They Love A Man In The Country

They Love a Man in the Country is a piquant chronicle of politics in the South in the days when a politician had to entertain to be elected. Seasoned journalists Billy Bowles and Remer Tyson interviewed the powerful and the obscure: state leaders in the Deep South and feuding, trigger-happy bootleggers in the Cumberland Gap. While many figures are familiar beyond their consituency -- George Wallace, Orval Faubus, Happy Chandler -- the authors have included others less widely known whose recollections and anecdotes are equally entertaining. What emerges from these interviews is the sense of an era in which any ruse could be used to grease the cogs of power as long as it worked. Part social history, part political closeup of many of the South's most outrageous figures, They Love a Man in the Country takes us from the populist '30s through the civil rights struggles of the '60s and '70s. Bowles and Tyson have embraced the comedy and poignancy of their material in this rich distillation of Southern life.

BONUS: This edition contains an excerpt from Hisham Matar's Anatomy of a Disappearance. Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie? Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television. In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

NEW YORK TIMES BESTSELLER • “For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”–USA Today In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions. Praise for A Man Without a Country “[This] may be as close as Vonnegut ever comes to a memoir.”–Los Angeles Times “Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”–The New York Times Book Review “Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”–Chicago Tribune “Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”–The Australian “Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”–Studs Terkel

"We live in a time of change, an era where old men can maintain health but find dignity in frailty. Old Man Country helps readers see and imagine this change for themselves. The book follows the journey of a writer in search of wisdom, as he narrates encounters with twelve distinguished American men over 80 -- including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world's most famous heart surgeon. In these and other intimate conversations, the book explores and honors the particular way that each man faces the challenges of living a good old age"--

From Slapstick's "Turkey Farm" to Slaughterhouse-Five's eternity in a Tralfamadorean zoo cage with Montana Wildhack, the question of the afterlife never left Kurt Vonnegut's mind. In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes. What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

Two books in one offering. A Love For A Country is a tale about love, betrayal and a needless war that started it all. The King's private task force is above the law searching for the truth, but who can they trust, and who are really the enemies? The Man From Veberöd is a mountain of a man with a dark secret. Take a sadistic killer, a clumsy detective, lots of sex, and you get a Southern tale. Two graphic and explicit hard-boiled crime novels from two different parts of Sweden.

"In many ways," Waller R. Newell writes, "young men today are in deep spiritual trouble. But they are also yearning for a way back to the noblest ideals of American manhood." The Code of Man represents a deep and thought-provoking effort to help guide contemporary men back to those ideals, as embodied in what Newell calls the five paths to manliness: love, courage, pride, family, and country. At the dawn of the twenty-first century, he argues, we have grown so concerned about the roles of sex and violence in our society that we have forgotten the older virtues: romance and eros, courage and patriotism, the blend of love and bravery it takes to raise a family. In The Code of Man, he exhorts us to look to the traditional virtues of the past for inspiration. Contrasting the time-honored lessons of traditional voices -- Shakespeare and Abraham Lincoln, Jane Austen and Teddy Roosevelt -- with the chaotic signals emanating from sources like Eminem, video games like Thrill Kill, and Goth culture, Newell illustrates how we have come to associate courage with violence, "transgression" with wisdom. Most disturbing, he argues, the essential triumph of Western culture may have left us with a building reserve of untapped aggressive energy, and no consensus about how to channel it -- a situation that threatens to weaken us at the core. Seamlessly weaving together literary references from a diverse body of sources, Waller Newell offers an open-eyed look at what it means to be a man in America today, and a clarion call to recapture our traditions if we are to preserve our character as a society ... and avoid catastrophe.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.