Tibetan Manuscripts And Inscriptions Of Ladakh Himalaya

PART-I 1. Village Dictionary of Ladakh 2. Dards: An Indo Aryan Race in Ladakh 3. Khalatse: A Village of Dards 4. Stag Rimo Gonpa (Tib. stag rima dgon-pa) 5. Buddhist Engraved Images in Ladakh 6. Spituk Monastery 7. Dorje Chenmo Lhakhang in Shey Village 8. Rangdum Gonpa (Tib. rang-ldurn-bshad grub zamling gyan) of Zanskar 9. Yarma - Gonpo Monastery 10. Likir A Geluk - pa Monastery in Ladakh 11. Royal Palaces in Ladakh 12. Sengge N amgyal: A Great Protector of Ladakhi Buddlist Culture 13. Pt. Rahul Sanskrit yayan's is views about Ladakhi Culture 14. Tibetan Inscriptions near Dorje Chenmo Chokhang Shey PART-II 15. Ruthok Lhuvduh Chasling Gonpa 16. Karma Dupgyud Choeling Gonpa 17. H.E. Chosje Togdan Rinpoche: A Head Lama of Ladakh and his Photang 18. Theghchen Chosling (Tib. ltheg Che Chos gling) Monastery 19. Thuptan Donag Shedup Choskhorling 20. Some Buddhist Monuments in Chushod Village, Leh-Ladakh 21. History of Lamayuru Monastery during 1834-40 22. Tibetan Inscriptions on the Walls Inside the Temples of Alchi Choskhor during 11th and 16th Century AD. Bibliography Index

Ladakh, isolated for centuries, therefore, preserved unique historical monuments and cultural heritage. Recent post fast development activities and tourism in Ladakh have created alarming situation. Hence, we need to imply sustainable development policy, so that besides others we can be able to preserve our rich heritage. This book is an attempt to tell the monastic history of the Buddhist monasteries and the alarming situation of migratory birds. I hope this work will be useful for teacher and students who are interested ladakh studies.

Recent archaeological discoveries and scientific research especially focussed on western Tibet and the western Himalayas have resulted in a remarkable redefinition of the historical and cultural processes of the entire Indo-Tibetan civilisation. The present volume reflects these sometimes startling new insights for the first time, covering the wide time range from the Zhang zhung period up to the 20th century, spanning secular, religious and economic history, as well as art and archaeology.

Central theme, the development of ladakh has taken the primal focus. As ladakh is one of the highest land having attitude climate forming major impossibilities for human oriented prosperity, so the strategic development in needed. Reorientation of development works need an in-depth research of this land. The present condition of ladakh is well documented.

A study of a set of sixteenth-century wall paintings at the Gyapagpa Temple in Nako, a village in India’s Himachal Pradesh state. Sixteenth-century wall paintings in a Buddhist temple in the Tibetan cultural zone of northwest India are the focus of this innovative and richly illustrated study. Initially shaped by one set of religious beliefs, the paintings have since been reinterpreted and retraced by a later Buddhist community, subsumed within its religious framework and communal memory. Melissa Kerin traces the devotional, political, and artistic histories that have influenced the paintings’ production and reception over the centuries of their use. Her interdisciplinary approach combines art historical methods with inscriptional translation, ethnographic documentation, and theoretical inquiry to understand religious images in context. “A meticulous and discerning piece of scholarship, one that is skillful in employing multiple methods—visual, linguistic and ethnographic—to create a fuller picture of a region we knew little about. . . . [A] pleasure to read.” —Pika Ghosh, author of Making Kantha, Making Home: Women at Work in Colonial Bengal “Emphasizing the visual as primary evidence in the study of history, especially religious history, Kerin moves Buddhist art from the arena of museum displays, art markets, and aesthetics to the arena of dynamic interdisciplinary discourse, thus reaffirming the significance of in situ study. . . . Recommended.” —Choice “A forceful study on the specificity of Gyapagpa’s painting.” —South Asia Research/DESC> Indian art;south asian art;religious art;buddhist art;Indian history;south asian history;tibetan buddhism;buddhism;religion;indian buddhists;temple art;nako;gyapagpa;social history;political history;painting style;painting tradition ART019020 ART / Asian / Indian & South Asian ART035000 ART / Subjects & Themes / Religious HIS062000 HISTORY / Asia / South / India * REL007050 RELIGION / Buddhism / Tibetan 9780253010032 Patterns of War—World War II Larry H. Addington

This book analyses the trade system in Ladakh (India), a busy entrepôt for Silk Route trade between Central and South Asia. The author's research combines anthropological, historical, and archaeological methods of investigation to present a cultural history of South/Central Asia.