There Is A Deep Brooding In Arkansas

A sweeping study of sexual assault trials in the Jim Crow South, detailing the racial and economic inequities of rape law and the resistance of ordinary women In the early years of the twentieth century, Mississippi County, Arkansas, was a brutal and profitable place. Home to starving, landless farmers, the county produced almost two percent of the entire world's cotton. It was also the site of two rape trials that made national headlines: an accusation that sent two Black men, almost certainly innocent, to death row; and the case of two white men, almost certainly guilty, who were likewise sentenced to death but who would ultimately face a very different fate. Braiding together these stories, Scott W. Stern examines how the Jim Crow legal system relied on selectively prosecuting rape to uphold the racial, gender, and economic hierarchies of the segregated, unequal South. But as much as rape law was a site of oppression, it was also, Stern shows, an arena of fierce resistance. Based on deep archival research, this kaleidoscopic narrative includes new information about the early career of Thurgood Marshall, who called one of the Mississippi County trials "worse than any we have had as yet," and the anti-rape activism of Maya Angelou, who came of age in Arkansas and whose decision to write about her own sexual assault helped shape a burgeoning movement.

From the expeditions of de Soto in the sixteenth century to the celebrated work of such contemporary writers as Maya Angelou, Ellen Gilchrist, and Miller Williams, Arkansas has enjoyed a rich history of letters. These two volumes gather the best work from Arkansas's rich literary history celebrating the variety of its voices and the national treasure those voices have become.

Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters. Pretty women wonder where my secret lies. I’m not cute or built to suit a fashion model’s size But when I start to tell them, They think I’m telling lies. I say, It’s in the reach of my arms, The span of my hips, The stride of my step, The curl of my lips. I’m a woman Phenomenally. Phenomenal woman, That’s me. Thus begins “Phenomenal Woman,” just one of the beloved poems collected here in Maya Angelou’s third book of verse. These poems are powerful, distinctive, and fresh—and, as always, full of the lifting rhythms of love and remembering. And Still I Rise is written from the heart, a celebration of life as only Maya Angelou has discovered it. “It is true poetry she is writing,” M.F.K. Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity. . . . It is astounding, flabbergasting, to recognize it, in all the words I read every day and night . . . it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”

The beauty and spirit of Maya Angelou’s words live on in this complete collection of poetry, including her inaugural poem “On the Pulse of Morning” Throughout her illustrious career in letters, Maya Angelou gifted, healed, and inspired the world with her words. Now the beauty and spirit of those words live on in this new and complete collection of poetry that reflects and honors the writer’s remarkable life. Every poetic phrase, every poignant verse can be found within the pages of this sure-to-be-treasured volume—from her reflections on African American life and hardship in the compilation Just Give Me a Cool Drink of Water ’fore I Diiie (“Though there’s one thing that I cry for / I believe enough to die for / That is every man’s responsibility to man”) to her revolutionary celebrations of womanhood in the poem “Still I Rise” (“Out of the huts of history’s shame / I rise / Up from a past that’s rooted in pain / I rise”) to her “On the Pulse of Morning” tribute at President William Jefferson Clinton’s inauguration (“Lift up your eyes upon / The day breaking for you. / Give birth again / To the dream.”). Maya Angelou: The Complete Poetry also features her final long-form poems, including “A Brave and Startling Truth,” “Amazing Peace,” “His Day Is Done,” and the honest and endearing Mother: “I feared if I let you go You would leave me eternally. You smiled at my fears, saying I could not stay in your lap forever” This collection also includes the never-before-published poem “Amazement Awaits,” commissioned for the 2008 Olympic Games: “We are here at the portal of the world we had wished for At the lintel of the world we most need. We are here roaring and singing. We prove that we can not only make peace, we can bring it with us.” Timeless and prescient, this definitive compendium will warm the hearts of Maya Angelou’s most ardent admirers as it introduces new readers to the legendary poet, activist, and teacher—a phenomenal woman for the ages.

Includes the fiction section from Literature: Reading, Reacting, Writing 2/e with three student papers and works by women, minority, non-Western and contemporary authors.

Dedicated to the interlocking processes of reading and writing, this book contains carefully chosen literary selections, and each chapter contains detailed information on and sample essays for writing about literature. Features of the fifth edition include strengthened introductions to literary topics and fresh, new selections. The new edition also places greater emphasis on research writing and on critical approaches to literature.

Until his recent death in federal prison, Jim McDougal was the irrepressible ghost of the Clintons' Arkansas past. As Bill Clinton's political and business mentor, McDougal - with his knowledge of embarrassing real estate and banking deals, bribes, and obstructions of justice - has long haunted the White House. Jim McDougal's vivid self-portrait, completed only days before his death and coauthored by veteran journalist Curtis Wilkie, takes on the rich particularity of character and plot to reveal the hidden intersections of politics and special interests in Arkansas and the betrayals that followed. It is the story of how ambitious men and women climbed out of rural obscurity and "how friendships break down and lives are ruined."

[The editors's] practice is to place [nontraditional or contemporary] works where they belong, alongside the "classics": to integrate new with old, familiar with unfamiliar, inviting students to discover new works and to see familiar works in new contexts. Thus, [their] goal in this anthology remains what is has been from the start: not just to expand the literary canon, but also to expand the personal canons of both students and instructors ... [The goal is] to encourage students both to appreciate works representing diverse literary subjects, styles, and perspectives and to recognize their own roles in bringing these diverse works into their personal literary canons by reading, reacting to, and writing about them.-Pref.

Steven Lynn's ground breaking Literature: Reading and Writing with Critical Strategies energizes literary study by demonstrating, step by step, how to use critical approaches to engage literary texts and evolve critical arguments. Plentiful examples demonstrate the process of thinking and writing about literature progressing from a blank page to an insightful response and, ultimately, to a final essay using a variety of critical theories as invention strategies. A richly diverse selection of classical and contemporary works short stories, poems, and plays is included.