Theres Nothing Louder Than Dead Air

You'll love how Bob "the Blade" Robinson stuck it to the man. You'll learn how schizophrenia isn't all that bad. What is the GREATEST guitar solo in rock? Who is the real King of Rock N Roll? How can you live on 8k a year? You can't. But you can feed your head for that much. The new tell-all from a rock radio vet of 30 years. The first real read about the sheer lunacy of the rock business. There was no other business is like it.

What is a guy to do when he has been a rock DJ his whole career and all of a sudden he is asked to stay on while his legendary rock station is turned to a country music format? He could stay on and "play the game and be taken care of for life". Most would. Bob "the Blade" Robinson resigned, but he didn't resign by walking into anyone's office or leaving a letter of resignation in someone's mail slot. What he did got him banned from the company for life. It's a long way to the top and most never get there. This man never did, but he had fun trying. Fun that almost got him killed.

A chronicle of Adams’s rise from alt-country to rock stardom, featuring stories about the making of the albums Strangers Almanac and Heartbreaker. Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown’s rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer’s remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams’s post-Whiskeytown self-reinvention as a solo act. Menconi draws on early interviews with Adams, conversations with people close to him, and Adams’s extensive online postings to capture the creative ferment that produced some of Adams’s best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had a determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion. “Menconi, a veteran music critic based in Raleigh, North Carolina, had a front row seat for alt-country wunderkind Ryan Adams’ rise to prominence—from an array of local bands, to Whiskeytown, and on to a successful and prolific solo career. Here, Menconi enthusiastically revisits those heady days when the mercurial Adams’ performances were either transcendent or tantrum-filled—the author was there for most of them, and he packs his book with tales of magical performances and utterly desperate train wrecks. . . . This interview- and anecdote-laden exposé of the artist's early career will doubtless find a happy home with Adams fans.” —Publishers Weekly

The thousands of dollars raised by the publication of Louder Than Words went directly to programs that aid the hungry and homeless. In this second c ollection, a new set of 22 authors donate their work, which appears here in book form for the first time.

“If you’ve ever wondered if love can conquer all, read [this] stunning coming-of-age debut.” — Marie Claire A New York Times Book Review Editors’ Choice Named a Best Book of the Year by NPR * BuzzFeed * Bustle * Shelf Awareness * Publishers Lunch “[This] love story has hypnotic power.”—The New Yorker Ijeoma comes of age as her nation does. Born before independence, she is eleven when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. But when their love is discovered, Ijeoma learns that she will have to hide this part of herself—and there is a cost to living inside a lie. Inspired by Nigeria’s folktales and its war, Chinelo Okparanta shows us, in “graceful and precise” prose (New York Times Book Review), how the struggles and divisions of a nation are inscribed on the souls of its citizens. “Powerful and heartbreaking, Under the Udala Trees is a deeply moving commentary on identity, prejudice, and forbidden love” (BuzzFeed). “An important and timely read, imbued with both political ferocity and mythic beauty.” — Bustle “A real talent. [Under the Udala Trees is] the kind of book that should have come with a cold compress kit. It’s sad and sensual and full of heat.” — John Freeman, Electric Literature “Demands not just to be read, but felt.” — Edwidge Danticat