The author managed to write an engaging, not-depressing book about surely the most painful and depressing experience a mother could ever have. She gives us an affectionate and realistic portrait of her son, and indeed of herself, that is full of love, and its effect on the reader is to make life feel precious and rich, and to encourage us to love hard the people we love, who will someday be gone from us one way or another, without either sentimentality or didacticism. It would have been so easy, and understandable, for this book to be nearly unbearable to read, too personal for an outsider to connect to, a manifestation of despair. It isn't. It is deceptively 'light', and full of light. That is quite an accomplishment." - Lisa Kaufman, Editor, NYC