Three Early Stories

Three formative short stories by one of the most significant American writers of the twentieth century. A cocktail party conversation is most revealing in what is left unsaid. Tensions between a brother and sister escalate to violent threats. A soldier heading off to war is torn between duty to his country and to his family. These stories, first published in magazines in the 1940s and long out of print, showcase the formidable talent that would blossom in The Catcher in the Rye. The first book by J. D. Salinger to be published in fifty years, Three Early Stories is a crucial addition to the shelves of Salinger fans and newcomers to his work alike. Jerome David Salinger published just one novel and three short story collections in his lifetime, but is regarded as one of the most influential American writers of the twentieth century. His books - The Catcher in the Rye, Nine Stories, Franny and Zooey and Raise High the Roof Beam, Carpenters and Seymour: An Introduction - were published between 1951 and 1963, and Salinger lived most of his later life out of the public eye. J. D. Salinger died in 2010.

A young and ambitious writer named Jerome David Salinger set his goals very high very early in his career. He almost desperately wished to publish his early stories in The New Yorker magazine, the pinnacle, he felt, of America's literary world. But such was not to be for several long years and the length of one long world war. The New Yorker, whose tastes in literary matters were and remain notoriously prim and fickle, was not quite ready for this brash and over-confident newcomer with the cynical worldview and his habit of slangy dialogue. But other magazines were quick to recognize a new talent, a fresh voice at a time when the world verged on madness. Story magazine, an esteemed and influential small circulation journal devoted exclusively to the art of the short story and still active and respected today, was the first publication to publish the name J.D. Salinger and the story "The Young Folks" in 1940, an impressive view of New York's cocktail society and two young people talking past one another, their conversation almost completely meaningless and empty. His next short story was published in a college journal, The University of Kansas City Review, "Go See Eddie," a tale of quiet menace as an unsavory male character gradually turns up the pressure on a young lady to see a man named Eddie. Also published in 1940, the story is notable for the backstory that is omitted - a technique that Hemingway used to great effect. Four years later toward the end of Salinger's war experience saw the publication of "Once A Week Won't Kill You," again in Story magazine. Ostensibly about a newly minted soldier trying to tell an aging aunt he is going off to war, some may see the story as a metaphor for preparing one's family for the possibility of wartime death. Three Early Stories (Illustrated) is the first legitimately published book by J.D. Salinger in more than 50 years. Devault-Graves Digital Editions, a publisher that specializes in reprinting the finest in American period literature, is proud to bring you this anthology by one of America's most innovative and inspiring authors.

A young and ambitious writer named Jerome David Salinger set his goals very high very early in his career. He almost desperately wished to publish his early stories in The New Yorker magazine, the pinnacle, he felt, of America's literary world. But such was not to be for several long years and the length of one long world war. The New Yorker, whose tastes in literary matters were and remain notoriously prim and fickle, was not quite ready for this brash and over-confident newcomer with the cynical worldview and his habit of slangy dialogue. But other magazines were quick to recognize a new talent, a fresh voice at a time when the world verged on madness. Story magazine, an esteemed and influential small circulation journal devoted exclusively to the art of the short story and still active and respected today, was the first publication to publish the name J.D. Salinger and the story "The Young Folks" in 1940, an impressive view of New York's cocktail society and two young people talking past one another, their conversation almost completely meaningless and empty. His next short story was published in a college journal, The University of Kansas City Review, "Go See Eddie," a tale of quiet menace as an unsavory male character gradually turns up the pressure on a young lady to see a man named Eddie. Also published in 1940, the story is notable for the backstory that is omitted - a technique that Hemingway used to great effect. Four years later toward the end of Salinger's war experience saw the publication of "Once A Week Won't Kill You," again in Story magazine. Ostensibly about a newly minted soldier trying to tell an aging aunt he is going off to war, some may see the story as a metaphor for preparing one's family for the possibility of wartime death. Three Early Stories (Illustrated), published in 2014 by Devault-Graves Digital Editions, is the first legitimately published book by J.D. Salinger in more than 50 years. Its publication was a landmark in recent publishing history. Of particular interest to scholars and lovers of literature, these three tales mark the earlier period in the development of Salinger as a published writer, taking him from his first story sale to his life-changing experiences in World War II. This new Scholastic Edition of Three Early Stories, prepared by accomplished writer and English professor Michael Compton, includes a full study guide intended for use in high school and college classrooms. The study guide includes endnotes, discussion questions, writing prompts, essays and a Salinger timeline.

The "original, first-rate, serious, and beautiful" short fiction (New York Times Book Review) that introduced J. D. Salinger to American readers in the years after World War II, including "A Perfect Day for Bananafish" and the first appearance of Salinger's fictional Glass family. Nine exceptional stories from one of the great literary voices of the twentieth century. Witty, urbane, and frequently affecting, Nine Stories sits alongside Salinger's very best work--a treasure that will passed down for many generations to come. The stories: A Perfect Day for Bananafish Uncle Wiggily in Connecticut Just Before the War with the Eskimos The Laughing Man Down at the Dinghy For Esmé--with Love and Squalor Pretty Mouth and Green My Eyes De Daumier-Smith's Blue Period Teddy

An engaging account of women's travels in the early modern period. This book showcases three Frenchwomen who ventured far from home at a time when such traveling was rare. In 1639, Marie de l'Incarnation embarked for New France where she founded the first Ursuline monastery in present-day Canada. In 1750, Madame du Boccage set out at the age of forty on her first "grand tour." She visited England, the Netherlands, and Italy where she experienced firsthand the intellectual liberty offered there to educated women. As the Reign of Terror gripped France, the Marquise de la Tour du Pin fled to America with her husband and their two young children, where they ran a farm from 1794 to 1796. The writings these women left behind detailing their respective journeys abroad represent significant contributions to early modern travel literature. This book makes available to anglophone readers three texts that are rich in both historical and literary terms.

Alexander Theroux has taught at Harvard, MIT, Yale, and the University of Virginia, where he took his doctorate in 1968. He is the author of four highly regarded novels, Three Wogs (1972), Darconville's Cat (1981), An Adultery (1987), and Laura Warholic (2007), as well as Collected Poems (2015) and other books of non-fiction. Both Three Wogs and Darconville's Cat were nominated for the National Book Award. Early Stories, the first book of Theroux's fiction to be published in fourteen years, constitutes an addition to one of modern American literature's most lauded and entertaining bodies of work. It is also the first volume in his story triad (Fables and Later Stories soon to follow). Nobody writing today has a keener instinct for obsession, hypocrisy, sexual jealousy, envy, human folly, the lineaments of vanity, greed, and romantic disappointment, and, yes, grace. A feast of comic joy awaits you in this long-awaited collection. Here, the sword arm of satire is swung high! We encounter an intractable woman who refuses to divulge the secret to her spaghetti sauce. A tourist discovers a modern Nestor in an English pub. An idealistic teacher who is also a broken-hearted lover leaves us speechless over his overwhelming fixation. A hide-bound feminist goes to Italy to learn pasta making. A beautiful Bostonian, becoming a fashion model, achieves a much different goal. What is the effect of summer camp on a sensitive youngster? How does a hunt in Cracow for the alpenstock of great Copernicus end up a comic farce? Does a young boy with a genius IQ fulfill his promise? What happens when a collector discovers the rarest autograph in American letters? Nothing prepares the reader for the twists and turns of these unsparing but brilliantly plotted stories. Language is, however, the subject, the splendid gift of one of the nation's word-masters, a magician who fashions words out of his fingertips. Satire, it is said, swipes off the noggin but leaves the head in place. Here, the head still manages to find its voice-to our great and continuing pleasure.

This practical, reader-friendly textbook for preservice and in-service early childhood education and early literacy courses provides "how-to-do-it" instructions for promoting emergent literacy in reading, writing, and arithmetic from preschool into the primary grades. Early 3 Rs answers the question: "What can I SAY and DO to give each child the best possible start on the 3 Rs?" With the strategies and materials in this book, a teacher can give personalized direct instruction in the 3 Rs to a beginner, in just a few minutes a day. The early chapters tell how to prepare a young child for reading, writing, and arithmetic. Subsequent chapters show how to give a beginner an early start on learning the 3 Rs. All strategies begin with the oral approach (from phonemic awareness to "arithme-talk") and then progress to print that is personally meaningful to a young child. Early 3 Rs: * Includes arithmetic as a component of early literacy. * Gives developmentally appropriate methods for direct teaching of the 3 Rs. * Provides scripts of what the teacher can say to promote early learning. * Helps education students in field-based classes offer personalized instruction. Early 3 Rs is written to be very reader friendly: the approach is intentionally eclectic; the writing deliberately avoids heavy theory; the goal is to provide an easy-to-use, highly practical and accessible guide for those who work in early childhood education settings.

The "brilliant, funny, meaningful novel" (The New Yorker) that established J. D. Salinger as a leading voice in American literature--and that has instilled in millions of readers around the world a lifelong love of books. "If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth." The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caufield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days.

Late on a warm summer night in rural Missouri, an elderly camp director hears a squeal of joyous female laughter and goes to investigate. At the camp swimming pool he comes upon a bewildering scene: his counselors stripped naked and engaged in a provocative celebration. The first camp session is set to start in just two days. He fires them all. As a result, new counselors must be quickly hired and brought to the Kindermann Forest Summer Camp. One of them is Wyatt Huddy, a genetically disfigured young man who has been living in a Salvation Army facility. Gentle and diligent, large and imposing, Wyatt suffers a deep anxiety that his intelligence might be subnormal. All his life he’s been misjudged because of his irregular features. But while Wyatt is not worldly, he is also not an innocent. He has escaped a punishing home life with a reclusive and violent older sister. Along with the other new counselors, Wyatt arrives expecting to care for children. To their astonishment, they learn that for the first two weeks of the camping season they will be responsible for 104 severely developmentally disabled adults, all of them wards of the state. For Wyatt it is a dilemma that turns his world inside out. Physically, he is indistinguishable from the state hospital campers he cares for. Inwardly, he would like to believe he is not of their tribe. Fortunately for Wyatt, there is a young woman on staff who understands his predicament better than he might have hoped. At once the new counselors and disabled campers begin to reveal themselves. Most are well-intentioned; others unprepared. Some harbor dangerous inclinations. Among the campers is a perplexing array of ailments and appearances and behavior both tender and disturbing. To encounter them is to be reminded just how wide the possibilities are when one is describing human beings. Soon Wyatt is called upon to prevent a terrible tragedy. In doing so, he commits an act whose repercussions will alter his own life and the lives of the other Kindermann Forest staff members for years to come. Written with scrupulous fidelity to the strong passions running beneath the surface of camp life, The Inverted Forest is filled with yearning, desire, lust, banked hope, and unexpected devotion. This remarkable and audacious novel amply underscores Heaven Lake’s wide acclaim and confirms John Dalton’s rising prominence as a major American novelist.

Award-winning English-language debut by Morocco's most prominent contemporary author, a linked story collection exploring what it means to be foreign.